J’AIME JANUARY/FEBRUARY 2022
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e a bit personal, I’d have to think on<br />
my feet because these things can be<br />
misinterpreted. You have to be a bit<br />
careful, but I wouldn’t want to be totally<br />
censored. I’d like to be as honest as I<br />
can.”<br />
Born in Nottingham in 1949, Su<br />
embraced the freedom of growing up<br />
in the Midlands in the 50s and 60s. The<br />
tour will visit intimate venues of around<br />
400 seats including The Palace Theatre<br />
in nearby Newark, but won’t quite<br />
take her back to Nottingham, where<br />
she discovered a lifelong love of the<br />
entertainment business.<br />
“I’d go three times a week to the local<br />
amateur theatre group and it was<br />
terrific,” she says. “I started when I<br />
was 11. I love Nottingham; it’s a great,<br />
vibrant city in my view, but equally I<br />
wouldn’t want to leave London because I<br />
really love it here.”<br />
Despite a staggering list of TV, film,<br />
West End, theatre and pantomime<br />
appearances (not to mention a hit single)<br />
many people still know Su best as Peggy,<br />
the chalet maid and eventual Yellowcoat,<br />
from Hi-De-Hi. The show aired between<br />
1980 and 1988 and made Su a household<br />
name. She believes there is a simple<br />
reason for its enduring popularity.<br />
“I think it was because it had a lot of<br />
heart to it - it was real,” she says. “I<br />
mean, I know it was high comedy but it was all about<br />
people that wanted to better themselves. Look at<br />
poor Yvonne and Barry - terrible snobs, but they<br />
were trying to get on in life - and so was poor old Ted<br />
Bovis. All Gladys wanted to do was love and be loved<br />
in return.<br />
“And because it was silly kind of stuff, anyone could<br />
love it - eight-year-olds could love it and so could<br />
80-year-olds. The characters were probably like your<br />
friends in real life. We’ve all known a Gladys, and<br />
we’ve all known a Miss Cathcart.”<br />
From acting to singing to writing, Su has done it all<br />
over the course of her career. For her, the medium<br />
is secondary as long as the topic is interesting.<br />
The acclaimed one-woman hit play Harpy has<br />
been a particular highlight, in which she explores<br />
her character’s struggles with mental health and<br />
loneliness, as manifested through extreme hoarding.<br />
“Harpy is an old-fashioned word for somebody, like<br />
SU POLLARD BRING<br />
HER ‘AN AUDIENCE<br />
WITH...’ TOUR TO<br />
TAMWORTH THIS<br />
MONTH<br />
a bird, that swoops down and grabs everything and<br />
takes it back to its nest - so a hoarder, basically,” she<br />
explains. “The writer, Philip Meeks, did ever such a<br />
lot of research. There are millions and millions of<br />
hoarders around the world, so it’s always going to be<br />
relevant. It’s usually to do with something the person<br />
has lost years and years before. It goes much deeper<br />
than just keeping stuff. I loved doing that play.”<br />
Su counts Les Dennis and her Hi-De-Hi colleagues<br />
as some of those she has most enjoyed working with,<br />
feeling very fortunate to have worked with so many<br />
like-minded people who take their work seriously, but<br />
have fun as well: “Every day, if you can, you make<br />
life as pleasurable as you can for yourself and other<br />
people, I think. If you’re working together you have a<br />
duty to do that.”<br />
The energetic, bubbly and colourful Su you see on<br />
screen is very much what you get in real life: “I do<br />
like to be on the go, as it were. Even when I walk, I<br />
walk fast. But equally, when I do get some downtime<br />
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