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NCC Magazine - Spring 2020

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Driving along a one-way road in Pinery Provincial Park,<br />

Ontario, with a colleague in 2009, Sheila Colla spotted<br />

a bumble bee in the roadside weeds that looked different<br />

from others she had seen that day. Sure enough, it was a rare<br />

rusty-patched bumble bee. But it was also the last individual<br />

of its kind observed in Canada.<br />

“It was exciting at the time — my first drive-by identification, but it’s<br />

sad, as I haven’t found any since then,” says Colla, a pollinator conservation<br />

researcher at York University, in Toronto, Ontario.<br />

Native bumble bees are rapidly declining and some are at risk of<br />

being lost from Canada. Recently, the Nature Conservancy of Canada<br />

(<strong>NCC</strong>), with funding from The W. Garfield Weston Foundation and<br />

Mitacs, supported Colla’s research into pollinator-friendly management<br />

practices in agricultural landscapes. Between 2016 and 2018,<br />

Colla’s team identified the presence of many species of native pollinators<br />

on <strong>NCC</strong> properties, including three species of bumble bees that<br />

are rapidly declining (American bumble bee, yellow-banded bumble<br />

bee and golden northern bumble bee).<br />

“I’ve been researching native pollinators for 15 years, documenting<br />

the decline of native bumble bees in Canada and the U.S., before it was<br />

on the public’s radar,” says Colla. “Often when people talk about pollinator<br />

decline, it’s about non-native honey bees and agricultural crop pollination.<br />

According to a national poll, roughly half of Canadians believe<br />

the European honey bee is a native, wild bee in Canada. But I work<br />

with our native bees, thinking about how to conserve their biodiversity<br />

and the importance of doing so for ecosystem resilience in light of<br />

climate change.”<br />

Art may be a more effective tool to<br />

convey the benefits of pollinators than<br />

a scientific paper.<br />

these culturally important native plants, their<br />

pollinators and what threats they encounter,”<br />

says Colla. She adds that scientists need to<br />

be open to incorporating different knowledge<br />

systems into their research and recognize<br />

that humans are part of the natural world.<br />

Colla and Myers hope their project will<br />

help share Traditional Knowledge about<br />

Indigenous medicine plants and pollinators,<br />

including bees, that evolved alongside them.<br />

“I’m interested in how these gardens<br />

are changing the landscape to more closely<br />

resemble what was there pre-colonization<br />

or settlement,” says Myers. “I hope to raise<br />

conversations about ecology as it relates<br />

to colonization, develop relationships with<br />

people who knew Mike and invite artists to<br />

respond to these gardens with their artwork.”<br />

Colla hopes that the gardens become<br />

spaces for people to observe Canada’s diversity<br />

of wild pollinators. “[The gardens are]<br />

where people can be a part of the ecosystem,<br />

appreciate and learn about plant-pollinator<br />

relationships and our connections to them.<br />

And through that learning we can get people<br />

to care about our native pollinators before<br />

more of them are at risk of extinction, like the<br />

rusty-patched bumble bee is,” she says.1<br />

KITCHENER-WATERLOO ART GALLERY.<br />

Colla finds it challenging to communicate the value of conserving<br />

native pollinators to the public, as it’s often hard to understand how<br />

they positively impact humans.<br />

She believes that art may be a more effective tool to convey the<br />

benefits of pollinators than a scientific paper. And this is where her<br />

collaboration with Lisa Myers, an artist and curator of Anishinaabe<br />

ancestry, takes root.<br />

Colla and Myers are colleagues in the Faculty of Environmental<br />

Studies at York University. They’ve embarked on a unique research<br />

project — Finding Flowers — to replant the late (1941–2006)<br />

Mi’kmaq artist Mike MacDonald’s gardens across Canada.<br />

The first garden in the series is located outside the Kitchener–<br />

Waterloo Art Gallery in Ontario. This striking circular garden features<br />

seven sections and a wooden teepee overhead. The Indigenous medicine<br />

plants growing there support pollinators from spring to late fall,<br />

showcasing the connections between pollinators, traditional medicinal<br />

plants and Indigenous culture.<br />

“[Through Finding Flowers], we hope to integrate ecological studies<br />

and Indigenous art, and gather basic ecological information about<br />

Medicine and Butterfly<br />

Garden (2019),<br />

Mike MacDonald<br />

Kitchener-Waterloo<br />

Art Gallery<br />

natureconservancy.ca<br />

SPRING <strong>2020</strong> 17

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