XVI - Drawings and Paintings - Marty de Cambiaire
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Antoine Pesne, Samson et Dalila,<br />
Carcassonne, Musée <strong>de</strong>s beaux-arts.<br />
<strong>and</strong> Delilah, now in the collection of the<br />
Musée <strong>de</strong>s Beaux-Arts in Carcassonne,<br />
for which this drawing is preparatory. The<br />
artist also painted a bozzetto, today in the<br />
Musée <strong>de</strong>s Beaux-arts in Rouen.<br />
The Gemäl<strong>de</strong>galerie in Berlin has an<br />
earlier version of this subject which the artist<br />
chose not to pursue for his reception piece.<br />
It shall be connected to two drawings: a<br />
preparatory study in the collection of the<br />
National Gallery of Scotl<strong>and</strong> <strong>and</strong> a ricordo<br />
in the Louvre (Inv. 32352). Although the<br />
present sheet is executed in the same<br />
combination of grey wash <strong>and</strong> red chalk<br />
that is found in the Scotl<strong>and</strong> drawing, the<br />
artist’s style in it is more confi<strong>de</strong>nt <strong>and</strong> more<br />
direct than in most of his known sheets. His draughtsmanship here is reminiscent of that<br />
of his contemporary Venetian artists, such as Antonio Molinari. This confirms the Venetian<br />
influence which is even more evi<strong>de</strong>nt in the picture. We would like to express our<br />
gratitu<strong>de</strong> to Jean Christophe Bau<strong>de</strong>quin who was the first to recognise Antoine Pesne’s<br />
h<strong>and</strong> in the present sheet.<br />
40<br />
Dessins et Tableaux