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the artisan checks for the flatness of the panel. Then, the horizontal strips, parallel to the breadth of the panel, are riveted in place at equal distances. When riveting was not introduced to the community, objects used to be welded by applying a thin layer of mud, then heating in the furnace, followed by hammering the joinery to fix it. But, this was not feasible for small sculptures which is why they started riveting. After this, the animal figurines, already made, are positioned in the grids, keeping in mind the balance of negative and positive spaces. At the riveting spots, markings are made on the panel for the punching of holes. The riveting spots in the figurines are separately punched. Then, they are brought together and riveted in their respective positions. In the end, they beat the entire panel flat. Fig. 5.72 Fig. 5.73 Fig. 5.71 First the panel strips are placed to ensure 90 degrees at all corners Fig. 5.72 The inside elements are then placed and checked for a center visually Fig. 5.73 After the placements are finalized they are marked in their places Fig. 5.74 Holes are punched in the figurines according to the markings Fig. 5.71 Fig. 5.74 98
Fig. 5.75 Fig. 5.78 Fig. 5.76 Fig. 5.79 Fig. 5.75 Punching of holes in the frame Fig. 5.76 Removing the excess metal after punching Fig. 5.77 Keeping two punched edges together for riveting Fig. 5.78 Widening the punched holes in the panel strips by punching again, individually Fig. 5.79 Placing the rivet into the hole on the intersection and inverting the panel Fig. 5.77 Fig. 5.80 Fig. 5.80 The nut is placed over the rear end of the rivet and hammered, ensuring a secure joinery 99
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LOHSHILP The Blacksmithy Of Chhatti
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Acknowledgement The completion of t
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Preface The history of Indian handi
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Table of Contents Contents Page No.
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Contents Page No. 8.1 Personal mark
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About NID The National Institute of
Page 15 and 16:
LAD@NID The Lifestyle Accessory Des
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Introduction The crafts of India ar
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19
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1.1 About Chhattisgarh Chhattisgarh
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23 Fig. 1.2
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“ I have moved and moved many tim
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1.5 Climatic condition The climate
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quantity of teak. Towards the north
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11 Wildlife Sanctuaries and 3 Natio
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33
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2.1 Formation of Kondagaon As per t
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2.2 How to reach Kidichepda? Chhatt
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nuptials. Even in terms of the popu
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The Ghotul is typically located out
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a shirt/T-shirt and a piece of clot
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Fig. 2.8 play an important role in
Page 47 and 48: Fig. 2.10 natural forces like the s
Page 49 and 50: and cosmetics. One old lady was ser
Page 51 and 52: 2.13 Festival and worship 2.14 Ente
Page 53 and 54: Fig. 2.20 The Dhols, the Mandals, D
Page 55 and 56: 2.15 Folklore The Jhitkhu Mitki sto
Page 57 and 58: Fig. 2.23 Fig. 2.25 Fig. 2.23 Bronz
Page 59 and 60: dye, extracted from AAL found in th
Page 61 and 62: 61
Page 63 and 64: 3.1 Introduction to the craft Lohsh
Page 65 and 66: Fig. 3.4 Fig. 3.4 A craftsman using
Page 67 and 68: Fig. 3.5 ... they started believing
Page 69 and 70: 69
Page 71 and 72: 0.04 in, 0.032 in, 0.025 in, 0.02 i
Page 73 and 74: h. i. k. j. l. scraping it on metal
Page 75 and 76: 75
Page 77 and 78: 5.2 Making of animal sculpture The
Page 79 and 80: Fig. 5.8 Fig. 5.11 Fig. 5.9 Fig. 5.
Page 81 and 82: The part is elongated and hammered
Page 83 and 84: Fig. 5.26 Fig. 5.29 Fig. 5.26 Strik
Page 85 and 86: Fig. 5.37 Fig. 5.40 Fig. 5.37 The n
Page 87 and 88: Fig. 5.47 87
Page 89 and 90: The posture of the craftsman is suc
Page 91 and 92: To provide shape to the belly, the
Page 93 and 94: 93
Page 95 and 96: 95
Page 97: Fig. 5.68 Fig. 5.69 are blunted by
Page 101 and 102: Fig. 5.86 101
Page 103 and 104: aat (pinched point) for the wick. I
Page 105 and 106: Fig. 5.100 105
Page 107 and 108: Fig. 5.104 107
Page 109 and 110: Impression moulding Once all the pa
Page 111 and 112: Cleaning The figurines are washed i
Page 113 and 114: Fig. 5.123 Mounting Since these fig
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Page 117 and 118: to countries like Italy, Russia and
Page 119 and 120: Amitabh Vishwakarma 24 yrs of age A
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Page 123 and 124: Fig. 7.2 Fig. 7.2 Cylindrical khut
Page 125 and 126: Fig. 7.6 Fig. 7.6 Laman Diya Dimens
Page 127 and 128: Fig. 7.15 Fig. 7.12 Fig. 7.12 Giraf
Page 129 and 130: Fig. 7.19 Clock Frame Dimensions: T
Page 131 and 132: Fig. 7.22 Fig. 7.22 Dhruda and Chit
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Page 135 and 136: 8.3 Future of lohshilp Challenges a
Page 137 and 138: 8.5 Personal experiences When we go
Page 139 and 140: Conclusion Handicrafts are a substa
Page 141 and 142: 141
Page 143 and 144: 12. District Administration Bastar.
Page 145 and 146: 145
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