CRAFT DOC_compressed

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Contents Page No. 2.15 Folklore 55 2.16 Naxalism 56 2.17 Other crafts of the region 56 3. About Lohshilp 60 3.1 Introduction to the craft 63 3.2 Origin of the craft 64 3.3 Other interpretations 66 4. Raw Material And Tools 68 4.1 Raw material 70 4.2 Tools 72 5. Process 74 5.1 Preparing the furnace 76 5.2 Making of animal sculpture 77 5.3 Making of figurines 88 5.4 Panel making 96 5.5 Diya/lamp making 102 5.6 Painting 104 5.7 Evolution of craft 108 6. The Craftsmen 114 6.1 The workplace 116 6.2 Master craftsmen 116 6.3 Other supporting craftsmen 118 7. Product Range 120 8. Expanse Of The Craft 132 10
Contents Page No. 8.1 Personal marketing 134 8.2 Craft promotions and Government schemes 134 8.3 Future of lohshilp 135 8.4 Traces of the craft 135 8.5 Personal experiences 137 Conclusion 139 Bibliography 142 Project Team 144 11
Page 1 and 2: 1
Page 3 and 4: LOHSHILP The Blacksmithy Of Chhatti
Page 5 and 6: Acknowledgement The completion of t
Page 7 and 8: Preface The history of Indian handi
Page 9: Table of Contents Contents Page No.
Page 13 and 14: About NID The National Institute of
Page 15 and 16: LAD@NID The Lifestyle Accessory Des
Page 17 and 18: Introduction The crafts of India ar
Page 19 and 20: 19
Page 21 and 22: 1.1 About Chhattisgarh Chhattisgarh
Page 23 and 24: 23 Fig. 1.2
Page 25 and 26: “ I have moved and moved many tim
Page 27 and 28: 1.5 Climatic condition The climate
Page 29 and 30: quantity of teak. Towards the north
Page 31 and 32: 11 Wildlife Sanctuaries and 3 Natio
Page 33 and 34: 33
Page 35 and 36: 2.1 Formation of Kondagaon As per t
Page 37 and 38: 2.2 How to reach Kidichepda? Chhatt
Page 39 and 40: nuptials. Even in terms of the popu
Page 41 and 42: The Ghotul is typically located out
Page 43 and 44: a shirt/T-shirt and a piece of clot
Page 45 and 46: Fig. 2.8 play an important role in
Page 47 and 48: Fig. 2.10 natural forces like the s
Page 49 and 50: and cosmetics. One old lady was ser
Page 51 and 52: 2.13 Festival and worship 2.14 Ente
Page 53 and 54: Fig. 2.20 The Dhols, the Mandals, D
Page 55 and 56: 2.15 Folklore The Jhitkhu Mitki sto
Page 57 and 58: Fig. 2.23 Fig. 2.25 Fig. 2.23 Bronz
Page 59 and 60: dye, extracted from AAL found in th
Page 61 and 62:
61
Page 63 and 64:
3.1 Introduction to the craft Lohsh
Page 65 and 66:
Fig. 3.4 Fig. 3.4 A craftsman using
Page 67 and 68:
Fig. 3.5 ... they started believing
Page 69 and 70:
69
Page 71 and 72:
0.04 in, 0.032 in, 0.025 in, 0.02 i
Page 73 and 74:
h. i. k. j. l. scraping it on metal
Page 75 and 76:
75
Page 77 and 78:
5.2 Making of animal sculpture The
Page 79 and 80:
Fig. 5.8 Fig. 5.11 Fig. 5.9 Fig. 5.
Page 81 and 82:
The part is elongated and hammered
Page 83 and 84:
Fig. 5.26 Fig. 5.29 Fig. 5.26 Strik
Page 85 and 86:
Fig. 5.37 Fig. 5.40 Fig. 5.37 The n
Page 87 and 88:
Fig. 5.47 87
Page 89 and 90:
The posture of the craftsman is suc
Page 91 and 92:
To provide shape to the belly, the
Page 93 and 94:
93
Page 95 and 96:
95
Page 97 and 98:
Fig. 5.68 Fig. 5.69 are blunted by
Page 99 and 100:
Fig. 5.75 Fig. 5.78 Fig. 5.76 Fig.
Page 101 and 102:
Fig. 5.86 101
Page 103 and 104:
aat (pinched point) for the wick. I
Page 105 and 106:
Fig. 5.100 105
Page 107 and 108:
Fig. 5.104 107
Page 109 and 110:
Impression moulding Once all the pa
Page 111 and 112:
Cleaning The figurines are washed i
Page 113 and 114:
Fig. 5.123 Mounting Since these fig
Page 115 and 116:
115
Page 117 and 118:
to countries like Italy, Russia and
Page 119 and 120:
Amitabh Vishwakarma 24 yrs of age A
Page 121 and 122:
121
Page 123 and 124:
Fig. 7.2 Fig. 7.2 Cylindrical khut
Page 125 and 126:
Fig. 7.6 Fig. 7.6 Laman Diya Dimens
Page 127 and 128:
Fig. 7.15 Fig. 7.12 Fig. 7.12 Giraf
Page 129 and 130:
Fig. 7.19 Clock Frame Dimensions: T
Page 131 and 132:
Fig. 7.22 Fig. 7.22 Dhruda and Chit
Page 133 and 134:
133
Page 135 and 136:
8.3 Future of lohshilp Challenges a
Page 137 and 138:
8.5 Personal experiences When we go
Page 139 and 140:
Conclusion Handicrafts are a substa
Page 141 and 142:
141
Page 143 and 144:
12. District Administration Bastar.
Page 145 and 146:
145
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