The Acrostic Paradise Lost by John Milton and Terrance Lindall

More documents

Recommendations

Info

17 th C. Portrait Thought to be of John Milton Yuko Nii Foundation Collection The coat of arms has yet to be identified ! 198!
The Yuko Nii Foundation Library where many of the objects are kept houses a very fine small collection of art and manuscripts 15 th -20 th c. from around the world. ! 199!
Page 1 and 2:
"Extort from me never shall that Gl
Page 3 and 4:
Copyright Yuko Nii Foundation 2020
Page 5 and 6:
TABLE OF CONTENTS P. 4 Introduction
Page 7 and 8:
Lindall’s)art)for)Paradise(Lost)a
Page 9 and 10:
About The Acrostic Paradise Lost By
Page 11 and 12:
The Acrostics Continued… Book 4 P
Page 13 and 14:
Milton’s poem is the first soap o
Page 15 and 16:
Lindall’s art appears on the cove
Page 17 and 18:
17
Page 19 and 20:
He it was, The Infernal Serpent, wh
Page 21 and 22:
21
Page 23 and 24:
Round he rolled his baleful eyes, t
Page 25 and 26:
25
Page 27 and 28:
“Council! We now debate whether w
Page 29 and 30:
Beelzebub, with great aspect rose,
Page 31 and 32:
Satan, whom now transcendent pride
Page 33 and 34:
The Adversary of God and Man, with
Page 35 and 36:
35
Page 37 and 38:
Seem’d she woman to the waist and
Page 39 and 40:
39
Page 41 and 42:
And now the crafty fiend thus answe
Page 43 and 44:
Over the abyss, he, uplifted, spurn
Page 45 and 46:
Chaos now, his dark pavilion spread
Page 47 and 48:
47
Page 49 and 50:
“That man should find Grace,” s
Page 51 and 52:
Thus the fiend saw all kind of crea
Page 53 and 54:
Eve Tells Adam How She Awaked to Li
Page 55 and 56:
Shalt thou be warned, said a voice,
Page 57 and 58:
The angelic guardians search with g
Page 59 and 60:
Satan is discovered and surpizd in
Page 61 and 62:
“Reveal I to thee why I am come,
Page 63 and 64:
BOOK 6 Raphael continues His Tale o
Page 65 and 66:
Satan In His Guise as the Great Mag
Page 67 and 68:
All rebels obeyed the superior voic
Page 69 and 70:
Arms on armour clashing bray’d. A
Page 71 and 72:
71
Page 73 and 74:
BOOK 7 Raphael Describes Creation C
Page 75 and 76:
“Let here be firmament pure trans
Page 77 and 78:
Eve Sees Adam for the First Time 77
Page 79 and 80:
BOOK 8 Raphael Concludes his Visit
Page 81 and 82:
81
Page 83 and 84:
83
Page 85 and 86:
Turned he thereby again to praise t
Page 87 and 88:
She hasted unto Adam. Speechless wa
Page 89 and 90:
BOOK 10 Meanwhile, the hainous and
Page 91 and 92:
BOOK 11 God’s voice now heard Ada
Page 93 and 94:
93
Page 95 and 96:
Michael caught our lingering parent
Page 97 and 98:
The Visionary Foal, The Eye of God
Page 99 and 100:
THE LINDALL GOLD SCROLL Did you eve
Page 101 and 102:
"Thanks...I think you are rather ov
Page 103 and 104:
Synopsis and Illustrations in Folio
Page 105 and 106:
! 3! Yet how did the poet write his
Page 107 and 108:
! 5! Lindall has synopsized the sto
Page 109 and 110:
! 7! number of copies (this time 20
Page 111 and 112:
! 9! capturing all around it other
Page 113 and 114:
! 11! winner of the Hugo Award, twi
Page 115 and 116:
! 13! Lindall’s illustrations are
Page 117 and 118:
! 15! recognized as President Emeri
Page 119 and 120:
Above: Terrance Lindall, Rich Buckl
Page 121 and 122:
Above: Costumed artists of famed ya
Page 123 and 124:
Portraits'of'Robert'J.'Wickenheiser
Page 125 and 126:
Adam'and'Eve' By'Robert'Beal' ! 123
Page 127 and 128:
One'of'Bienvenido'Bones'Banez’s'G
Page 129 and 130:
One'of'Bienvenido'Bones'Banez’s'G
Page 131 and 132:
The!Temptation,!pencil!on!paper,!ci
Page 133 and 134:
! These!YNF!alabasters!replicas!of!
Page 135 and 136:
! ! ! 133!
Page 137 and 138:
The'Yuko'Nii'Foundation'Association
Page 139 and 140:
Henri!Fuseli,!engraved!by!A.!Smith!
Page 141 and 142:
! The!size!of!the!book!is!8vo!(octa
Page 143 and 144:
Beautiful!Frontispiece! ! 141!
Page 145 and 146:
! Title!page! ! 143!
Page 147 and 148:
! ! 145!
Page 149 and 150: Between!the!pages!of!the!Fuseli!Par
Page 151 and 152: c.!1791!This!handsome!Derby!portrai
Page 153 and 154: Cuzco'School'Angel' ! 151!
Page 155 and 156: ! The'John'Dugdale'Bradley'PARADSIE
Page 157 and 158: Many Thanks to the Following for Th
Page 159 and 160: Henrietta Maria of France (1609-166
Page 161 and 162: Above Above: Hand rendered copy of
Page 163 and 164: Summary: Dating of the paper suppor
Page 165 and 166: The YNF contacted the Strawberry Hi
Page 167 and 168: Rieppi’s radiocarbon analysis of
Page 169 and 170: ! 167!
Page 171 and 172: ! 169!
Page 173 and 174: Oliver Cromwell, Portrait on Panel
Page 175 and 176: ! 173!
Page 177 and 178: Death Warrant of King Charles I ! 1
Page 179 and 180: Reverse of the Seal of Charles I as
Page 181 and 182: ROYAL(DOCUMENT(BEARING(THE(SEAL(OF(
Page 183 and 184: ROYAL(DOCUMENT(BEARING(THE(SEAL(OF(
Page 185 and 186: ! 183!
Page 187 and 188: The axe you’ve illustrated is a s
Page 189 and 190: Defensio Regio & Defensio pro Popul
Page 191 and 192: Authentic and scarce oblong folio d
Page 193 and 194: ! 191!
Page 195 and 196: ! 193!
Page 197 and 198: Above Testament of William Shakespe
Page 199: 19 th C. Miniature Portrait of John
Page 203 and 204: ! 201!
show all

The Acrostic Paradise Lost by John Milton and Terrance Lindall

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?