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Groveport Messenger - December 26th, 2021

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PAGE 6 - GROVEPORT MESSENGER - <strong>December</strong> 26, <strong>2021</strong><br />

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Have you ever come across a recipe you<br />

were sure you were going to love?<br />

While you may have had reservations<br />

about the lengthy prep time or the steps<br />

therein, you were certain the combination<br />

of favored ingredients would be worth the<br />

effort, thus creating a new staple on the<br />

menu for when you need that thing that<br />

hits a particular spot.<br />

Have you ever tried the recipe in question,<br />

the one that on paper made your salivary<br />

glands go all aflutter, and had it taste<br />

like complete rubbish through no fault of<br />

your own. And while you may later recognize<br />

that the “complete rubbish” descriptor<br />

may have been too harsh because you liked<br />

that sprig of mint or something, the end<br />

result was all the same — something that<br />

was not what you wanted, not what you<br />

needed, nor what you expected.<br />

The experience of disappointing food is<br />

an awful and universal feeling — my<br />

regards to your buds if you just recently<br />

tried a new thing and are still exorcizing<br />

that palate — and one that can be applied to<br />

just about any other thing that intrigues<br />

you and ultimately lets you down. For<br />

instance, that recipe metaphor is the<br />

absolute best way I can think of to relay<br />

how I felt upon watching “Nightmare<br />

Alley.”<br />

“Nightmare Alley” is that recipe in a<br />

magazine or a cookbook that catches your<br />

eye. It paints a beautiful and stylish picture<br />

of its product (don’t they all?) but<br />

what keeps it there are the ingredients<br />

promised inside, all of those darker thematic<br />

elements you love immersing together<br />

for what could amount to an unusual<br />

and compelling film.<br />

But, like that recipe from above, the end<br />

result was not something you wanted,<br />

needed, or really expected. Instead, what<br />

you get is a slow simmering and time consuming<br />

mess with just enough panache to<br />

make you not completely hate it despite<br />

however much you may want to.<br />

The film begins with a mysterious flourish:<br />

a body carelessly wrapped in sheets<br />

being dragged across a dirty, dusty floor.<br />

The person doing the dragging is Stanton<br />

Carlisle (played by Bradley Cooper), who<br />

promptly lights the place on fire, but not<br />

before donning a sweet Fedora and lighting<br />

a cigarette as he makes his great escape. In<br />

the silhouette of this scene, the first of<br />

many gorgeous shots peppered throughout<br />

the film, Stanton looks like Indiana Jones<br />

preparing for one of his grand adventures,<br />

but the film makes it clear from the jump<br />

that Stanton is no hero.<br />

Rather than rushing off into the jungle<br />

while on the lam (the film is primarily set<br />

in the Midwest circa the 1940’s), Stanton<br />

finds the perfect spot in a traveling carnival<br />

full of misfits who “pay no mind to what<br />

you’ve done in the past.” Initially, Stanton<br />

takes a job as a roustabout as they go from<br />

town to town but eventually he begins to<br />

learn the tricks of the mentalist trade from<br />

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“seer” Zeena (Toni<br />

Collette) and her alcoholic<br />

husband Pete<br />

(David Strathairn).<br />

After an inspired act<br />

that saves the carnival<br />

from the wrong end of<br />

the law (think snake<br />

oil preachers who<br />

probably bury “stolen”<br />

money in their walls)<br />

Stanton believes he is<br />

www.columbusmessenger.com<br />

“Nightmare Alley” not a tasty cinematic treat<br />

The Reel Deal<br />

Dedra<br />

Cordle<br />

“ready for the big time” and asks the sweet<br />

natured ingenue Molly Cahill (Rooney<br />

Mara) to join him in a two-person swindling,<br />

er, performing act.<br />

Two years later, the duo has established<br />

roots in New York where they perform<br />

shows for the wealthy in hotels. Through a<br />

complex system of coded words, they hold<br />

the crowd in the palm of their hands as<br />

“The Great Stanton” sees all. What he fails<br />

to see, or really comprehend however, is<br />

just how much his life is going to change<br />

when he meets the crafty psychologist Dr.<br />

Lilith Ritter (Cate Blanchett) and a rich<br />

business owner who wants Stanton to use<br />

his “skills” so he can commune with the<br />

dead.<br />

While director and co-writer Guillermo<br />

del Toro has a penchant for using the<br />

supernatural in his films, there are no true<br />

supernatural elements in “Nightmare<br />

Alley.” Instead, his focus is more on the<br />

horror the living can inflict on another<br />

being, which in my opinion is far scarier<br />

than anything else.<br />

There are so many things to like, and<br />

even love, about this movie: it has a terrific<br />

cast who all give great performances, it’s<br />

stylish and visually arresting, and it has a<br />

punch in the gut ending that makes an<br />

impact despite hints along the way that it<br />

was bound to happen.<br />

But for however hard this film tries to<br />

be something new, something different and<br />

engaging, there is a disconnect in between<br />

how it was presented as a genuine adult<br />

thriller and how it comes across, which is<br />

maddeningly slow and not at all thrilling.<br />

Grade: C<br />

Dedra Cordle is a <strong>Messenger</strong> staff writer<br />

and columnist.<br />

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