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Boxoffice Pro - April 2020

Boxoffice Pro is the official publication of the National Association of Theatre Owners.

Boxoffice Pro is the official publication of the National Association of Theatre Owners.

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THEATER ANNIVERSARY<br />

the AMC Stubs loyalty program or whether<br />

it would, for simplicity’s sake, stand as its<br />

own service. Eventually the decision was<br />

made that A-List would be the highest<br />

tier of Stubs membership; the logic being,<br />

Colanero says, that A-List subscribers, as<br />

AMC’s best customers, should get the best<br />

treatment, including all the benefits of<br />

Stubs’ paid Premiere tier.<br />

“From the data perspective,” explains<br />

Colanero, the existence of AMC Stubs<br />

gave the AMC team a “rich database” of<br />

customer information that “enabled us<br />

… to identify which of our guests would<br />

benefit from the A-List program and to be<br />

able to share communications with them<br />

at a level that maybe we didn’t with the<br />

broader audience. … And [it] enable[d]<br />

us to communicate more directly and<br />

more quickly with an open, interested<br />

audience that was looking for more from<br />

AMC. We were able to make that connection<br />

pretty quickly.”<br />

That targeted, data-led approach meant<br />

that, ultimately, the digital and in-theater<br />

marketing plan for A-List could be “pulled<br />

back” soon after the launch; so many<br />

signed up so quickly that “we didn’t need<br />

to lean too extensively on any marketing<br />

to drive that membership.” In the nearly<br />

two years since its launch, A-List now has<br />

more than 900,000 members.<br />

From a technical perspective, the years<br />

AMC has spent building up “our skill set,<br />

our tools, our capabilities” with AMC Stubs<br />

gave the company “the platform to be able<br />

to accomplish what we were able to do with<br />

A-List, because we had the infrastructure<br />

ready to back it up and to deliver what we<br />

knew guests wanted and valued, without<br />

burdening the program with things that<br />

they didn’t value,” says Colanero.<br />

Valuable resources, too, were AMC’s<br />

compatriots on the other side of the pond:<br />

Image courtesy<br />

AMC Theatres<br />

100 YEARS<br />

OF AMC<br />

Courtesy of AMC<br />

Theatres<br />

1920<br />

Maurice, Edward,<br />

and Barney Dubinsky<br />

purchase the Regent<br />

Theatre in Kansas<br />

City, Mo.<br />

1961<br />

Stanley Durwood<br />

becomes CEO of<br />

the company and<br />

renames it American<br />

Multi-Cinema.<br />

1962<br />

AMC opens the<br />

world’s first multiplex,<br />

the Parkway Twin in<br />

Kansas City.<br />

1981<br />

AMC becomes the first<br />

theater chain to add<br />

cup-holder armrests.<br />

1991<br />

AMC introduces Clip, a<br />

filmstrip character, to<br />

serve as an ambassdor<br />

of the brand and its<br />

Silence is Golden<br />

program.<br />

156 <strong>April</strong> <strong>2020</strong>

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