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Boxoffice Pro - March 2020

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ideas begin in the lobby with me chatting with a<br />

customer as I drink my coffee.<br />

I joined my friend (and one of our regular<br />

customers), who bought two tickets to see<br />

Avengers: Endgame in Imax at my movie<br />

theater, and then did the same thing when<br />

Star Wars: The Rise of Skywalker came out.<br />

We waited in line, got our seats in the soldout,<br />

jam-packed theater, and soaked up<br />

the experience. I’ve worked countless “big<br />

openings” and premieres, and these were the<br />

first two where I took it all in exactly as our<br />

customers did. It was cool. We had a blast<br />

and I recommend the experience to any senior<br />

managers or theater owners who may not have<br />

recently enjoyed this type of experience. It is<br />

awesome in a way that calls back the magic that<br />

M. Night spoke about way back when.<br />

How has your theater grown?<br />

When we opened in 2006, it was a 10-screen<br />

theater and we quickly added four more screens.<br />

Then we installed an Imax. In 2010, we opened<br />

our second location in Wilmington, Delaware<br />

(also 15 screens), and recently opened Penn Cinema<br />

Huntingdon Valley, a 7-plex outside Philly.<br />

My wife and I also took over an old-school<br />

twin in Ephrata, Pennsylvania, called The Main<br />

(www. facebook.com/TheNewMain/). It’s funny<br />

because I have four sites to manage and book<br />

films for, which feels massive to me. I do not<br />

know how you guys with tons of sites manage<br />

it all! However, it is fun and I enjoy working<br />

with the studios. When we opened, we used<br />

a third-party film broker, but we eventually<br />

decided to book our films directly. This has<br />

been great. I love working directly with the<br />

studios and have formed great relationships and<br />

friendships over the years with our “friends in<br />

distribution,” as NATO refers to them. But it’s<br />

true, they are our friends, and they do want<br />

the same things we want, namely to deliver<br />

the best possible content to the most possible<br />

people. Sometimes we have to work through<br />

some things, but in the end it has been a terrific<br />

experience for me. I believe it makes me a better<br />

theater owner for putting in the effort. (“So<br />

then, I say, ‘Hey, Lama, hey, how about a little<br />

something, you know, for the effort, you know?’<br />

And he says, ‘Oh, uh, there won’t be any money,<br />

but when you die, on your deathbed, you will<br />

receive total consciousness.’ So I got that goin’<br />

for me, which is nice.”)<br />

What is your biggest challenge (i.e., does<br />

anything keep you up at night)?<br />

I think the greatest challenge facing anyone<br />

with more than one location is the inability to<br />

be in more than one place at a time. I would love<br />

to be on-site at each theater every day, but that is<br />

just not realistic.<br />

Luckily, our management team is second to<br />

none, and they got it all under control. So with<br />

that challenge sort of under control, I think the<br />

next greatest challenge, and this probably should<br />

be discussed in a deeper way somewhere else,<br />

but I think the exhibition industry faces some<br />

real challenges related to the frequent lack of<br />

choices from certain types of vendors. In many<br />

aspects of our operations, often important ones,<br />

we only have one or two choices. So when there’s<br />

nowhere else to turn it can be frustrating when<br />

the “one vendor” falls short of our expectations,<br />

but maybe there’s nowhere else to turn so we are<br />

left just trying to tolerate subpar service. That<br />

is a real challenge that in many ways limits our<br />

industry’s ability to really excel.<br />

What’s your favorite movie and what concessions<br />

would you have while watching it?<br />

I am a Godfather guy, but I also need to give<br />

a shout-out to Moonstruck, Christmas Vacation,<br />

and Rocky. My most typical movie routine is to<br />

get fresh bagels and hot coffee at my local bagel<br />

shop (what’s up, Dosie Dough!) and go watch a<br />

movie by myself at 7 a.m., or whatever. When<br />

I go out with a gang of friends and either check<br />

up on our colleagues’ operations at another<br />

theater or join the audience in our own theater,<br />

I’m a Twizzlers guy with a water. That is not to<br />

say I have not grabbed an odd box of Goobers<br />

too! I am an easy film critic. Sit me up front<br />

with some treats and I am happy.<br />

PENN KETCHUM<br />

“I recently [one<br />

year ago] began<br />

doing a weekly Penn<br />

Cinema Podcast<br />

[available on<br />

iTunes, all podcast<br />

platforms, and<br />

Facebook]. This has<br />

been a wonderful<br />

experience for<br />

me.… We record<br />

the show, take<br />

listeners’ notes,<br />

and sometimes<br />

present ‘live’ with<br />

our customers in<br />

the audience. It has<br />

given me a great<br />

chance to interact<br />

with customers at<br />

all our locations<br />

and a great place<br />

for customers to<br />

share their views<br />

too. It is a really fun<br />

escape … just like<br />

the movies.”<br />

MARCH <strong>2020</strong> / 15

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