Harry Potter and the Cursed Child

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BIOGRAPHIES OF THE ORIGINAL STORY TEAMJ.K. ROWLINGis the author of the seven Harry Potter novels, which have sold over 450 million copies and havebeen translated into 79 languages, and three companion books originally published for charity.She has also written The Casual Vacancy, a novel for adults, and, under the pseudonym RobertGalbraith, is the author of the Cormoran Strike crime series. In 2016, J.K. Rowling made herscreenwriting debut and was a producer on the film Fantastic Beasts and Where to Find Them, afurther extension of the Wizarding World and the start of a new five-film series.JOHN TIFFANYdirected Once, for which he was the recipient of multiple awards on Broadway, in the West End,and internationally. Other recent credits include The Glass Menagerie at ART and on Broadway,EIF, and the West End and The Ambassador at BAM. As Associate Director of the Royal Court,his work includes The Twits, Hope, and The Pass. He was the director of Let the Right One In forthe National Theatre of Scotland, which transferred to the Royal Court, West End, St. Ann’sWarehouse, and toured internationally. His other work for the National Theatre of Scotlandincludes Macbeth (also Lincoln Center and Broadway), Enquirer, The Missing, Peter Pan, TheHouse of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever ForgiveUs, The Bacchae (also Lincoln Center), Elizabeth Gordon Quinn, Home: Glasgow, and BlackWatch, which toured internationally and for which he won Olivier and Critics’ Circle awards. Hewas Associate Director of the Traverse Theatre from 1996 to 2001, Paines Plough from 2001 to2005, the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow atHarvard University in the 2010–2011 academic year.JACK THORNEwrites for theater, film, television, and radio. His theater credits include Hope and Let the RightOne In, both directed by John Tiffany, Junkyard, a Headlong, Rose Theatre Kingston, BristolOld Vic & Theatr Clwyd co-production, The Solid Life of Sugar Water for the Graeae TheatreCompany and the National Theatre, Bunny for the Edinburgh Fringe Festival, Stacy for theTrafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations includeThe Physicists for the Donmar Warehouse and Stuart: A Life Backwards for HighTide. On filmhis credits include War Book, A Long Way Down, and The Scouting Book for Boys. For
television his credits include The Last Panthers, Don’t Take My Baby, This Is England, TheFades, Glue, Cast-Offs, and National Treasure. He won BAFTAs in 2016 for Best Mini-Series(This Is England ’90) and Best Single Drama (Don’t Take My Baby), and in 2012 for Best DramaSeries (The Fades) and Best Mini-Series (This Is England ’88).
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Harry Potter and the Cursed Child P
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CONTENTSA CONVERSATION ABOUT READIN
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in indecipherable notes, and smeare
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ACT ONE, SCENE ONEKING’S CROSSA b
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ACT ONE, SCENE TWOPLATFORM NINE AND
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HARRY: Albus Severus, you were name
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ACT ONE, SCENE THREETHE HOGWARTS EX
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SCORPIUS: You’re Albus Potter. Sh
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ACT ONE, SCENE FOURTRANSITION SCENE
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YANN FREDERICKS: I suppose his hair
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HARRY: Draco.DRACO: These rumors
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isolating yourself — you’re unc
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ACT ONE, SCENE FIVEMINISTRY OF MAGI
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HARRY: Can’t. We’re off sugar a
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AMOS: Voldemort wanted you! Not my
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ACT ONE, SCENE SEVENHARRY AND GINNY
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ALBUS: For you, it’s the greatest
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ACT ONE, SCENE EIGHTDREAM, HUT-ON-T
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HAGRID: Do you mean ter tell me, th
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HARRY says nothing.(Seeing his agit
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ACT ONE, SCENE TENTHE HOGWARTS EXPR
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ALBUS hugs his friend. With fiercen
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ACT ONE, SCENE ELEVENROOF OF THE HO
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hair wild. Her spikes particularly
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scar is hurting again.DRACO: Voldem
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ACT ONE, SCENE THIRTEENST. OSWALD
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AMOS: Your information was obvious
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ACT ONE, SCENE FIFTEENHARRY AND GIN
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ACT ONE, SCENE SIXTEENWHITEHALL, CE
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ACT ONE, SCENE SEVENTEENMINISTRY OF
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DRACO (lip curling, every inch his
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SCORPIUS/HARRY: Okay. Hiding places
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ALBUS/RON: It’s why you married m
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SCORPIUS/HARRY tries to work out wh
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DELPHI: Work faster!She’s pulled
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SCORPIUS opens the book. In the cen
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YOUNG HARRY: I’m — sorry, I thi
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HARRY: Ginny, I think I know where
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Suddenly there is another rumble in
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ALBUS: Then you should stick around
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DELPHI looks at them both and takes
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our enemy.HARRY: My son is missing,
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like Harry Potter. And I got his so
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the reason why we’re all here —
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SCORPIUS: I think we’re about to
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DUMBLEDORE: Candidly, Harry, it see
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HARRY looks at ALBUS, trying to see
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ACT TWO, SCENE NINEHOGWARTS, STAIRC
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ALBUS: Dad, you have two choices, e
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PROFESSOR McGONAGALL: Dumbledore is
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HERMIONE: Sit down, Polly Chapman,
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ACT TWO, SCENE THIRTEENHARRY AND GI
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You’ve been practicing, Draco.DRA
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ACT TWO, SCENE FOURTEENHOGWARTS, ST
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ACT TWO, SCENE FIFTEENHARRY AND GIN
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ACT TWO, SCENE SIXTEENHOGWARTS, LIB
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ALBUS: Fine, let’s go back — fi
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Your father’s Cloak.She looks bac
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ACT TWO, SCENE SEVENTEENHOGWARTS, S
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ACT TWO, SCENE EIGHTEENHOGWARTS, HE
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ACT TWO, SCENE NINETEENHOGWARTS, GI
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MOANING MYRTLE (grins): Well, that
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ACT TWO, SCENE TWENTYTRIWIZARD TOUR
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She pulls him out of the water.SCOR
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ACT THREE, SCENE ONEHOGWARTS, HEADM
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ACT THREE, SCENE TWOHOGWARTS, GROUN
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ACT THREE, SCENE THREEMINISTRY OF M
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This hits home with DRACO. He looks
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After a moment SCORPIUS frowns as a
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school.SCORPIUS: No. That’s not a
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ACT THREE, SCENE SIXCAMPAIGN ROOMTh
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ACT THREE, SCENE SEVENCAMPAIGN ROOM
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SNAPE: Who?SCORPIUS: Voldemort.SNAP
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ACT THREE, SCENE EIGHTEDGE OF THE F
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Suddenly from around the auditorium
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SCORPIUS: The world changes and we
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An impenetrable smile grows across
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ACT THREE, SCENE TENHOGWARTS, HEADM
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SCORPIUS: A horrific world.PROFESSO
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about it. I didn’t volunteer for
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as they come to her but succumbing
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HARRY: I think we all are.
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hugged her. No, there’s no almost
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ACT THREE, SCENE FIFTEENHOGWARTS, S
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ACT THREE, SCENE SIXTEENHOGWARTS, O
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expression changes slightly.Oh, nic
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ACT THREE, SCENE SEVENTEENMINISTRY
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ACT THREE, SCENE EIGHTEENST. OSWALD
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ACT THREE, SCENE NINETEENHOGWARTS,
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ALBUS: Stop! Please.CRAIG runs in,
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ACT THREE, SCENE TWENTYTRIWIZARD TO
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DELPHI: You poor creatures.She thro
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CEDRIC frowns, surprised.CEDRIC: Wh
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ACT THREE, SCENE TWENTY-ONEST. OSWA
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They all turn to her. She points up
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HARRY: Professor, she did ask for n
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ACT FOUR, SCENE TWOSCOTTISH HIGHLAN
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ACT FOUR, SCENE THREEGODRIC’S HOL
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ACT FOUR, SCENE FOURMINISTRY OF MAG
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DUMBLEDORE: It is all I have to off
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DRACO: Which is why you need this.
Page 213 and 214: ALBUS: So we need to — talk to th
Page 215 and 216: your room. In the present. By Dumbl
Page 217 and 218: GINNY: Are you not listening to me?
Page 219 and 220: ACT FOUR, SCENE SEVENGODRIC’S HOL
Page 221 and 222: ACT FOUR, SCENE EIGHTGODRIC’S HOL
Page 223 and 224: ACT FOUR, SCENE NINEGODRIC’S HOLL
Page 225 and 226: Godric’s Hollow for twenty-four h
Page 227 and 228: her basement. We can Polyjuice into
Page 229 and 230: HARRY: Yes, I can do this.DRACO: No
Page 231 and 232: HERMIONE: Positions. Everybody. And
Page 233 and 234: HARRY (trying desperately to still
Page 235 and 236: DELPHI: No . . . No . . .HERMIONE:
Page 237 and 238: ACT FOUR, SCENE TWELVEGODRIC’S HO
Page 239 and 240: ACT FOUR, SCENE THIRTEENGODRIC’S
Page 241 and 242: ACT FOUR, SCENE FOURTEENHOGWARTS, C
Page 243 and 244: ALBUS: I know, I think it’s a bon
Page 245 and 246: here, both are failing.HARRY: You k
Page 247 and 248: ALBUS: But this is a graveyard . .
Page 257 and 258: ABOUT THE PRODUCTIONHarry Potter an
Page 259 and 260: OTHER ROLES PLAYED BYNicola Alexis,
Page 261 and 262: Sam HunterAssociate DirectorDes Ken
Page 263: Automation No. 3Jamie RobsonShow Ch
Page 267: Pottermore Digital EditionseBooks a
Page 270: All rights reserved; no part of thi
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