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Magzoid Magazine - Luxury Magazine in the Creative Space | November 2021

Magzoid Magazine is a luxury magazine leading the creative space of the MENA region. The different genres covered by Magzoid Magazine include exceptional designs, arts & culture, interviews of influential business leaders and industry veterans, various creative and design aspects across different industry verticals, luxury lifestyle, fashion and jewelry brands, creative branding highlights from corporates, and many others. Magzoid Magazine is a leading media platform in the creative segment. The November issue of Magzoid Magazine features an amazing cover artwork by Nick Sider, an artist based in New York City. The magazine features An Exclusive Interview with Bruno Monnier and Gianfranco Iannuzzi - Infinity Des Lumières and Abu Dhabi International Boat Show 2021. The Aldar Headquarters Building and Cayan Tower have been featured in the Architectural Wonders. Editorial picks of luxury watches, jewelry, and lifestyle products have been featured in the designer’s corner along with an exclusive featured story of the logos of Walt Disney and Lacoste.

Magzoid Magazine is a luxury magazine leading the creative space of the MENA region. The different genres covered by Magzoid Magazine include exceptional designs, arts & culture, interviews of influential business leaders and industry veterans, various creative and design aspects across different industry verticals, luxury lifestyle, fashion and jewelry brands, creative branding highlights from corporates, and many others. Magzoid Magazine is a leading media platform in the creative segment.

The November issue of Magzoid Magazine features an amazing cover artwork by Nick Sider, an artist based in New York City. The magazine features An Exclusive Interview with Bruno Monnier and Gianfranco Iannuzzi - Infinity Des Lumières and Abu Dhabi International Boat Show 2021.

The Aldar Headquarters Building and Cayan Tower have been featured in the Architectural Wonders. Editorial picks of luxury watches, jewelry, and lifestyle products have been featured in the designer’s corner along with an exclusive featured story of the logos of Walt Disney and Lacoste.

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DIGITAL ART GALLERY<br />

Q2. Please tell us about your educational<br />

background and how it <strong>in</strong>fluences<br />

your growth and actions now?<br />

Gianfranco: My education is not<br />

related to art, per se. However, I<br />

was quite passionate about art.<br />

In <strong>the</strong> end, although unrelated,<br />

my education does play a role <strong>in</strong><br />

what I do because subjects like<br />

geometry and sociology are vital<br />

<strong>in</strong> understand<strong>in</strong>g society as we<br />

know it. In <strong>the</strong> digital art exhibition,<br />

people are experienc<strong>in</strong>g <strong>the</strong><br />

artwork <strong>in</strong>dividually but <strong>the</strong>y are<br />

all toge<strong>the</strong>r <strong>in</strong> <strong>the</strong> same space.<br />

This is where sociology comes <strong>in</strong><br />

as it focuses on people and how<br />

<strong>the</strong>y <strong>in</strong>teract with each o<strong>the</strong>r. The<br />

world is too much to experience<br />

<strong>in</strong>dividually.<br />

Bruno: When I was <strong>in</strong> <strong>the</strong> French<br />

M<strong>in</strong>istry of Culture, I realized that<br />

30% of <strong>the</strong> French population<br />

are <strong>in</strong>volved with art but 70% of<br />

<strong>the</strong>m do not know much about it.<br />

This br<strong>in</strong>gs us to digital art and its<br />

purpose. We aim to br<strong>in</strong>g <strong>in</strong> a new<br />

set of audience and <strong>in</strong>troduce <strong>the</strong>m<br />

to art. I also created a foundation<br />

whereby we could br<strong>in</strong>g access to<br />

arts and culture to underprivileged<br />

and sick children.<br />

Q3. What were your motivations to hop<br />

<strong>in</strong>to what you do today?<br />

Gianfranco: We aim to create<br />

someth<strong>in</strong>g unique and share it with<br />

<strong>the</strong> world, to br<strong>in</strong>g people toge<strong>the</strong>r<br />

to experience immersive art and<br />

actively participate <strong>in</strong> what <strong>the</strong>y<br />

see. Bruno and <strong>the</strong> company have<br />

created an opportunity where we<br />

can implement it. It is excit<strong>in</strong>g for<br />

me to create new spaces to present<br />

to people.<br />

Bruno: Exhibitions created by<br />

Gianfranco make this a wonderful<br />

experience. It is unlike anyth<strong>in</strong>g<br />

out <strong>the</strong>re <strong>in</strong> <strong>the</strong> market. We spark<br />

emotions with<strong>in</strong> our visitors as <strong>the</strong>y<br />

get immersed <strong>in</strong> <strong>the</strong> artwork, <strong>the</strong><br />

artist, and <strong>the</strong> story.<br />

We aim to create<br />

someth<strong>in</strong>g unique and<br />

share it with <strong>the</strong> world, to<br />

br<strong>in</strong>g people toge<strong>the</strong>r to<br />

experience immersive art<br />

and actively participate <strong>in</strong><br />

what <strong>the</strong>y see.<br />

Q4. Do you th<strong>in</strong>k Culturespaces has<br />

<strong>in</strong>spired o<strong>the</strong>r museums and cultural<br />

<strong>in</strong>stitutions to stage more digital<br />

exhibits?<br />

Bruno: I th<strong>in</strong>k it is perfectly<br />

complementary. The purpose of<br />

digital art centers is to br<strong>in</strong>g art to<br />

people albeit <strong>in</strong> a different way, a<br />

way we have never seen art before.<br />

It is for people who have not had<br />

much <strong>in</strong>teraction with art as well<br />

as for those who have but can now<br />

experience it digitally. I th<strong>in</strong>k people<br />

who discover art here get to learn<br />

about <strong>the</strong> art and <strong>the</strong> artists, for<br />

example, Van Gogh. Museums will<br />

always be classic but <strong>the</strong>y are not<br />

accessible to everyone. We bridge<br />

that gap by provid<strong>in</strong>g access to<br />

classic artworks halfway across <strong>the</strong><br />

world.<br />

Q5. Do you th<strong>in</strong>k <strong>the</strong> future of<br />

museums is digital?<br />

Gianfranco: No, I personally don’t<br />

th<strong>in</strong>k so. Digital museums are a<br />

completely separate th<strong>in</strong>g from<br />

museums. It opens a new medium.<br />

As Bruno said, we can project Van<br />

Gogh’s artwork through technology<br />

but museums are still a classic.<br />

Bruno: Let’s put it this way; digital<br />

22<br />

<strong>November</strong> <strong>2021</strong><br />

www.magzoid.com

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