Harry Potter and the Cursed Child

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GINNY: After I came out of hospital — everyone ignored me, shut me out — other than, that is,the boy who had everything — who came across the Gryffindor common room and challengedme to a game of Exploding Snap. People think they know all there is to know about you, butthe best bits of you are — have always been — heroic in really quiet ways. My point is —after this is over, just remember if you could that sometimes people — but particularlychildren — just want someone to play Exploding Snap with.HARRY: You think that’s what we’re missing — Exploding Snap?GINNY: No. But the love I felt from you that day — I’m not sure Albus feels that.HARRY: I’d do anything for him.GINNY: Harry, you’d do anything for anybody. You were pretty happy to sacrifice yourself for theworld. He needs to feel specific love. It’ll make him stronger, and you stronger too.HARRY: You know, it wasn’t until we thought Albus had gone that I truly understood what mymother was able to do for me. A countercharm so powerful that it was able to repel the spell ofdeath.GINNY: And the only spell Voldemort couldn’t understand — love.The word feels both heavy and beautiful in the room.HARRY: I do love him specifically, Ginny.GINNY: I know, but he needs to feel it.HARRY smiles sadly at his wife, aware of all he needs to change.HARRY: I’m lucky to have you, aren’t I?GINNY: Extremely. And I’d be delighted to discuss just how lucky at another time. But for now —let’s focus on stopping Delphi.HARRY: We are running out of time.A thought occurs to GINNY.GINNY: Unless — Harry, has anyone thought — why has she picked now? Today?HARRY: Because this is the day that everything changed . . .GINNY: Right now you’re over a year old, am I right?HARRY: A year and three months.GINNY: That’s a year and three months she could have killed you in. Even now, she’s been in
Godric’s Hollow for twenty-four hours. What’s she waiting for?HARRY: I’m still not entirely following —GINNY: What if she’s not waiting for you — she’s waiting for him . . . to stop him.HARRY: What?GINNY: Delphi’s picked tonight because he’s here — because her father is coming. She wants tomeet him. Be with him, the father she loves. Voldemort’s problems started when he attackedyou. If he hadn’t done that . . .HARRY: He’d have only got more powerful — the darkness would only have got darker.GINNY: The best way to break the prophecy is not to kill Harry Potter, it’s to stop Voldemortdoing anything at all.
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Harry Potter and the Cursed Child P
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CONTENTSA CONVERSATION ABOUT READIN
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in indecipherable notes, and smeare
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ACT ONE, SCENE ONEKING’S CROSSA b
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ACT ONE, SCENE TWOPLATFORM NINE AND
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HARRY: Albus Severus, you were name
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ACT ONE, SCENE THREETHE HOGWARTS EX
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SCORPIUS: You’re Albus Potter. Sh
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ACT ONE, SCENE FOURTRANSITION SCENE
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YANN FREDERICKS: I suppose his hair
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HARRY: Draco.DRACO: These rumors
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isolating yourself — you’re unc
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ACT ONE, SCENE FIVEMINISTRY OF MAGI
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HARRY: Can’t. We’re off sugar a
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AMOS: Voldemort wanted you! Not my
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ACT ONE, SCENE SEVENHARRY AND GINNY
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ALBUS: For you, it’s the greatest
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ACT ONE, SCENE EIGHTDREAM, HUT-ON-T
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HAGRID: Do you mean ter tell me, th
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HARRY says nothing.(Seeing his agit
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ACT ONE, SCENE TENTHE HOGWARTS EXPR
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ALBUS hugs his friend. With fiercen
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ACT ONE, SCENE ELEVENROOF OF THE HO
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hair wild. Her spikes particularly
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scar is hurting again.DRACO: Voldem
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ACT ONE, SCENE THIRTEENST. OSWALD
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AMOS: Your information was obvious
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ACT ONE, SCENE FIFTEENHARRY AND GIN
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ACT ONE, SCENE SIXTEENWHITEHALL, CE
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ACT ONE, SCENE SEVENTEENMINISTRY OF
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DRACO (lip curling, every inch his
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SCORPIUS/HARRY: Okay. Hiding places
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ALBUS/RON: It’s why you married m
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SCORPIUS/HARRY tries to work out wh
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DELPHI: Work faster!She’s pulled
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SCORPIUS opens the book. In the cen
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YOUNG HARRY: I’m — sorry, I thi
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HARRY: Ginny, I think I know where
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Suddenly there is another rumble in
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ALBUS: Then you should stick around
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DELPHI looks at them both and takes
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our enemy.HARRY: My son is missing,
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like Harry Potter. And I got his so
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the reason why we’re all here —
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SCORPIUS: I think we’re about to
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DUMBLEDORE: Candidly, Harry, it see
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HARRY looks at ALBUS, trying to see
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ACT TWO, SCENE NINEHOGWARTS, STAIRC
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ALBUS: Dad, you have two choices, e
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PROFESSOR McGONAGALL: Dumbledore is
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HERMIONE: Sit down, Polly Chapman,
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ACT TWO, SCENE THIRTEENHARRY AND GI
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You’ve been practicing, Draco.DRA
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ACT TWO, SCENE FOURTEENHOGWARTS, ST
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ACT TWO, SCENE FIFTEENHARRY AND GIN
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ACT TWO, SCENE SIXTEENHOGWARTS, LIB
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ALBUS: Fine, let’s go back — fi
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Your father’s Cloak.She looks bac
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ACT TWO, SCENE SEVENTEENHOGWARTS, S
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ACT TWO, SCENE EIGHTEENHOGWARTS, HE
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ACT TWO, SCENE NINETEENHOGWARTS, GI
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MOANING MYRTLE (grins): Well, that
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ACT TWO, SCENE TWENTYTRIWIZARD TOUR
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She pulls him out of the water.SCOR
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ACT THREE, SCENE ONEHOGWARTS, HEADM
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ACT THREE, SCENE TWOHOGWARTS, GROUN
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ACT THREE, SCENE THREEMINISTRY OF M
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This hits home with DRACO. He looks
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After a moment SCORPIUS frowns as a
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school.SCORPIUS: No. That’s not a
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ACT THREE, SCENE SIXCAMPAIGN ROOMTh
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ACT THREE, SCENE SEVENCAMPAIGN ROOM
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SNAPE: Who?SCORPIUS: Voldemort.SNAP
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ACT THREE, SCENE EIGHTEDGE OF THE F
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Suddenly from around the auditorium
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SCORPIUS: The world changes and we
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An impenetrable smile grows across
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ACT THREE, SCENE TENHOGWARTS, HEADM
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SCORPIUS: A horrific world.PROFESSO
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about it. I didn’t volunteer for
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as they come to her but succumbing
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HARRY: I think we all are.
Page 174 and 175: hugged her. No, there’s no almost
Page 176 and 177: ACT THREE, SCENE FIFTEENHOGWARTS, S
Page 178 and 179: ACT THREE, SCENE SIXTEENHOGWARTS, O
Page 180 and 181: expression changes slightly.Oh, nic
Page 182 and 183: ACT THREE, SCENE SEVENTEENMINISTRY
Page 184 and 185: ACT THREE, SCENE EIGHTEENST. OSWALD
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Page 188 and 189: ALBUS: Stop! Please.CRAIG runs in,
Page 190 and 191: ACT THREE, SCENE TWENTYTRIWIZARD TO
Page 192 and 193: DELPHI: You poor creatures.She thro
Page 194 and 195: CEDRIC frowns, surprised.CEDRIC: Wh
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Page 198: They all turn to her. She points up
Page 201 and 202: HARRY: Professor, she did ask for n
Page 203 and 204: ACT FOUR, SCENE TWOSCOTTISH HIGHLAN
Page 205 and 206: ACT FOUR, SCENE THREEGODRIC’S HOL
Page 207 and 208: ACT FOUR, SCENE FOURMINISTRY OF MAG
Page 209 and 210: DUMBLEDORE: It is all I have to off
Page 211 and 212: DRACO: Which is why you need this.
Page 213 and 214: ALBUS: So we need to — talk to th
Page 215 and 216: your room. In the present. By Dumbl
Page 217 and 218: GINNY: Are you not listening to me?
Page 219 and 220: ACT FOUR, SCENE SEVENGODRIC’S HOL
Page 221 and 222: ACT FOUR, SCENE EIGHTGODRIC’S HOL
Page 223: ACT FOUR, SCENE NINEGODRIC’S HOLL
Page 227 and 228: her basement. We can Polyjuice into
Page 229 and 230: HARRY: Yes, I can do this.DRACO: No
Page 231 and 232: HERMIONE: Positions. Everybody. And
Page 233 and 234: HARRY (trying desperately to still
Page 235 and 236: DELPHI: No . . . No . . .HERMIONE:
Page 237 and 238: ACT FOUR, SCENE TWELVEGODRIC’S HO
Page 239 and 240: ACT FOUR, SCENE THIRTEENGODRIC’S
Page 241 and 242: ACT FOUR, SCENE FOURTEENHOGWARTS, C
Page 243 and 244: ALBUS: I know, I think it’s a bon
Page 245 and 246: here, both are failing.HARRY: You k
Page 247 and 248: ALBUS: But this is a graveyard . .
Page 257 and 258: ABOUT THE PRODUCTIONHarry Potter an
Page 259 and 260: OTHER ROLES PLAYED BYNicola Alexis,
Page 261 and 262: Sam HunterAssociate DirectorDes Ken
Page 263 and 264: Automation No. 3Jamie RobsonShow Ch
Page 265 and 266: television his credits include The
Page 267: Pottermore Digital EditionseBooks a
Page 270: All rights reserved; no part of thi
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Harry Potter and the Cursed Child

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