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30<br />
École Vénitienne<br />
XVIII e siècle<br />
Sainte Cécile entourée par les anges<br />
Sainte Cecilia surroun<strong>de</strong>d by angels<br />
Plume et encre brune, lavis brun, sanguine<br />
Pen and brown ink, brown wash, red chalk<br />
245 x 181 mm (9 5 /8 x 7 1 /8 in.)<br />
On retrouve dans ce charmant <strong>de</strong>ssin <strong>de</strong>s habitu<strong>de</strong>s graphiques héritées <strong>de</strong> Sebastiano<br />
Ricci et <strong>de</strong> Giovanni Antonio Pellegrini mais réinterprétées d’une manière qui<br />
rappelle plus encore Gaspare Diziani : le mélange du lavis et <strong>de</strong> la sanguine, mais<br />
aussi la rapidité, l’élongation <strong>de</strong>s silhouettes, les cheveux bouclés <strong>de</strong>s putti. Quelque<br />
chose cependant nous retient <strong>de</strong> lui attribuer ce <strong>de</strong>ssin et nous pousse à chercher plutôt<br />
du côté <strong>de</strong> ses élèves et collaborateurs. Le style est dans son ensemble un peu plus<br />
rond et l’écriture plus détaillée.<br />
We find in this charming drawing the graphics habits the artist inherited from Sebastiano<br />
Ricci and Giovanni Antonio Pellegrini but reinterpreted in a way that recalls<br />
Gaspare Diziani: the combination of wash and red chalk, but also the promptness,<br />
elongation of figures, curly hair of putti. Nevertheless, there is something that retains us<br />
from attributing this drawing to him and makes us rather look among his stu<strong>de</strong>nts and<br />
collaborators. The overall style of this sheet is a little roun<strong>de</strong>r and the draughtsmanship<br />
is more <strong>de</strong>tailed.<br />
64
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