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SKETCHINGPEOPLE
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ACKNOWLEDGMENTSI’d like to thank
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Chapter Five66 | EXPRESSIONSWhen we
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SKETCHING MATERIALSYour choice of m
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“Talent! What they call talent is
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SKETCHING POINT-TO-POINTEXERCISEPoi
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ALIGNMENTS | POSITIVE & NEGATIVE SH
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DYNAMIC LANDMARKSWhen a person is i
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MUSCLE AND SKINThe human form is la
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STEPS TO GESTURE DRAWINGEXERCISEDev
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FINISHED GESTURE DRAWINGThis first
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A FEW LINES CONVEY POSE AND EXPRESS
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SPHERICAL FORMSThe sphere is more t
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SPHERICAL FIGURESOnce you understan
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CUBIC FORMSThe cube is the most dim
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FIGURES BUILT FROM BOXESThese two s
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THINK OF A CYLINDER AS A SPRINGAlon
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MORE COMPLEX FORMSThe figure here i
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EXERCISEPRACTICE BASIC FORMSPractic
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3| Anatomical FormsShape and mold t
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ALIGNMENTIn order for the gestalt p
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STATIONARY SUBJECTSPeople who aren
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TENSION & COMPRESSIONFolds are crea
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CREATING PIPE FOLDSPipe folds are e
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CREATING SWAG FOLDSFind places on y
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CREATING INTERLOCKING FOLDSIn order
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CREATING SPIRAL FOLDSThis figure’
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CREATING ZIGZAG FOLDSJust above whe
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CREATING BILLOWING FOLDSIn this sim
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CREATING INERT FOLDSWhile the blank
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SIMPLIFYINGThough every wrinkle, fo
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FROM GESTURE TO SKETCHEXERCISEJust
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SIMPLIFIED EXPRESSIONSI think the f
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disgustconfusionangersadness
- Page 72 and 73: 4| Specific Shapes and ClothingOnce
- Page 74 and 75: SIMPLIFIED FORMThe simplified head
- Page 76 and 77: HAIR GROUPINGSWithout gels or spray
- Page 79 and 80: Chapter SixBODY LANGUAGEDrawings be
- Page 81 and 82: CATEGORIZING POSESThough a subject
- Page 83 and 84: LEANING INIf a person is leaning in
- Page 85 and 86: DEALING WITH SYMMETRYPeople sometim
- Page 87 and 88: HANDSOur hands are designed to be u
- Page 89 and 90: HANDS: CONSTRUCTIONOnce the gesture
- Page 91 and 92: Chapter SevenSTAGINGFor a visual ar
- Page 93 and 94: SIMPLE SETTINGS PROVIDE HINTSSettin
- Page 95 and 96: CHARACTER BLOCKINGCharacter blockin
- Page 97 and 98: ANGLEDAn angled pose allowsthe char
- Page 99 and 100: VANTAGE POINTThe vantage point is t
- Page 101 and 102: PROXIMITYYour angle may be predeter
- Page 103 and 104: EXERCISESIMPLE STAGING, ONEA good w
- Page 105 and 106: STAGING PEOPLEStaging is a tool to
- Page 107 and 108: BUILDING A SCENEAs people crowd int
- Page 109 and 110: 3| Extend the Setting, If Necessary
- Page 111 and 112: Chapter EightVALUELight’s vibrant
- Page 113 and 114: LOCAL VALUEEverything has an inhere
- Page 115 and 116: DIRECT LIGHTThis system of light is
- Page 117 and 118: LIGHT & SHADOW SIDESLight divides t
- Page 119 and 120: COMPRESSING VALUESOnce the light an
- Page 121: CONCLUSION: ON CREATIVITYSome peopl
- Page 129 and 130: THE BEST IN ART INSTRUCTIONCOMES FR