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5.7 Evolution of the<br />

craft<br />

The patterns of the new craft are believed<br />

to be inspired from old cave paintings of<br />

Chhattisgarh, which depict scenes from<br />

the lives of tribals in traditional attires.<br />

Although, their old craft continues<br />

to attract more and more people till<br />

date and is more preferred, the local<br />

market witnesses demand for this new<br />

craft which is more realistic and also<br />

colourful.<br />

taking the support of a base (carrier of a<br />

cycle), is used for cutting the metal sheet<br />

conveniently, especially for cutting<br />

over curved silhouettes. The foot of<br />

the artisan holds the base sturdy by<br />

clasping it with the toes.<br />

The sculpture is divided into several<br />

parts and each part is cut separately.<br />

To go about it, each shape is cut<br />

roughly, leaving a margin around it.<br />

Then, the tool follows the final outline<br />

to achieve the exact shapes.<br />

The creation process has a series of steps<br />

involved requiring a high degree of skill<br />

and craftsmanship.<br />

Sheet cutting<br />

On a 24 gauge MS sheet, patterns of<br />

the proposed low relief figurines are<br />

marked using a pen. A hand scissors,<br />

Fig. 5.7.2<br />

Fig. 5.106<br />

Fig. 5.105 Patterns<br />

of the evolved craft<br />

printed on sheets of<br />

paper<br />

Fig. 5.106 Craftsman<br />

cutting the patterns<br />

with a hand scissor<br />

while resting it on a<br />

cycle carrier<br />

Fig. 5.107 The cutting<br />

is with reference to the<br />

markers on the metal<br />

sheet<br />

Fig. 5.105<br />

Fig. 5.107<br />

108

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