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"Extort from me never shall that Gl
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Copyright Yuko Nii Foundation 2020
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TABLE OF CONTENTS P. 4 Introduction
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Lindall’s)art)for)Paradise(Lost)a
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About The Acrostic Paradise Lost By
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The Acrostics Continued… Book 4 P
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Milton’s poem is the first soap o
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Lindall’s art appears on the cove
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17
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He it was, The Infernal Serpent, wh
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21
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Round he rolled his baleful eyes, t
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25
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“Council! We now debate whether w
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Beelzebub, with great aspect rose,
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Satan, whom now transcendent pride
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The Adversary of God and Man, with
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35
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Seem’d she woman to the waist and
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39
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And now the crafty fiend thus answe
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Over the abyss, he, uplifted, spurn
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Chaos now, his dark pavilion spread
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47
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“That man should find Grace,” s
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Thus the fiend saw all kind of crea
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Eve Tells Adam How She Awaked to Li
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Shalt thou be warned, said a voice,
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The angelic guardians search with g
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Satan is discovered and surpizd in
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“Reveal I to thee why I am come,
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BOOK 6 Raphael continues His Tale o
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Satan In His Guise as the Great Mag
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All rebels obeyed the superior voic
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Arms on armour clashing bray’d. A
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71
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BOOK 7 Raphael Describes Creation C
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“Let here be firmament pure trans
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Eve Sees Adam for the First Time 77
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BOOK 8 Raphael Concludes his Visit
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81
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Turned he thereby again to praise t
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She hasted unto Adam. Speechless wa
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BOOK 10 Meanwhile, the hainous and
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BOOK 11 God’s voice now heard Ada
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93
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Michael caught our lingering parent
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The Visionary Foal, The Eye of God
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THE LINDALL GOLD SCROLL Did you eve
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- Page 103 and 104: Synopsis and Illustrations in Folio
- Page 105 and 106: ! 3! Yet how did the poet write his
- Page 107 and 108: ! 5! Lindall has synopsized the sto
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- Page 111 and 112: ! 9! capturing all around it other
- Page 113 and 114: ! 11! winner of the Hugo Award, twi
- Page 115 and 116: ! 13! Lindall’s illustrations are
- Page 117 and 118: ! 15! recognized as President Emeri
- Page 119 and 120: Above: Terrance Lindall, Rich Buckl
- Page 121 and 122: Above: Costumed artists of famed ya
- Page 123 and 124: Portraits'of'Robert'J.'Wickenheiser
- Page 125 and 126: Adam'and'Eve' By'Robert'Beal' ! 123
- Page 127 and 128: One'of'Bienvenido'Bones'Banez’s'G
- Page 129 and 130: One'of'Bienvenido'Bones'Banez’s'G
- Page 131 and 132: The!Temptation,!pencil!on!paper,!ci
- Page 133 and 134: ! These!YNF!alabasters!replicas!of!
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- Page 137 and 138: The'Yuko'Nii'Foundation'Association
- Page 139 and 140: Henri!Fuseli,!engraved!by!A.!Smith!
- Page 141 and 142: ! The!size!of!the!book!is!8vo!(octa
- Page 143 and 144: Beautiful!Frontispiece! ! 141!
- Page 145 and 146: ! Title!page! ! 143!
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- Page 149 and 150: Between!the!pages!of!the!Fuseli!Par
- Page 151: c.!1791!This!handsome!Derby!portrai
- Page 155 and 156: ! The'John'Dugdale'Bradley'PARADSIE
- Page 157 and 158: Many Thanks to the Following for Th
- Page 159 and 160: Henrietta Maria of France (1609-166
- Page 161 and 162: Above Above: Hand rendered copy of
- Page 163 and 164: Summary: Dating of the paper suppor
- Page 165 and 166: The YNF contacted the Strawberry Hi
- Page 167 and 168: Rieppi’s radiocarbon analysis of
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- Page 173 and 174: Oliver Cromwell, Portrait on Panel
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- Page 177 and 178: Death Warrant of King Charles I ! 1
- Page 179 and 180: Reverse of the Seal of Charles I as
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- Page 187 and 188: The axe you’ve illustrated is a s
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- Page 197 and 198: Above Testament of William Shakespe
- Page 199 and 200: 19 th C. Miniature Portrait of John
- Page 201 and 202: The Yuko Nii Foundation Library whe
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