Sketching-People

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Art technique | DrawingFluid, fast and expressive life drawing starts here. Step by step, you’lllearn to render fleeting gestures from memory, capture expressionssimply and quickly, give your drawing a life of its own with bodylanguage, and more. Along the way, you’ll develop a more spontaneousapproach for successfully working from life.INSIDE YOU’LL FIND:§ A COMPREHENSIVE COURSE ON DRAWING FROMLIFE, BASED ON CLASSIC PRINCIPLES§ ESSENTIAL TECHNIQUES FOR DRAWINGGESTURE, FIGURES, CLOTHING, EXPRESSION,BODY LANGUAGE AND MORE§ LOTS OF EXERCISES THAT BRING LESSONS TO LIFEThe skills you’ll learn from this book are so fundamental thatevery artist will find something in these useful lessons for makingthe most of all the inspiration that life has to offer.EANUS $22.99Z2412 (CAN $27.99)ISBN-13: 978-1-60061-150-6ISBN-10: 978-1-60061-150-61-60061-150-852299UPC9 781600 611506
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SKETCHINGPEOPLE
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ACKNOWLEDGMENTSI’d like to thank
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Chapter Five66 | EXPRESSIONSWhen we
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SKETCHING MATERIALSYour choice of m
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“Talent! What they call talent is
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SKETCHING POINT-TO-POINTEXERCISEPoi
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ALIGNMENTS | POSITIVE & NEGATIVE SH
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DYNAMIC LANDMARKSWhen a person is i
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MUSCLE AND SKINThe human form is la
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STEPS TO GESTURE DRAWINGEXERCISEDev
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FINISHED GESTURE DRAWINGThis first
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A FEW LINES CONVEY POSE AND EXPRESS
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SPHERICAL FORMSThe sphere is more t
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SPHERICAL FIGURESOnce you understan
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CUBIC FORMSThe cube is the most dim
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FIGURES BUILT FROM BOXESThese two s
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THINK OF A CYLINDER AS A SPRINGAlon
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MORE COMPLEX FORMSThe figure here i
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EXERCISEPRACTICE BASIC FORMSPractic
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3| Anatomical FormsShape and mold t
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ALIGNMENTIn order for the gestalt p
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STATIONARY SUBJECTSPeople who aren
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TENSION & COMPRESSIONFolds are crea
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CREATING PIPE FOLDSPipe folds are e
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CREATING SWAG FOLDSFind places on y
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CREATING INTERLOCKING FOLDSIn order
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CREATING SPIRAL FOLDSThis figure’
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CREATING ZIGZAG FOLDSJust above whe
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CREATING BILLOWING FOLDSIn this sim
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CREATING INERT FOLDSWhile the blank
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SIMPLIFYINGThough every wrinkle, fo
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FROM GESTURE TO SKETCHEXERCISEJust
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SIMPLIFIED EXPRESSIONSI think the f
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disgustconfusionangersadness
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4| Specific Shapes and ClothingOnce
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SIMPLIFIED FORMThe simplified head
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HAIR GROUPINGSWithout gels or spray
Page 79 and 80: Chapter SixBODY LANGUAGEDrawings be
Page 81 and 82: CATEGORIZING POSESThough a subject
Page 83 and 84: LEANING INIf a person is leaning in
Page 85 and 86: DEALING WITH SYMMETRYPeople sometim
Page 87 and 88: HANDSOur hands are designed to be u
Page 89 and 90: HANDS: CONSTRUCTIONOnce the gesture
Page 91 and 92: Chapter SevenSTAGINGFor a visual ar
Page 93 and 94: SIMPLE SETTINGS PROVIDE HINTSSettin
Page 95 and 96: CHARACTER BLOCKINGCharacter blockin
Page 97 and 98: ANGLEDAn angled pose allowsthe char
Page 99 and 100: VANTAGE POINTThe vantage point is t
Page 101 and 102: PROXIMITYYour angle may be predeter
Page 103 and 104: EXERCISESIMPLE STAGING, ONEA good w
Page 105 and 106: STAGING PEOPLEStaging is a tool to
Page 107 and 108: BUILDING A SCENEAs people crowd int
Page 109 and 110: 3| Extend the Setting, If Necessary
Page 111 and 112: Chapter EightVALUELight’s vibrant
Page 113 and 114: LOCAL VALUEEverything has an inhere
Page 115 and 116: DIRECT LIGHTThis system of light is
Page 117 and 118: LIGHT & SHADOW SIDESLight divides t
Page 119 and 120: COMPRESSING VALUESOnce the light an
Page 121 and 122: CONCLUSION: ON CREATIVITYSome peopl
Page 123: GALLERY
Page 129: THE BEST IN ART INSTRUCTIONCOMES FR
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