March 2019 LIVE Magazine
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experienced something that the scene calls<br />
for the actor to react to. Having started her<br />
career on stage, Morgan was able to bring<br />
the skill of conveying these emotions into<br />
the recording studio. She mentions that<br />
together and shake to make yourself sound<br />
like you’re running because you can’t move.<br />
Tricks of the booth! I got all of them! That’s<br />
what I should do as a panel: Tricks of the<br />
booth.”<br />
working in the booth can be restrictive due<br />
to a lack of movement available to you, but<br />
I suggested writing a book instead…<br />
she lets me in on one of the tricks she uses<br />
when behind the microphone:<br />
While stage acting remains Morgan’s first<br />
love, she admits to being hard on herself<br />
“You have to improvise. So if you’re running<br />
or something you have to put your hands<br />
when it comes to a live production. On the<br />
flip side, she finds voice over work to be a<br />
lot of fun:<br />
“You get to be in a dark room, in your<br />
pyjamas, with a cup of tea, pretending like<br />
you’re a cat. Like… that is the pinnacle. I’ve<br />
made it!”<br />
Many voice actors have told me about<br />
recording in their pyjamas, to which I query<br />
whether they have sleep overs at Okatron<br />
5000 (where many Funimation series are<br />
dubbed). Morgan jokingly insists that this<br />
only happens on New Years, and that it’s a<br />
big party.<br />
Heavy Object: Frolaytia Capistrano
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