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Fig. 6.1 Fig. 6.1 Craftsmen working in the Workshop of Mr. Tiju Ram beside his residence Fig. 6.2 Mr. Tiju Ram receiving a National Award from former president Shri Pranab Mukherjee 6.1 The workplace The workshop is around 260 sq. ft. and is located right beside the residence of the master craftsman. All activities take place inside the workshop including storing raw material, cutting, debossing, welding, forging, pattern making, etc. apart from painting which may be done in the backyard, and storing final products in a dedicated room. 6.2 Master craftsman Tiju Ram Vishwakarma belongs to the Adivasi community who are lohars/ blacksmiths. He is a resident of the Kidichepda village, which is about 8 to 10 km from Kondagaon. The village houses eight to ten families dedicated to wrought iron craft with about forty to fifty people in and around Kidichepda who work on Lohshilp craft as well. Mr. Tiju Ram Vishwakarma has been doing this craft since he was around the age of ten years. Tiju Ram learnt the craft from his father and gained experience with time. His vision of the craft changed drastically when he accompanied his father on an assignment to Mumbai, at the age of 13. Having worked with a well-known designer (Mr. Rajiv V. Sethi), and decorating an industrialist’s bungalow, the Shah House in Juhu, he started gaining recognition and received multiple client orders. He began experimenting with form and material, trying to fulfill the aesthetic demands of the contemporizing society. On a formal invitation, he has travelled 116
to countries like Italy, Russia and Austria to showcase and demonstrate his work. Achievements and awards He has been honoured with the State Award by the Chhattisgarh Government in 2011. In Dec 2015, he was conferred with a National Award. The former President, Shri Pranab Mukherjee is presenting the National Award-2013 to Shri Tiju Ram Vishwakarma, (Chhattisgarh), at the presentation of the National Awards & Shilp Guru Awards to master craftsmen and weavers for 2012, 2013 and 2014, in New Delhi on December 09, 2015. The Minister of State for Textiles (Independent Charge), Shri Santosh Kumar Gangwar is also seen. Recently, in December 2018, he was bestowed with the Indravati Sammaan 2017-18 at Kondagaon, Chhattisgarh. Apart from this, he has been a frequent recipient of medals and testimonials. Tiju Ram Vishwakarma 42 yrs of age Fig. 6.2 117
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LOHSHILP The Blacksmithy Of Chhatti
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Acknowledgement The completion of t
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Preface The history of Indian handi
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Table of Contents Contents Page No.
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Contents Page No. 8.1 Personal mark
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About NID The National Institute of
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LAD@NID The Lifestyle Accessory Des
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Introduction The crafts of India ar
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1.1 About Chhattisgarh Chhattisgarh
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23 Fig. 1.2
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“ I have moved and moved many tim
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1.5 Climatic condition The climate
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quantity of teak. Towards the north
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11 Wildlife Sanctuaries and 3 Natio
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2.1 Formation of Kondagaon As per t
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2.2 How to reach Kidichepda? Chhatt
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nuptials. Even in terms of the popu
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The Ghotul is typically located out
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a shirt/T-shirt and a piece of clot
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Fig. 2.8 play an important role in
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Fig. 2.10 natural forces like the s
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and cosmetics. One old lady was ser
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2.13 Festival and worship 2.14 Ente
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Fig. 2.20 The Dhols, the Mandals, D
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2.15 Folklore The Jhitkhu Mitki sto
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Fig. 2.23 Fig. 2.25 Fig. 2.23 Bronz
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dye, extracted from AAL found in th
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3.1 Introduction to the craft Lohsh
Page 65 and 66: Fig. 3.4 Fig. 3.4 A craftsman using
Page 67 and 68: Fig. 3.5 ... they started believing
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Page 71 and 72: 0.04 in, 0.032 in, 0.025 in, 0.02 i
Page 73 and 74: h. i. k. j. l. scraping it on metal
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Page 77 and 78: 5.2 Making of animal sculpture The
Page 79 and 80: Fig. 5.8 Fig. 5.11 Fig. 5.9 Fig. 5.
Page 81 and 82: The part is elongated and hammered
Page 83 and 84: Fig. 5.26 Fig. 5.29 Fig. 5.26 Strik
Page 85 and 86: Fig. 5.37 Fig. 5.40 Fig. 5.37 The n
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Page 89 and 90: The posture of the craftsman is suc
Page 91 and 92: To provide shape to the belly, the
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Page 97 and 98: Fig. 5.68 Fig. 5.69 are blunted by
Page 99 and 100: Fig. 5.75 Fig. 5.78 Fig. 5.76 Fig.
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Page 103 and 104: aat (pinched point) for the wick. I
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Page 107 and 108: Fig. 5.104 107
Page 109 and 110: Impression moulding Once all the pa
Page 111 and 112: Cleaning The figurines are washed i
Page 113 and 114: Fig. 5.123 Mounting Since these fig
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Page 119 and 120: Amitabh Vishwakarma 24 yrs of age A
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Page 123 and 124: Fig. 7.2 Fig. 7.2 Cylindrical khut
Page 125 and 126: Fig. 7.6 Fig. 7.6 Laman Diya Dimens
Page 127 and 128: Fig. 7.15 Fig. 7.12 Fig. 7.12 Giraf
Page 129 and 130: Fig. 7.19 Clock Frame Dimensions: T
Page 131 and 132: Fig. 7.22 Fig. 7.22 Dhruda and Chit
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Page 135 and 136: 8.3 Future of lohshilp Challenges a
Page 137 and 138: 8.5 Personal experiences When we go
Page 139 and 140: Conclusion Handicrafts are a substa
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Page 143 and 144: 12. District Administration Bastar.
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