Zepke Stephen: Head in the Stars. Essays on Science Fiction
Science fiction concerns the future, of course, this being its simple, organising essence. But science fiction wants to do more than just be in the future, it wants to predict the future, to reveal its horrors and beauty, its similarities and difference, and more importantly, tell us about all the cool stuff. This means that the ‘future’ science fiction explores has changed a lot over the years, and has a fascinating past, one with a twistier time-line than a Phillip K. Dick story […]. But this book is not a history of science fiction, because although historical context plays a part – the Cold War from which alien arrival films emerge, or our biopolitical present in which interface films become symptomatic – this book is most concerned with science fiction futures that crack history open, allowing something unaccountable to emerge, something singular and new. As a result, this book sees the ‘new’ and its ‘future’ in science fiction in a very different way from Darko Suvin and Frederic Jameson, whose astoundingly influential theory sees science fiction futures as forms of ‘cognitive estrangement’ that seek to reflect on the present that produces them. [from the Introduction] Layout: Dejan Dragosavac Ruta 260 pages [Paperback : 13,5 x 19 cm] Publisher: Multimedijalni institut [Zagreb, Croatia] ISBN: 978-953-7372-67-5 — the book is available via Amazon: https://www.amazon.de/dp/9537372677/ref=olp_product_details?_encoding=UTF8&me=
Science fiction concerns the future, of course, this being its simple, organising essence. But science fiction wants to do more than just be in the future, it wants to predict the future, to reveal its horrors and beauty, its similarities and difference, and more importantly, tell us about all the cool stuff. This means that the ‘future’ science fiction explores has changed a lot over the years, and has a fascinating past, one with a twistier time-line than a Phillip K. Dick story […].
But this book is not a history of science fiction, because although historical context plays a part – the Cold War from which alien arrival films emerge, or our biopolitical present in which interface films become symptomatic – this book is most concerned with science fiction futures that crack history open, allowing something unaccountable to emerge, something singular and new. As a result, this book sees the ‘new’ and its ‘future’ in science fiction in a very different way from Darko Suvin and Frederic Jameson, whose astoundingly influential theory sees science fiction futures as forms of ‘cognitive estrangement’ that seek to reflect on the present that produces them. [from the Introduction]
Layout: Dejan Dragosavac Ruta
260 pages [Paperback : 13,5 x 19 cm]
Publisher: Multimedijalni institut [Zagreb, Croatia]
ISBN: 978-953-7372-67-5
— the book is available via Amazon: https://www.amazon.de/dp/9537372677/ref=olp_product_details?_encoding=UTF8&me=
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Eric’s desire, a desire that led to a life almost completely
contained in a small beachside town in the deep south of
America. But this town, this life, it contained everything,
because all of its moments were lived the right way, and
so revealed the face of God/Nature, and the eternal ethical
truths that bless our existence. Eric’s wisdom is based on
a utopian desire for a better life, but one enacted through
the most everyday actions. To do good, to understand the
universe, these difficult but always possible things bring
Eric happiness and insight.
The cycles of Eric’s life took in stony beaches and pine
forests where you could walk in a daylight all but night
black and fields where there was no grass, only stones
and moss, alongside tar and macadam measured at
its edge with poles and wires and solar panels, and
water, broken, flickering, so much water, as much water
– salt and silver – as there was sky, enough to make
you scream or laugh at such absurd vastness, swelling
within until Eric became his self exploding through
today toward tomorrow, water green as glass falling
between rocks and wet grass, the smell of dust and
docks and distances, and sometimes Shit stepped up
and took Eric’s rough hand in his rough hand. (761)
The simplicity of a touch, the vastness of the universe.
These two things together forms the framework of Through
the Valley of the Nest of Spiders and the scope of its wisdom.
It is a simple message, but at once an utterly cosmic one,
and necessarily at once – which is the complicated part,
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