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Catalog of a Collection of Photographs by Gérard Allon in the Judaica Collection of the Harvard library

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I N T RO D U C T I O N<br />

Gérard <strong>Allon</strong>: Immigrant, Pioneer, Visionary, Mystic<br />

N I S S A N N. P E R E Z<br />

Gérard <strong>Allon</strong> is without doubt one <strong>of</strong> <strong>the</strong> most prom<strong>in</strong>ent figures<br />

<strong>in</strong> contemporary Israeli photography. Already an accomplished<br />

photographer when he arrived from France <strong>in</strong> <strong>the</strong><br />

1970s, he has <strong>in</strong>creas<strong>in</strong>gly made his presence felt. He was and still is<br />

one <strong>of</strong> <strong>the</strong> central figures <strong>in</strong> <strong>the</strong> development <strong>of</strong> camera art, and<br />

through a most natural and organic process he has led it to current<br />

parity with <strong>the</strong> highest <strong>in</strong>ternational standards. He has applied photography<br />

<strong>in</strong> such areas as video, c<strong>in</strong>ema, and holography, where his<br />

constant search<strong>in</strong>g and experimentation have <strong>of</strong>ten spearheaded developments.<br />

To understand <strong>Allon</strong>’s role, it is necessary to look first at<br />

<strong>the</strong> general state <strong>of</strong> photography <strong>in</strong> Israeli society.<br />

Photography <strong>in</strong> Israeli Society<br />

Life <strong>in</strong> Israel is marked <strong>by</strong> a great number <strong>of</strong> factors, some historic,<br />

o<strong>the</strong>rs surfac<strong>in</strong>g as a result <strong>of</strong> <strong>the</strong> complex national, social, economic,<br />

and geopolitical situation. From <strong>the</strong> <strong>in</strong>delible memory <strong>of</strong> <strong>the</strong> Holocaust<br />

to <strong>the</strong> day-to-day concerns <strong>of</strong> political, social, and security issues<br />

(personal and national), <strong>the</strong> reality <strong>of</strong> contemporary Israel creates<br />

a haunt<strong>in</strong>g and challeng<strong>in</strong>g environment <strong>in</strong> which liv<strong>in</strong>g (surviv<strong>in</strong>g?)<br />

has become an ever-present challenge. To create art can at times seem<br />

to be a gratuitous and futile act.<br />

How <strong>the</strong>n do artists (also as citizens) come to terms with this distress<strong>in</strong>g<br />

reality that encompasses undiscern<strong>in</strong>g violence, <strong>in</strong>security, social discrim<strong>in</strong>ation,<br />

political <strong>in</strong>stability, and o<strong>the</strong>r illnesses common to most<br />

contemporary societies? Their cumulative work proposes a wide choice<br />

<strong>of</strong> alternatives, from first-hand active <strong>in</strong>volvement <strong>in</strong> <strong>the</strong> life <strong>of</strong> <strong>the</strong>ir<br />

country, to a total and conscious escapism. The well-def<strong>in</strong>ed and ref<strong>in</strong>ed<br />

personal approaches as well as <strong>the</strong> diversity <strong>of</strong> <strong>the</strong> dist<strong>in</strong>ctive strategies<br />

and po<strong>in</strong>ts <strong>of</strong> view, reveal a partial, yet up-to-date image <strong>of</strong> contemporary<br />

Israeli photography and video art, and consequently <strong>of</strong> life <strong>in</strong> Israel.<br />

The output <strong>of</strong> Israeli artists is charged with a wide range <strong>of</strong> implications<br />

as to <strong>the</strong> complexity <strong>of</strong> life <strong>in</strong> <strong>the</strong> country. Israeli art reflects deep preoccupations<br />

and is laden with energies, beliefs, tensions, hopes and prayers,<br />

sorrows and joys, trust and suspicion, through which <strong>the</strong> ghosts from <strong>the</strong><br />

past and <strong>the</strong> present can only be felt partially.<br />

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