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Zepke Stephen: Head in the Stars. Essays on Science Fiction

Science fiction concerns the future, of course, this being its simple, organising essence. But science fiction wants to do more than just be in the future, it wants to predict the future, to reveal its horrors and beauty, its similarities and difference, and more importantly, tell us about all the cool stuff. This means that the ‘future’ science fiction explores has changed a lot over the years, and has a fascinating past, one with a twistier time-line than a Phillip K. Dick story […]. But this book is not a history of science fiction, because although historical context plays a part – the Cold War from which alien arrival films emerge, or our biopolitical present in which interface films become symptomatic – this book is most concerned with science fiction futures that crack history open, allowing something unaccountable to emerge, something singular and new. As a result, this book sees the ‘new’ and its ‘future’ in science fiction in a very different way from Darko Suvin and Frederic Jameson, whose astoundingly influential theory sees science fiction futures as forms of ‘cognitive estrangement’ that seek to reflect on the present that produces them. [from the Introduction] Layout: Dejan Dragosavac Ruta 260 pages [Paperback : 13,5 x 19 cm] Publisher: Multimedijalni institut [Zagreb, Croatia] ISBN: 978-953-7372-67-5 — the book is available via Amazon: https://www.amazon.de/dp/9537372677/ref=olp_product_details?_encoding=UTF8&me=

Science fiction concerns the future, of course, this being its simple, organising essence. But science fiction wants to do more than just be in the future, it wants to predict the future, to reveal its horrors and beauty, its similarities and difference, and more importantly, tell us about all the cool stuff. This means that the ‘future’ science fiction explores has changed a lot over the years, and has a fascinating past, one with a twistier time-line than a Phillip K. Dick story […].

But this book is not a history of science fiction, because although historical context plays a part – the Cold War from which alien arrival films emerge, or our biopolitical present in which interface films become symptomatic – this book is most concerned with science fiction futures that crack history open, allowing something unaccountable to emerge, something singular and new. As a result, this book sees the ‘new’ and its ‘future’ in science fiction in a very different way from Darko Suvin and Frederic Jameson, whose astoundingly influential theory sees science fiction futures as forms of ‘cognitive estrangement’ that seek to reflect on the present that produces them. [from the Introduction]

Layout: Dejan Dragosavac Ruta
260 pages [Paperback : 13,5 x 19 cm]
Publisher: Multimedijalni institut [Zagreb, Croatia]
ISBN: 978-953-7372-67-5


— the book is available via Amazon: https://www.amazon.de/dp/9537372677/ref=olp_product_details?_encoding=UTF8&me=

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The growing awareness of the decay of bodies – human

and objects – is part of Eric and Shit getting older, a

process the novel lovingly depicts in all its sadness and

humour. Eric finds it increasingly harder to remember

things, and to keep his thoughts clear and coherent. ‘The

mind can neither imagine anything, nor recollect past things,

except while the body endures.’ (EV, P21) The third kind of

knowledge – beatitude – seems increasingly elusive. In

this sense, Through the Valley of the Nest of Spiders is an

inherently conservative book because it tragically describes

the way that time inexorably swallows the truths of today,

submerging our eternal ideas and their mystical experience

in the entropic tick-tock of time slowly dissolving our body.

Finally Eric succumbs to the same anxiety and melancholy,

noting just after Shit’s death that people ‘did not seem to

understand what a great part of the world the dead actually

were…’ (797). Nevertheless there is an important lesson

here, even if Eric cannot quite grasp it. At the end of the

book Ann’s research into the Dump marks Eric and Shit’s

lives as historical, but rewrites them in the image of her

own prejudice (she is against ‘science’, BDSM, child sex),

and with the partial insights of its distanced perspective.

This obviously irritates Eric, but it is precisely the nature

of the utopian life he has led – one embodied in its living

relations – that means it cannot be retained or contained

within any historical knowledge.

Through the Valley of the Nest of Spiders is a book as

modest (but at the same time as ambitious) as its characters,

describing both the pleasure and the cosmic moments

their relations have generated. It has simply followed

219

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