March 2019 LIVE Magazine

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P Probably the best place to start Buzz Lightyear to the Rescue! was this article is to go back to the seen as one of the better entries in O beginning of Disney games on the genre (sadly the TV show tie-in PlayStation hardware, with the Buzz Lightyear of Star Command R release of the very first PlayStation, when a number of different didn’t receive the same acclaim), while the others were a bit more publishers were trying their hands forgettable, although they could T C at making tie-ins to classic Disney generally be fun if you were a fan films. Many of the titles which of the source material. A L landed on that console came to the PSP (and by extension Vita) Just as common were 2D with the launch of the PS1 classics platformers designed around older B A program in 2006, which allowed sensibilities, such as the beautifully them to be downloaded and taken animated Hercules: Action Game L S on the go. or Tarzan, both based on the moderately popular films, as well Among the titles offered through as Mickey’s Wild Adventure, which E S the program were things like 102 was an original platformer starring Dalmations, A Bug’s Life, Atlantis, the firm’s mascot. There was also I Toy Story 2, and Lilo & Stitch – early outings into the 3D platformer a further game based on Pixar’s biggest IP in Toy Story Racer, which genre (which had flourished on the aped Mario Kart‘s design for a C PS1), which usually had you running fairly enjoyable time. All of the around finding dozens of collectible aforementioned titles are available S items and jumping on the heads of bad guys. Of them, Toy Story 2: on Vita through backwardscompatibility.
My personal favourite of the bunch is Monsters Inc: Scare Island, a game which has you running around as Mike and Sulley practicing their intimidation skills in a training course designed for monsters. It was a first foray into the Disney licensed arena for Sony – something the company would revisit many years later for its handhelds.
Page 1 and 2: APRIL ISSUE 2019 IVE INTERVIEW: MOR
Page 3 and 4: From the Editor Hello and welcome t
Page 5 and 6: THE LIVE TEAM EDITOR & DESIGNER: Em
Page 7: ,tv& ANIME
Page 10 and 11: DOUBLE PASS GIVEAWAY What if a chil
Page 12 and 13: INTERVIEW WITH MORGAN GARRETT For m
Page 14: We briefly discuss Monica, who I ha
Page 17 and 18: experienced something that the scen
Page 21 and 22: INTERVIEW WITH JOSH GRELLE Attendin
Page 23 and 24: Josh started to call the studio onc
Page 26 and 27: gameS YOSHI’S CRAFT WORLD SILK, K
Page 28 and 29: Paul Broussard REVIEW PS4: DARKSIDE
Page 30 and 31: the layout revolves around finding
Page 33 and 34: I’m usually not one to make much
Page 35 and 36: Crafted World utilizes a mechanic o
Page 37 and 38: Stages range from train stations, t
Page 40 and 41: Adam Cartwright A LOOK BACK AT DISN
Page 45 and 46: Throughout much of the seventh gene
Page 47 and 48: Disney continued to work in partner
Page 49 and 50: This happened a couple of years lat
Page 51 and 52: D I S N E Y depth creation tools. T
Page 53 and 54: C O N C L U S I O N Despite often b
Page 55 and 56: WRITTEN BY PAUL MONOPOLI With a lo-
Page 58 and 59: SEE MORE ON... facebook.com/Gametra
Page 60: Check our past Live issues HERE: is

March 2019 LIVE Magazine

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