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Magzoid Magazine - A Luxury Magazine in the Creative Space | July 2021

The extraordinary cover artwork is a depiction of Hyperrealism by Fabiano Millani, an exceptional painter born in São Paulo, Brazil. This issue contains featured interviews and insights from industry veterans like, H.E. Eng. ALi AlSuwaidi, Rizwan Sajan, ELijah Long. It also comprises of, Inspiring stories from amazing artists like Ben Treat, Sophie Green, Fateme Shahidi, Alexandra Ozerova, Elena Zernova, Ken Kung that empowers the community, Hotel review of Radisson Blu, Dubai Waterfront. Event Showcase: Jewels of Emirates Show. Product Review of Feel Good Tea. Highlights from Expo 2020. Al Quoz Creative Zone. Featured Artworks of kids and professional artists. Art of Calligraphy. Role of Public Art in Society. Art Facts and Art News.

The extraordinary cover artwork is a depiction of Hyperrealism by Fabiano Millani, an exceptional painter born in São Paulo, Brazil. This issue contains featured interviews and insights from industry veterans like, H.E. Eng. ALi AlSuwaidi, Rizwan Sajan, ELijah Long. It also comprises of, Inspiring stories from amazing artists like Ben Treat, Sophie Green, Fateme Shahidi, Alexandra Ozerova, Elena Zernova, Ken Kung that empowers the community, Hotel review of Radisson Blu, Dubai Waterfront. Event Showcase: Jewels of Emirates Show. Product Review of Feel Good Tea. Highlights from Expo 2020. Al Quoz Creative Zone. Featured Artworks of kids and professional artists. Art of Calligraphy. Role of Public Art in Society. Art Facts and Art News.

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INTERVIEW<br />

"From <strong>the</strong><br />

Scriptto <strong>the</strong><br />

BIG SCREEN,<br />

a producer's angle of <strong>the</strong> entire journey<br />

of a movie, with Elijah Long"<br />

Elijah Long, an American film actor turned<br />

producer and writer has produced blockbusters<br />

like Rambo, Tesla and many o<strong>the</strong>rs. Born and<br />

brought up <strong>in</strong> Chicago, Elijah became <strong>the</strong> first<br />

African American to jo<strong>in</strong> Rambo as an executive<br />

producer. Start<strong>in</strong>g his journey <strong>in</strong> front of <strong>the</strong><br />

camera, he got to a place where he is today<br />

when he learned about his career <strong>in</strong>cl<strong>in</strong>ation<br />

as he felt more at home when he was beh<strong>in</strong>d<br />

<strong>the</strong> cameras. Long’s strong belief <strong>in</strong> teamwork<br />

and <strong>in</strong> creat<strong>in</strong>g someth<strong>in</strong>g different has earned<br />

him <strong>the</strong> success that he desires for. Here’s a<br />

small and very <strong>in</strong>terest<strong>in</strong>g discussion with Elijah<br />

where he throws light on <strong>the</strong> producer’s view of<br />

a film from a script to <strong>the</strong> big screen. As you read<br />

it, you’d know that it’s not just putt<strong>in</strong>g <strong>in</strong> money<br />

but an <strong>in</strong>numerable number of hidden elements<br />

that stays off <strong>the</strong> screen.<br />

Exclusive to <strong>Magzoid</strong><br />

How did your journey as a<br />

producer beg<strong>in</strong>?<br />

My journey as a<br />

producer began with a<br />

thought that clicked me<br />

while be<strong>in</strong>g <strong>in</strong> front of <strong>the</strong> camera as<br />

an actor. When you are on <strong>the</strong> set, you<br />

see groups of people work<strong>in</strong>g so hard<br />

and do<strong>in</strong>g <strong>the</strong>ir jobs relentlessly. This<br />

made me realize <strong>the</strong> importance of<br />

all <strong>the</strong> o<strong>the</strong>r elements <strong>in</strong> order for me<br />

to do my job as an actor. It made me<br />

more <strong>in</strong>terested to f<strong>in</strong>d out a deeper<br />

level of filmmak<strong>in</strong>g so I decided to<br />

write a script. I wrote one and to my<br />

surprise, people started lik<strong>in</strong>g it.<br />

That marked <strong>the</strong> turn<strong>in</strong>g po<strong>in</strong>t with<strong>in</strong><br />

me. I wanted to see <strong>the</strong> script on <strong>the</strong><br />

screen. And that’s how it all began.<br />

Among <strong>the</strong> movies that you have<br />

made, which one is your personal<br />

favorite and why?<br />

I will have to say, it’s Rambo with<br />

Sylvester Stallone. I’m glad to be<br />

a part of that project. I remember<br />

watch<strong>in</strong>g that movie as a kid with my<br />

fa<strong>the</strong>r, from <strong>the</strong>re to become <strong>the</strong> first<br />

black producer to be on <strong>the</strong> franchise<br />

of <strong>the</strong> Rambo, it was a history made. I<br />

brought my partner Dorman Radcliffe,<br />

along as well. We were <strong>the</strong> first black<br />

producers to be a part of <strong>the</strong> franchise<br />

of Rambo.<br />

We would like to know <strong>the</strong> process<br />

of movie-mak<strong>in</strong>g <strong>in</strong> <strong>the</strong> view of a<br />

producer.<br />

Well, <strong>the</strong>re are so many different<br />

ways. One of <strong>the</strong> ways is <strong>the</strong> producer<br />

know<strong>in</strong>g a highly popular actor. The<br />

ma<strong>in</strong> th<strong>in</strong>g <strong>the</strong> producer needs to<br />

do is have relationships, because<br />

if you don't know anybody you can’t<br />

get anyth<strong>in</strong>g to produce. I always<br />

tell people to not burn bridges. The<br />

people that may be on <strong>the</strong> lowest<br />

level when you come <strong>in</strong>, with<strong>in</strong> no<br />

time, could be at <strong>the</strong> top. So, nobody<br />

is big or small; everyone is equal.<br />

Everybody is a part of <strong>the</strong> movie.<br />

Everybody is needed. Only after all<br />

<strong>the</strong>se efforts can we see a movie like,<br />

Rambo!<br />

The discussion all beg<strong>in</strong>s from<br />

<strong>the</strong> endless pages of <strong>the</strong> black<br />

and white script. This script <strong>the</strong>n<br />

undergoes countless modifications<br />

www.magzoid.com <strong>July</strong> <strong>2021</strong> 65

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