Groveport Messenger - December 26th, 2021
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PAGE 6 - GROVEPORT MESSENGER - <strong>December</strong> 26, <strong>2021</strong><br />
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Have you ever come across a recipe you<br />
were sure you were going to love?<br />
While you may have had reservations<br />
about the lengthy prep time or the steps<br />
therein, you were certain the combination<br />
of favored ingredients would be worth the<br />
effort, thus creating a new staple on the<br />
menu for when you need that thing that<br />
hits a particular spot.<br />
Have you ever tried the recipe in question,<br />
the one that on paper made your salivary<br />
glands go all aflutter, and had it taste<br />
like complete rubbish through no fault of<br />
your own. And while you may later recognize<br />
that the “complete rubbish” descriptor<br />
may have been too harsh because you liked<br />
that sprig of mint or something, the end<br />
result was all the same — something that<br />
was not what you wanted, not what you<br />
needed, nor what you expected.<br />
The experience of disappointing food is<br />
an awful and universal feeling — my<br />
regards to your buds if you just recently<br />
tried a new thing and are still exorcizing<br />
that palate — and one that can be applied to<br />
just about any other thing that intrigues<br />
you and ultimately lets you down. For<br />
instance, that recipe metaphor is the<br />
absolute best way I can think of to relay<br />
how I felt upon watching “Nightmare<br />
Alley.”<br />
“Nightmare Alley” is that recipe in a<br />
magazine or a cookbook that catches your<br />
eye. It paints a beautiful and stylish picture<br />
of its product (don’t they all?) but<br />
what keeps it there are the ingredients<br />
promised inside, all of those darker thematic<br />
elements you love immersing together<br />
for what could amount to an unusual<br />
and compelling film.<br />
But, like that recipe from above, the end<br />
result was not something you wanted,<br />
needed, or really expected. Instead, what<br />
you get is a slow simmering and time consuming<br />
mess with just enough panache to<br />
make you not completely hate it despite<br />
however much you may want to.<br />
The film begins with a mysterious flourish:<br />
a body carelessly wrapped in sheets<br />
being dragged across a dirty, dusty floor.<br />
The person doing the dragging is Stanton<br />
Carlisle (played by Bradley Cooper), who<br />
promptly lights the place on fire, but not<br />
before donning a sweet Fedora and lighting<br />
a cigarette as he makes his great escape. In<br />
the silhouette of this scene, the first of<br />
many gorgeous shots peppered throughout<br />
the film, Stanton looks like Indiana Jones<br />
preparing for one of his grand adventures,<br />
but the film makes it clear from the jump<br />
that Stanton is no hero.<br />
Rather than rushing off into the jungle<br />
while on the lam (the film is primarily set<br />
in the Midwest circa the 1940’s), Stanton<br />
finds the perfect spot in a traveling carnival<br />
full of misfits who “pay no mind to what<br />
you’ve done in the past.” Initially, Stanton<br />
takes a job as a roustabout as they go from<br />
town to town but eventually he begins to<br />
learn the tricks of the mentalist trade from<br />
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“seer” Zeena (Toni<br />
Collette) and her alcoholic<br />
husband Pete<br />
(David Strathairn).<br />
After an inspired act<br />
that saves the carnival<br />
from the wrong end of<br />
the law (think snake<br />
oil preachers who<br />
probably bury “stolen”<br />
money in their walls)<br />
Stanton believes he is<br />
www.columbusmessenger.com<br />
“Nightmare Alley” not a tasty cinematic treat<br />
The Reel Deal<br />
Dedra<br />
Cordle<br />
“ready for the big time” and asks the sweet<br />
natured ingenue Molly Cahill (Rooney<br />
Mara) to join him in a two-person swindling,<br />
er, performing act.<br />
Two years later, the duo has established<br />
roots in New York where they perform<br />
shows for the wealthy in hotels. Through a<br />
complex system of coded words, they hold<br />
the crowd in the palm of their hands as<br />
“The Great Stanton” sees all. What he fails<br />
to see, or really comprehend however, is<br />
just how much his life is going to change<br />
when he meets the crafty psychologist Dr.<br />
Lilith Ritter (Cate Blanchett) and a rich<br />
business owner who wants Stanton to use<br />
his “skills” so he can commune with the<br />
dead.<br />
While director and co-writer Guillermo<br />
del Toro has a penchant for using the<br />
supernatural in his films, there are no true<br />
supernatural elements in “Nightmare<br />
Alley.” Instead, his focus is more on the<br />
horror the living can inflict on another<br />
being, which in my opinion is far scarier<br />
than anything else.<br />
There are so many things to like, and<br />
even love, about this movie: it has a terrific<br />
cast who all give great performances, it’s<br />
stylish and visually arresting, and it has a<br />
punch in the gut ending that makes an<br />
impact despite hints along the way that it<br />
was bound to happen.<br />
But for however hard this film tries to<br />
be something new, something different and<br />
engaging, there is a disconnect in between<br />
how it was presented as a genuine adult<br />
thriller and how it comes across, which is<br />
maddeningly slow and not at all thrilling.<br />
Grade: C<br />
Dedra Cordle is a <strong>Messenger</strong> staff writer<br />
and columnist.<br />
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