29.03.2022 Views

Jewellery World Magazine - April 2022

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

APRIL <strong>2022</strong><br />

AUSTRALIA AND NEW<br />

ZEALAND’S PROFESSIONAL JEWELLERY MAGAZINE<br />

S&S<br />

STONES& SILVER<br />

STERLING SILVER JEWELLERY


Concept to Creation<br />

YOUR JEWELLERY DESIGN BROUGHT TO LIFE<br />

1300 886 108 | AUSTRALIA WIDE<br />

palloys.com


Affection Diamonds<br />

Suite 504, Level -5 250 Pitt Street Sydney NSW -2000<br />

Call Us: 02 9264 2211 | Mobile: 0400 60 70 70<br />

Email: affectiondiamonds@gmail.com<br />

www.affectiondiamonds.com.au<br />

YOUR ONE STOP SHOP FOR DIAMONDS<br />

Buy Diamonds With Confidence * Diamond & <strong>Jewellery</strong><br />

Wholesaler * Gemstones Available on Order<br />

Gia Certified Diamonds | Argyle Pinks | Natural Fancy Colour<br />

Diamonds | Calibrated Small Diamonds | Old Cut, Single Cut<br />

& Rose Cut Diamonds | Matching Pairs | Black & Salt &<br />

Pepper Diamonds | Treated Colour Diamonds<br />

Follow us on :


<strong>Jewellery</strong> <strong>World</strong> <strong>Magazine</strong><br />

ABN: 82 637 204 454<br />

ISSN: 2207-6751<br />

PO Box 54, Camden NSW 2570<br />

P: 0431 844 903<br />

Subscription: www.jewelleryworld.net.au<br />

Enquiries: info@jewelleryworld.net.au<br />

Web: www.jewelleryworld.net.au<br />

managing director<br />

Jeremy Keight 0431 844 903<br />

jeremy@jewelleryworld.net.au<br />

editor<br />

editor@jewelleryworld.net.au<br />

contributing writers<br />

Kirsten Ehrlich Davies<br />

Stefan Juengling<br />

Cynthia Unninayer<br />

Cheryl D Harty<br />

art<br />

design@jewelleryworld.net.au<br />

advertising sales<br />

sales@jewelleryworld.net.au<br />

REGULARS<br />

6 News<br />

14 Palloy's Points<br />

16 Trade Well with Rami Baron<br />

18 JAA News<br />

40 Birthstone - Emerald<br />

42 Watches<br />

48 New Products<br />

50 Directory<br />

FEATURES<br />

20 Let's get personal<br />

Bespoke and personalised jewellery. What makes<br />

customisation so special?<br />

28 Pearls – from consistency to contrast<br />

All the latest trends in the world<br />

of pearls.<br />

20<br />

28<br />

42<br />

32 Mikimoto and the great pearl disruption<br />

You think lab grown diamonds are making a splash?<br />

Mikimoto messed things up a hundred years ago.<br />

DISCLAIMER:<br />

This publication may not be reproduced<br />

in whole or part without the written<br />

permission of the Publisher.<br />

Articles express the opinions of the<br />

authors and are not necessarily those of the<br />

Publisher or Editor. Mention of a product or<br />

service in this magazine does not indicate the<br />

Publisher’s endorsement.<br />

The Publisher excludes all liability for<br />

loss resulting from any inaccuracies or false<br />

or misleading statements that may appear<br />

in this publication.<br />

All information is copyright.<br />

34 Russian diamonds<br />

Russia's invasion of Ukraine has put Russian<br />

diamonds on the nose. Can the industry live<br />

without them?<br />

46 The brooch as diplomatic tool<br />

The late Madeleine Albright wore a diplomatic<br />

arsenal on her shoulder.<br />

AUSTRALIA AND NEW<br />

APRIL <strong>2022</strong><br />

ZEALAND’S PROFESSIONAL JEWELLERY MAGAZINE<br />

S&S<br />

STONES& SILVER<br />

STERLING SILVER JEWELLERY<br />

FRONT COVER<br />

Stones and Silver<br />

www.stonesandsilver.com.au<br />

4<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


All Silver is Rhodium Plated<br />

All Silver is Rhodium Plated<br />

• Sydney AGHA Gift Fair - February 21-24, 2020 (Homebush)<br />

• International • Sydney AGHA <strong>Jewellery</strong> Gift Fair -September - February 21-24, 12-14, 2020 (Homebush)<br />

(Darling Harbour)<br />

• International <strong>Jewellery</strong> Fair -September 12-14, 2020 (Darling Harbour)<br />

TJDSILVER.COM.AU 0400272365 ADMIN@TJDSILVER.COM.AU<br />

TJDSILVER.COM.AU 0400272365 ADMIN@TJDSILVER.COM.AU


News<br />

Two-thirds of Tiffany staff left after takeover<br />

Just over a year since the brand was acquired by LVMH,<br />

only around one third of Tiffany’s original staff remain<br />

with the company, said CEO Anthony Ledru in an interview<br />

with WWD in March.<br />

According to LinkedIn, Tiffany & Co has more than 13,000<br />

employees. Two-thirds of these have moved on since<br />

January 2021.<br />

Ledru told WWD that Tiffany particularly looked for<br />

workers in the “wider fashion industry,” whom he believed<br />

could “bring a faster pace of thinking.”<br />

Rare coin features Argyle pink diamonds<br />

The Perth Mint is offering a limited-edition coin – the Jewelled Koi – that<br />

highlights the exceptional beauty of Australia’s coveted Argyle pink diamonds.<br />

Described as one of The Perth Mint’s most luxurious coins launched to date, the<br />

Jewelled Koi is part of the group's Masterpieces Series and is the fifth annual<br />

release from a range of diamond-studded coins, namely Jewelled Phoenix,<br />

Dragon, Tiger, and Horse coins – all sought after by enthusiasts all over the<br />

world.<br />

This is also the first time that a Perth Mint coin features pavé set white<br />

diamonds and ultra-rare Argyle Pink Diamonds. There are only eight of these<br />

coins available at AU$262,800 each.<br />

Jane King, acting CEO of The Perth Mint, expects the Jewelled Koi series to sell<br />

out as interest in the organisation’s minted offerings continued to soar, adding<br />

that sales of gold minted products in 2021 were the highest in a decade.<br />

Neil Vance, The Perth Mint general manager, Minted Products, said the closure<br />

of Rio Tinto’s Argyle diamond mine in 2020 further bolstered demand for pink<br />

diamonds.<br />

“We are living in a fast-moving world, and that’s an<br />

important skill set for a lot of people coming from the<br />

fashion world, where there are a lot of drops and you<br />

have to react quickly,” he reportedly said. “That’s what<br />

you need in hard luxury now.”<br />

Alrosa closes US office<br />

Russian diamond producer Alrosa has closed its USA office<br />

after the resignation of Rebecca Foerester.<br />

Rebecca Foerester, the Alrosa USA president until <strong>April</strong> this<br />

year, resigned her position citing the geopolitical situation.<br />

Only a day after her resignation, US President Joe Biden<br />

banned Russia from importning rough or polished<br />

diamonds into the United States in response to Russia’s<br />

invasion of Ukraine.<br />

Alrosa, the world’s leading diamond producer by volume,<br />

is one-third owned by the Russian Federation.<br />

“The Jewelled Koi is struck from 10oz of 99.99 per cent pure gold in proof<br />

quality, with no less than 78 pink diamonds from the Argyle mine and 80 fine<br />

white diamonds per unit – making these coins an incredibly attractive keepsake<br />

for premium coin collectors,” said Vance.<br />

According to the Perth Mint, the koi is widely considered to be a lucky omen for<br />

marriage, fertility, prosperity and wealth, with just eight coins produced in the<br />

series, as eight is the luckiest number in Chinese culture.<br />

6<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


News<br />

India promotes gold and gem exports<br />

India’s Union Minister for Commerce and Industry, Piyush<br />

Goyal, has announced his goal to make the country’s gold<br />

and gem industry self-reliant, through a focus on export<br />

promotion.<br />

Bulgari and the BAFTAs<br />

High-end jewellery and watch brand Bulgari is now an official<br />

sponsor of the British Academy of Film and Television Arts<br />

(BAFTA) in time for this year’s award ceremony.<br />

The brand has a long association with the film industry, with<br />

stars from Ingrid Bergman to Lady Gaga wearing Bulgari<br />

jewellery on-screen. Elizabeth Taylor wore Bulgari jewellery to<br />

the 1967 BAFTAs.<br />

As host of the <strong>2022</strong> BAFTAs in March, Australian actress Rebel<br />

Wilson consolidated the new sponsorship deal by wearing<br />

statement Bulgari earrings. While the stars at the event<br />

showcased a wide range of luxury jewellery brands, Daisy<br />

Ridley, Becky Hill and Ariana DeBose joined Wilson in wearing Bulgari.<br />

Clash between luxury brands<br />

Cartier has filed a complaint against fellow luxury<br />

brand Tiffany & CO, alleging that Tiffany & Co has<br />

attempted to steal trade information by luring<br />

Cartier staff members away.<br />

Goyal predicted that gem and jewellery exports from<br />

India will reach USD 40 billion in the current financial year,<br />

registering a growth of 6.5 percent, which would exceed<br />

the pre-COVID levels. He believes that the government is<br />

supporting the industry’s expansion and self-reliance by<br />

reducing import duty on cut and polished diamonds from<br />

7 percent to 5 percent, while extending the Emergency<br />

Credit Line Guarantee Scheme (ECLGS) for MSMEs, which<br />

make up 90 percent of the industry, until March 2023.<br />

<strong>Jewellery</strong> found, owners still missing<br />

Victoria Police found more than they bargained for when<br />

they searched a suspected stolen car, expecting to find<br />

drugs, but uncovering a mysterious cache of jewellery<br />

with a street value of up to $100,000.<br />

The loot included a diamond and aquamarine ring, a<br />

ruby ring, and stud earrings stored in a Cartier box. The<br />

mystery deepened when police realised that the jewels<br />

did not match up with any reports of stolen jewellery.<br />

Detective Senior Constable Shannon Foden said that the<br />

police have worked hard to identify the legal owners but<br />

they had “hit a bit of a brick wall.”<br />

“I have no doubt they’re incredibly precious pieces of<br />

jewellery to someone and we are very keen to reunite<br />

them with their owners.”<br />

V<br />

One Cartier employee, Megan Marino was<br />

working as a junior manager at Cartier until she<br />

was offered a higher position at Tiffany & Co. In<br />

an affidavit, Marino claimed that Tiffany & Co<br />

were “more interested in hiring me as a source<br />

of information than as a manager.”<br />

She is not the only former employer claiming<br />

to be lured away from Cartier to provide<br />

information to Tiffany. The court case continues.<br />

Anyone who recognises the jewellery or has information<br />

about it is urged to contact Crime Stoppers on 1800 333<br />

000.<br />

8<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


We know<br />

Brilliance<br />

LOOSE DIAMONDS<br />

DIAMOND & COLOURED<br />

STONE ENGAGEMENT RINGS<br />

COLOURED GEMSTONES<br />

WEDDING & DRESS RINGS<br />

CAD DESIGN<br />

Get to know us too


News<br />

SAG Awards<br />

The statement diamond necklace<br />

was the unofficial dress code of the<br />

28th Annual Screen Actors Guild (SAG)<br />

when the stars returned to sparkle at<br />

this year’s live event. Necklaces ranged<br />

from vintage to ultra-modern.<br />

Tiffany ambassador Lady Gaga wore a<br />

Tiffany & Co Schlumberger Flowers and<br />

Leaves necklace featuring<br />

a floral arrangement of<br />

diamonds set in 18K yellow gold and<br />

platinum. Selma Gomez went with<br />

something a little edgier than flowers,<br />

wrapping a dazzling emerald-eyed serpent of<br />

diamond pave from Bulgari around her neck. Ariana<br />

DeBose, who won a SAG Award for playing Anita in<br />

West Side Story wore a De Beers diamond necklace<br />

featuring a fringe of pear-shaped diamonds. Reese<br />

Witherspoon wore an intricate Art Deco style Cartier<br />

diamond necklace with an enormous diamond<br />

pendant. Kim Joo-ryoung surprised jewellery<br />

watchers by wearing Swarovski’s Harmonia choker,<br />

crafted from a row of large rectangular crystals set in<br />

a fine mixed-metal setting giving the illusion that the<br />

crystals float independently.<br />

UK jewellery industry demonstrates support<br />

for Ukraine<br />

A UK jewellery designer has lashed out at media<br />

suggestions that the jewellery industry is “profiteering”<br />

from the Ukraine crisis. An article in the subscriber-only<br />

platform the Telegraph was headlined “Jewellers accused<br />

of profiteering from Ukraine war” while the article claims<br />

that jewellers have taken advantage of rising gold prices to<br />

pressure young couples into paying higher prices for rings.<br />

Founder and designer of jewellery brand Kimjoux, Trang<br />

Do, responded to the article by saying “This is utterly<br />

unfair!” and demanded that the Telegraph balance the<br />

story by reporting on how many members of the jewellery<br />

industry are raising millions in donations in support of<br />

Ukraine.<br />

“Some people read this type of attention-grabbing headline<br />

and assume all jewellers are like this,” Tran Do said. “at<br />

least have the decency to say ‘some jewellers’, please!”<br />

Members of the British jewellery trade organisation,<br />

Company of Master Jewellers (CMJ) have raised £41,500<br />

towards their goal of £50,000 for Ukraine, through their<br />

Red Cross fundraiser via JustGiving.<br />

At the CMJ’s ruby-themed dinner and ball in March,<br />

attendees stood to give a standing ovation to the people of<br />

Ukraine.<br />

Royal jewels<br />

Catherine, Duchess of Cambridge used her jewellery to make a subtle tribute to a<br />

non-Commonwealth country while attending a service at Westminster Abbey to<br />

commemorate Commonwealth Day on March 14. She wore the same pair of sapphire and<br />

diamond earrings with matching necklace that she had worn to meet Ukraine’s President<br />

Volodymyr Zelensky and his wife Olena Zelensky at Buckingham Palace. The jewellery<br />

set is believed to have previously belonged to her late mother in law, Diana, Princess of<br />

Wales.<br />

Also sparkling at the service, Princess Alexandra, the Queen’s cousin, wore an elegant blue<br />

outfit with a diamond square brooch, pearl and diamond earrings and a pearl necklace.<br />

While the Queen did not attend the Commonwealth Day service, she did have her own<br />

glamorous moment at Windsor Castle the next day, when she presented her Gold Medal<br />

for Poetry to Guyanese poet Grace Nichols.<br />

The Queen wore a cream woollen dress, accessorised with a set of pearl necklaces, pearl<br />

earrings and a gold brooch known as the Singapore Peranakan Diamond Jubilee Brooch.<br />

The brooch was a gift from the President of Singapore for her diamond jubilee, and<br />

features 60 diamonds set in a Bird of Paradise filigree design made of 18k gold.<br />

10<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Emerald - In Stock & Online Now


News<br />

Blackpink’s Rosé lands another campaign with Tiffany<br />

K-pop star Rosé was first named a brand ambassador for Tiffany & Co. in<br />

2021 and has now signed for another campaign for the brand’s HardWear<br />

collection.<br />

“I’ve worn Tiffany jewellery since I was in high school. To be a part of such<br />

an iconic brand that has been a part of my life for a long time makes it<br />

that much more special to me,” the singer said in a statement.<br />

The new Tiffany HardWear styles will be available in July, with new full pave<br />

diamond pieces that will drop later this year in November.<br />

Sydney jewellery<br />

auction saw strong<br />

results<br />

Smith & Singers's March<br />

auction of Important Jewels,<br />

Watches & Objects of Virtu<br />

saw strong bidding in the<br />

room, on the telephones and<br />

online, resulting in a total of<br />

$1,256,236, the highest since 2019.<br />

Items of quality and allure attracted particularly keen<br />

competition, with bidders vying for dazzling jewels of all<br />

variety. Prominent results were achieved for gems by Cartier,<br />

Bulgari and Paspaley, complemented by stunning diamond<br />

and coloured gemstone pieces.<br />

Among the notable results was the spectacular pair of<br />

diamond earrings by Bulgari which sold for $51,545.<br />

Time to buy Australian-made<br />

Ph: (03) 9650 5955 Fax: (03) 6950 5977<br />

Email: sales@millenniumchain.com.au<br />

Web: www.millenniumchain.com.au<br />

6th Floor, 313 Lt. Collins St.<br />

Melbourne 3000 Victoria<br />

Millennium Chain<br />

Finished Top 5 in the category of<br />

Best Selling Gold <strong>Jewellery</strong> Suppliers in<br />

Australia and NZ, as voted by retailers.<br />

millennium_chain


LET'S TALK<br />

WEBINAR SERIES<br />

D i a m o n d s<br />

7pm AEST<br />

Tuesday | <strong>April</strong><br />

5<br />

Hear from a number of diamond industry experts as we talk all things diamonds. We'll<br />

bring you local and international trading news - the current impact on supply chains,<br />

through to mining and the pricing of rough, the sustainability to supply and demand. As well<br />

as the growth of laboratory diamonds in the market, their current pricing and value,<br />

understand how these two markets are performing internationally and what the Australian<br />

jewellery industry can do to support local diamond traders and much more!<br />

We will invite questions from registrants and welcome all members of the trade.<br />

REGISTER TODAY | JAA.COM.AU/TALK<br />

Proudly brought to you by the Jewellers Association of Australia, with the support of the <strong>Jewellery</strong> Industry Network


PALLOYS POINTS<br />

Rebecca Hearth<br />

Jeweller<br />

Palloys<br />

JOURNEY TO JEWELLERY:<br />

REBECCA HEARTH<br />

While the journey to becoming a jeweller has radically changed over hundreds of years, the<br />

inherent passion and creativity associated with being a jeweller have transcended time and<br />

context.<br />

This month, we caught up with Rebecca, one<br />

of Palloys’ bench jewellers, to further explore<br />

how her path to becoming a jeweller reconciles<br />

with her artistry and vision.<br />

So, first, we’d love to know how<br />

your career in jewellery came<br />

about.<br />

My journey began in 2015 when I started<br />

doing some short, weekend courses in<br />

jewellery, just as a hobby. As I was doing these,<br />

I discovered a real love for the ‘hands-on’ style<br />

of work and my own creative flair. I’m super<br />

artistic, so I had always wanted to pursue<br />

a career in something creative, so finding<br />

jewellery as an outlet both creatively and<br />

professionally was really thrilling.<br />

Once I had settled on pursuing jewellery, I<br />

enrolled in TAFE to complete a Certificate III<br />

in <strong>Jewellery</strong>. TAFE gave me the tools to begin<br />

my professional learning journey and was<br />

instrumental in my understanding of the trade<br />

and what fundamental skills are required. I<br />

found that the more I studied and developed<br />

my skills, the greater my passion for jewellery<br />

became; I loved the rush of creating and<br />

honing my skills.<br />

After completing my Certificate III, I continued<br />

to study a Diploma of Gemmology. I was<br />

hoping to start some casual work in the<br />

industry while I studied, which is where I came<br />

across Palloys. I was initially hired as a caster<br />

where I was spruing and de-spruing trees,<br />

working with wax and resizing. Eventually, I<br />

was approached to support the jewellers in<br />

the finishing team, and after a few months, I<br />

was taken on as a full-time jeweller, where I<br />

started fully finishing pieces that came from<br />

casting. Once I settled into this role, I felt like<br />

being a jeweller is where I’m truly meant to<br />

be.<br />

Now as an established jeweller, how<br />

would you describe your working<br />

philosophy?<br />

My philosophy for jewellery is centred around<br />

understanding it as an art form and letting the<br />

creation of a piece be an outlet for emotion<br />

and creativity. As well as that, recognising<br />

and honouring the sentimentality of making<br />

jewellery is integral to how I approach<br />

my work. I love to create my sentimental<br />

14<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


jewellery, to measure the changes in my life<br />

through what I was creating at the time. I am<br />

also incredibly passionate about being able to<br />

create other people’s sentimental jewellery,<br />

for example if they have a particular gem<br />

they would like refitted into a new design<br />

or the original piece. Loving the emotional<br />

and sentimental aspects of jewellery was<br />

the foundation of my pursuit of jewellery,<br />

and it has since informed both my vision and<br />

philosophy.<br />

My most<br />

important and<br />

sentimental<br />

piece would<br />

have to be my<br />

end-of-year<br />

piece at TAFE.<br />

My design for the piece was so complicated<br />

that all my mentors advised against making<br />

it and suggested I find alternative designs.<br />

However, I persevered in making my original<br />

design: a hairpin in the shape of a lily-ofthe-valley<br />

flower that came apart into three<br />

pieces with a variety of handset precious<br />

stones. It was a very ambitious design, but I<br />

was successful in creating it. I won the Best<br />

Set Gem Award and Overall High Achievement<br />

for TAFE which was a wonderful affirmation<br />

of the skills I have developed and my innate<br />

aptitude for jewellery making, and it helped<br />

give me more confidence to pursue jewellery<br />

professionally.<br />

You mentioned some of your<br />

mentors at TAFE. How important<br />

has mentorship and having strong<br />

role models been in your journey<br />

to becoming a jeweller?<br />

So, so important. I have been incredibly<br />

fortunate in my journey to have had such<br />

amazing and knowledgeable teachers,<br />

mentors and colleagues that have been<br />

paramount to the development of skills and<br />

passion. At TAFE and now at Palloys, I’ve<br />

had so many people willing to share their<br />

techniques and experience with me. Some of<br />

the people I work with not only have decadesworth<br />

of experience in making jewellery,<br />

but they are also more than willing to share<br />

their knowledge with me and our colleagues.<br />

It can be intimidating, working with such<br />

experienced and skilled jewellers, but there<br />

is such a great exchange of skills between<br />

all the jewellers, which ultimately broadens<br />

everyone’s abilities and makes it a really<br />

positive learning environment.<br />

And finally, do you have any advice<br />

for any up-and-coming jewellers<br />

who might be inspired by your<br />

journey?<br />

The best advice I can give is just give it a go.<br />

By showing interest and actively participating<br />

in the jewellery industry via TAFE, trade<br />

fairs, showrooms and work experience and<br />

introducing yourself in these settings, you’ll be<br />

able to navigate your way into your own space<br />

in the jewellery world.<br />

Palloys’ is always amazed at the sheer talent<br />

and skill that our jewellers show every day in<br />

our Marrickville workshop. Rebecca’s journey<br />

shows how passion, ambition and hard work<br />

can lead to a successful career in jewellery. We<br />

are thrilled to have her as a member of the<br />

Palloys family.<br />

<strong>April</strong> <strong>2022</strong> 15


RECONNECTING IN DUBAI<br />

I recently returned from a trip to Dubai where numerous diamond events were being held.<br />

Those who know me, appreciate how much I used to travel prior to Covid. This was my first<br />

major overseas trip in over two years, and wow what a trip.<br />

I probably sound like a broken record, but the<br />

value of travelling is incalculable. It’s crazy<br />

how much can be gained by meeting and<br />

reconnecting with colleagues from around the<br />

world.<br />

If you ever want to see how to put on a<br />

conference, how to put on an event, how to<br />

make your guests feel special, and how to<br />

showcase your city to the nth degree, make<br />

sure you go to an event, congress or a trade<br />

show in Dubai.<br />

We were incredibly fortunate to have Ahmed<br />

Bin Sulayem, executive chairman of the<br />

DMCC, as our gracious host. Ahmed is also the<br />

president of the Dubai Diamond Exchange,<br />

as well as a passionate coffee aficionado. He<br />

takes great pleasure in bringing his personal<br />

mini stove and coffee grinder to the table, and<br />

prepares his favourite blend to share with you<br />

as you chat.<br />

Very few will ever appreciate the sheer<br />

energy, determination, and breadth of<br />

achievements that Ahmed and his team<br />

are capable of. I was fortunate to witness it<br />

firsthand and I don’t know how he has the<br />

energy. Martin Leake, the special advisor for<br />

precious stones of the DMCC, coordinated an<br />

inspiring diamond conference, gala dinner,<br />

world diamond council meeting, International<br />

Diamond Manufacturers Association meeting,<br />

a Diamond <strong>Jewellery</strong> Trade show and our<br />

own <strong>World</strong> Federation of Diamond Bourses<br />

Presidents meeting. Everything, and I mean<br />

everything, went off like clockwork, was<br />

beautifully presented and respectfully catered<br />

to everyone’s needs. This doesn’t even<br />

begin to touch on how interesting the panel<br />

discussions were by key people in the industry<br />

worldwide. A special shout out to Samer for<br />

his amazing support during the events.<br />

I don’t think I have previously explained<br />

the role I play in the diamond community,<br />

and I think now is a good time. Apart from<br />

being the president of the Diamond Dealers<br />

Club of Australia, I hold the position of<br />

an executive on the board of the <strong>World</strong><br />

Federation of Diamond Bourses as well as<br />

chairman of the Promotions Committee. It<br />

was in the latter capacity that five years ago, I<br />

proposed to the Board that we form a Young<br />

Diamantaires group to communicate with the<br />

next generation, understand what they want,<br />

and ultimately create a platform for them to<br />

communicate and a runway allowing them to<br />

lead the industry. Although I was initially faced<br />

with a bit of resistance, I was left to my own<br />

devices, and I founded this group which today<br />

numbers close to 500 around the world. It is a<br />

vibrant and dynamic group, who have found a<br />

voice in the diamond industry. See www.ydts.<br />

org.<br />

Bruce Cleaver, the CEO of DeBeers, provided<br />

some interesting insights which I would like<br />

to share. We all know what tremendous<br />

growth we have seen in the diamond<br />

industry recently, but the question is can it<br />

be sustained and is there enough momentum<br />

without government stimuluses?<br />

Presidents of the WFDB, Dubai<br />

The current research shows that consumers<br />

believe and feel strongly about natural<br />

diamonds. Interestingly, the female selfpurchase<br />

is the biggest growth category.<br />

The rough diamond that the 15ct intense vivid Blue<br />

IF Diamond opposite was cut from.<br />

There is a need for more collaborative<br />

marketing. There was an enormous amount<br />

discussion about the key drivers, and for me<br />

the most interesting comments, which will<br />

challenge each one of us to think about are as<br />

follows:<br />

What motivates someone to do something?<br />

When I give a diamond to someone, what is<br />

the question? Is it something that I want to<br />

say to the person that I gave it to, or is it what<br />

the diamond says about me?<br />

These are very powerful questions. Although<br />

I have written about this previously, the<br />

wording by Bruce was so much more<br />

poignant. A consumer is often pressured<br />

(not everyone, and it’s all about choice and<br />

personal belief systems) to give their partner a<br />

diamond ring which, to some extent, reflects<br />

their financial circumstance. You may disagree<br />

and I’m sure you could give me examples to<br />

back this up, however if a person is a lawyer<br />

and is earning $250,000 a year, will they really<br />

give their partner a 1/2ct diamond ring? I’ll<br />

leave that to you.<br />

I liked the statement that Bruce said - “brand is<br />

a proxy for trust”.<br />

Climate change, gender diversity and<br />

sustainability – the world will view brands<br />

against these three topics.<br />

16<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


DDCA NEWS<br />

Rami Baron<br />

President, Diamond Dealers Club of Australia<br />

rami@ddca.org.au<br />

Here is an interesting little fact.<br />

Did you know that the cost of recovering<br />

a 1 carat diamond in mining operations is<br />

subsidised with all the smaller diamonds that<br />

are mined?<br />

There is no doubt that the focus of this<br />

conference was the clash between Lab grown<br />

and Natural. One of the biggest retailers<br />

in America quoted a number which was<br />

unfathomable. They stated that they were<br />

selling 50 lab grown to 1 natural. Perhaps a bit<br />

of an exaggeration, but even if it was 5 to 1, it<br />

tells the story.<br />

So, the question is poised, is there enough<br />

tangible differentiation between lab grown<br />

and natural?<br />

Young Diamantaires gala dinner.<br />

According to De Beers there is. They are of<br />

the view that as the natural is more costly, it is<br />

more valuable.<br />

Fundamentally this may make sense, but let’s<br />

take a step back and look at the whole story,<br />

the very essence of an engagement ring and<br />

the symbolism it represents. The diamond<br />

ring is just one component. The value is a<br />

commitment of two people, and as beautiful<br />

as the ring is (and hopefully the receiver will<br />

get amazing compliments over the years),<br />

I ask myself “will the perceived rarity of a<br />

natural diamond transcend time?” or will it<br />

be about the ring itself, the craftsmanship and<br />

the design?<br />

If that is the case, then just because the<br />

price of lab grown will drop over time, will<br />

it in fact lose its cache as the preference or<br />

viable alternative for the centre stone of an<br />

engagement ring? Lots to think about, huh?<br />

Stephen Lussier, the executive vice president<br />

of brands for De Beers, uses the watch story<br />

and how his kids all covet his Rolex watches<br />

as the perfect example. His kids know and<br />

understand the value of these watches, but I<br />

don’t believe it’s a fair comparison. I think the<br />

top watch brands did what De Beers failed to<br />

do: they didn’t stop building brand awareness<br />

and appreciation for fine timepieces for a<br />

decade, and they definitely didn’t go into the<br />

business of manufacturing fake watches.<br />

Beryl Raff, chair and CEO of Helzberg<br />

Diamonds, stated very pointedly “it is not a<br />

positive thing when the retailer has to speak<br />

up for the category.” The retailer is not the<br />

one that has to speak up for natural diamonds.<br />

The retailer offers the consumer choices and<br />

provides information with full transparency.<br />

The consumer chooses what suits them. Using<br />

the argument that a lab grown diamond is<br />

worthless in the resale is a poor reason as to<br />

why someone shouldn’t buy it.<br />

I have seen the good that mining has provided<br />

to communities in Africa, but this is just one<br />

component of why someone may purchase<br />

a natural diamond. The purchase of the<br />

diamond engagement ring will often come<br />

down to what that consumer sees on the<br />

web or physically in front of them, the price<br />

comparison and where the retailer can make<br />

the most margin.<br />

A very interesting story that has emerged in<br />

our diamond world and reared its ugly head<br />

is that of the theft of intellectual property.<br />

When diamond manufacturers cut and polish<br />

diamonds, we expect them to do so in an<br />

A diamond priced at USD $50 million to be auctioned<br />

by Sotheby’s was placed in my hands.<br />

ethical manner. I’m not talking about where<br />

the stones came from, I’m talking about the<br />

very machines that they use to evaluate every<br />

crystal before, during and after they are cut<br />

and polished.<br />

The company which we all know well, Sarine,<br />

has spent tens of millions of dollars developing<br />

the sophisticated technology to help the<br />

industry maximise the yield and improve the<br />

cutting and polishing diamonds worldwide. In<br />

the last few years, several criminals in India,<br />

with the direct involvement of some major<br />

manufacturers of diamonds, hacked into<br />

machines that they purchased from Sarine,<br />

reversed engineered the software and set up<br />

competition to them.<br />

The matter is before the courts. One of<br />

these companies is already employing 1,500<br />

people so it tells you that this will not be<br />

an easy battle to say the least. The largest<br />

jewellery retail group in the world, Signet,<br />

appreciated the seriousness of this matter to<br />

the extent that they have sent a letter to all<br />

their diamond suppliers to confirm in writing<br />

that they are not party to utilising the theft of<br />

Sarine’s intellectual property, and if they find<br />

out that they are, they will cut them off as<br />

suppliers. Imagine someone hacks into your<br />

computer, steals all of your designs, all your<br />

customer data, goes to your jewellers with<br />

bags of money and looks to bribe them for all<br />

the information about your business so they<br />

can now blow you out of the water, or at least<br />

attempt to. I had this happen to me to a lesser<br />

extent. I can tell you, you get pretty pissed.<br />

Let’s end on a positive note. The Young<br />

Diamantaires were truly showcased during<br />

this week, and that 70 attended from around<br />

the world says a lot. We were incredibly spoilt,<br />

with a special dinner put on generously by<br />

the Dhamani family, we were invited for tours<br />

through the wonderful <strong>World</strong> Expo highlighted<br />

by Dubai, and in some cases, personally<br />

escorted by none other than Ahmed himself.<br />

In the 75 years that the WFDB has existed, it<br />

was the first time that two youngsters, who<br />

are part of the Young Diamantaires organising<br />

committee, were invited to have two seats at<br />

the executive table of the <strong>World</strong> Federation of<br />

Diamond Bourses and see how meetings are<br />

conducted with presidents from around the<br />

world. This was truly a landmark occasion and<br />

one which I am personally very proud of.<br />

Trade well,,, Rami Baron.<br />

<strong>April</strong> <strong>2022</strong> 17


PRESIDENT'S<br />

MESSAGE<br />

Karen Denaro<br />

Over 17-18 March <strong>2022</strong>, I have had the pleasure of sitting amongst esteemed industry<br />

professionals and peers from all over the globe, as a panellist for CIBJO (The <strong>World</strong> <strong>Jewellery</strong><br />

Confederation) assembly, a hybrid international event, held in conjunction with Vicenza Oro.<br />

There is much discussion of the current<br />

state of political affairs, sustainability, ethics,<br />

integrity, intention, and alignment. It is a time<br />

of reckoning for all of us. With this comes<br />

the knowledge that nothing will ever go back<br />

to the way it once was and the jewellery<br />

industry, right across the supply chain, from<br />

every corner of the world, has the golden<br />

opportunity (pun intended), to use these<br />

challenges to do things differently – good<br />

simply is not good enough.<br />

In an ever evolving and changing industry, the<br />

last ten years in the international jewellery<br />

industry are referred to as a pivotal decade.<br />

Living our new normal no longer applies solely<br />

to the pandemic. It also pertains to accepting<br />

the fact that, globally, we are living through<br />

constant crisis. Variable circumstances are<br />

perpetually evolving. As I sit to write this, I<br />

realise that there will be continued change by<br />

the time this message is actualised in print.<br />

The current conflict in Eastern Europe impacts<br />

us all – as human beings and as business<br />

owners alike, regardless of where we reside<br />

and operate from in the world. Some of us<br />

impacted on a far greater scale than others.<br />

Belonging to a trade association has never<br />

been more poignant to the Australian<br />

jewellery industry.<br />

In alignment with industry associations, both<br />

locally and internationally, the Jewellers<br />

Association of Australia (JAA) is responsible<br />

to our members and the industry at large.<br />

The JAA provides protection, guidance,<br />

governance and integrity for every branch and<br />

sector of the Australian jewellery industry,<br />

right across our supply chain. We are here<br />

to make a difference and to support you in<br />

your business. We are up to date with the<br />

latest international industry news and we will<br />

continue to keep our members informed. The<br />

JAA is here to assess, mitigate and eliminate<br />

risk, ensuring in the protection of our local<br />

industry.<br />

As an association we support and govern<br />

industry responsibilities, conduct, ethics and<br />

our dealings with one another, which are of<br />

paramount importance.<br />

With more than 90 percent of their diamonds<br />

mined and sold via state-owned Alrosa, Russia<br />

is one of the worlds’ largest producers of<br />

diamond rough. The current political crisis and<br />

subsequent sanctions have seen a USD $79<br />

billion dent to the global diamond industry.<br />

This is likely to have significant ramifications<br />

on how we trade in diamonds in Australia.<br />

Lab grown diamond sales are currently skyrocketing<br />

and rough is up approximately 30<br />

percent, with further expected increases over<br />

the coming weeks.<br />

Diamond sales from China and India are at an<br />

all-time high.<br />

With a sharp decrease in raw goods,<br />

particularly diamond rough, from Russia and<br />

Russian owned companies, we need to look<br />

at local industry suppliers and their sources<br />

to ensure we provide responsible, ethical,<br />

and informed sustained support, to be of the<br />

greatest service to one another.<br />

Adaptability and unity are key to how we<br />

move forward, both within our individual<br />

businesses and as an industry.<br />

I strongly believe the current global challenges<br />

provide an opportunity for us to look at how<br />

we operate and to pivot our businesses to<br />

operate differently and effectively. Change is<br />

not always comfortable, however it necessary<br />

for sustained growth and our industry is<br />

certainly no exception.<br />

The JAA hopes for a peaceful resolution.<br />

18<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


YOU ARE<br />

MY<br />

ROCK.<br />

Becoming a member of the Jewellers<br />

Association of Australia has a comprehensive<br />

range of benefits.<br />

We are here to help support, protect, guide<br />

and grow your business, whilst being a voice<br />

for the Australian <strong>Jewellery</strong> Industry.<br />

The <strong>2022</strong> Member Prospectus details the<br />

benefits available to members and we<br />

welcome you to contact us with any questions<br />

or feedback you may have about the JAA.<br />

INSPIRING CONFIDENCE. SINCE 1931.<br />

view the<br />

MEMBER<br />

BENEFITS<br />

jaa.com.au/benefits


By Stefan Juengling<br />

LET’S GET PERSONAL:<br />

The modern custom-made and<br />

personalised jewellery scene<br />

Daniel Bentley<br />

With changes in customer segments over the last decade, and to weather the<br />

pandemic-induced economic storm, jewellery brands have been offering<br />

custom-made and personalised jewellery to keep their prestige and engage<br />

a larger audience.<br />

Here with input from three prominent Australian jewellery brands and one<br />

South African jewellery brand, we explore the state of, and trends within the<br />

Australian personalised and custom-made jewellery industry.<br />

For many modern jewellery consumers,<br />

an item of jewellery isn’t just a fashion<br />

accessory, but an extension of one’s own<br />

personality. Thus, if one wants to showcase<br />

their personality through their jewellery, the<br />

ability to personalise and customise jewellery<br />

becomes important. In the personalised and<br />

custom-made jewellery industry, the piece’s<br />

sophistication and the brand’s reputation<br />

play fundamental roles for the consumer. Our<br />

contributors understand this all too well.<br />

Sophisticated brands, personalised<br />

designs and custom creations<br />

When asked about personalised and<br />

customised jewellery’s importance to her<br />

brand,founder of Sydney-based personalised<br />

jewellery brand Belle Fever Sarah Saputra said<br />

that her jewellery is more than just a design.<br />

“Inscriptions, symbols, and images add a<br />

personal touch,” she said.<br />

“Our jewellery is created to tell the story<br />

of the customer…the pieces we create are<br />

carefully selected by each customer to<br />

ensure they will love each one and hold that<br />

sentimental value.”<br />

Justin Blake is managing director of South<br />

African personalised sterling silver brand<br />

Silvery (with a registered Australian office and<br />

division), and he said the personalised pieces<br />

they offer can be either laser engraved or<br />

hand stamped by their jewellers.<br />

“We also offer a selection of items with<br />

birthstones as well as complete custom jobs,”<br />

he said.<br />

“Through our customisation page customers<br />

can let our jewellers know what they would<br />

like by uploading images or written ideas.”<br />

Silvery<br />

He said depending on the customer’s budget,<br />

design and<br />

preference,<br />

the piece<br />

will be either<br />

handcrafted, or<br />

3D-printed and cast.<br />

Queensland-based bespoke jeweller Daniel<br />

Bentley who heads up his eponymous<br />

jewellery brand said bespoke-designed<br />

jewellery has a special place in his business,<br />

because it allows a pure one-to-one creative<br />

process directly with the client.<br />

“It becomes truly personal as each design we<br />

create is an expression of the client’s own<br />

desires and our style,” he said.<br />

“This is an important contrast to how we<br />

design for our brand.”<br />

He also spoke about Daniel Bentley’s bespoke<br />

jewellery<br />

process, which<br />

he said takes<br />

an old school<br />

approach:<br />

sketching while<br />

talking about<br />

the design with<br />

Daniel Bentley<br />

20<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


One Sixteenth<br />

the client and listening to their often-long list<br />

of desires.<br />

“From there, we have one or two follow up<br />

consultations, before we commence work.<br />

He said the most important attribute when<br />

helping a client produce their perfect bespoke<br />

piece of jewellery is trust.<br />

One Sixteenth Designs is an ethical jewellery<br />

brand from Cabarita, NSW, and founder/<br />

jeweller Amy O’Shea said that her custom<br />

work has been gaining huge traction for<br />

her business over the past couple of years,<br />

especially as she moves towards “closed loop<br />

jewellery production.”<br />

“This means I'm focussing on using jewellery<br />

already in the loop, i.e. already mined and<br />

in circulation rather than purging the earth<br />

further for materials,” she said.<br />

“My customers adore the low impact this has<br />

on our planet and also that they are able to<br />

continue to wear ‘Grandma's ring’ but in a<br />

Silvery<br />

more updated way.”<br />

She said this method also helps keeps the<br />

costs down.<br />

Which personalised pieces are<br />

proving popular?<br />

As for the types of jewellery that are popular<br />

among personalised jewellery consumers,<br />

Justin said name necklaces have always been<br />

a popular option, however Silvery’s couples<br />

rings are quickly becoming the most popular<br />

piece on their website.<br />

“I think it’s because we offer each ring in every<br />

ring size as we make each one to order,” he<br />

said.<br />

In the lead up to Mother’s Day, Belle Fever is<br />

selling a lot of family tree pendants, bangles<br />

and bracelets. Sarah said each design’s metal<br />

tone, crystal type, image and shape can be<br />

customised to match each customer’s taste.<br />

At One Sixteenth Designs, Amy said she’s<br />

noticing a move towards rings and pendants.<br />

Weathering the pandemic and<br />

coming out stronger<br />

In her Master’s thesis “Personalization of<br />

jewellery products: an added value or loss in<br />

recognition for luxury brands?”, author Anna<br />

Pozzobon discussed the way the pandemic<br />

impacted the personal luxury goods industry,<br />

which experienced a decline of -23 percent<br />

over the past two years. She went on to<br />

outline the need for businesses to adapt to<br />

new customer<br />

segments and<br />

their needs in<br />

order to ensure<br />

the business’<br />

long-term<br />

survival.<br />

Justin and his<br />

team addressed<br />

their customers’<br />

needs by<br />

analysing Google<br />

Belle Fever<br />

search trends, and quickly adapting the ranges<br />

on offer at Silvery based on the findings.<br />

“As we manufacture our own jewellery, we<br />

hold very little inventory so it’s relatively easy<br />

for us to create samples and have an idea to<br />

market within one to two weeks,” he said.<br />

Amy detailed the way she adapted to the<br />

industry slump: by running more jewellery<br />

workshops over the past two years.<br />

“Groups of remarkable souls come to the<br />

studio and we create rings, bangles, earrings<br />

and necklaces together,” she said.<br />

“I think this pandemic has made us all<br />

recognise we've been caught on the treadmill<br />

for so long and need connection and<br />

experience over consumables.”<br />

She said a jewellery workshop is a perfect mix<br />

of all three.<br />

As a result of the pandemic, Sarah said that<br />

Belle Fever’s designs, customer journey,<br />

marketing and operations had to be flexible<br />

and pivot accordingly.<br />

<strong>April</strong> <strong>2022</strong> 21


Belle Fever<br />

Personalised jewellery +<br />

personalised experiences = lifelong<br />

connections<br />

<strong>Jewellery</strong> is an incredibly personal purchase,<br />

and being given the ability to personalise a<br />

piece or have it custom-made makes it even<br />

more precious and sentimental. This is a view<br />

that strongly resonated with Daniel.<br />

“<strong>Jewellery</strong> doesn’t get more unique than a<br />

piece that is specifically designed for a client;<br />

it’s one of the only ways that anyone can<br />

show off to the world a ring or necklace that<br />

is theirs alone and tied to the person or event<br />

that the piece of jewellery represents,<br />

Daniel Bentley<br />

22<br />

jewellery world - <strong>April</strong> <strong>2022</strong><br />

“Only jewellery can do that, as it has for<br />

thousands of years.”<br />

Silvery<br />

In addition, jewellers have the ability to give<br />

customers life-long experiences such that<br />

buying jewellery from the brand turns into a<br />

fond memory. Sarah said her customers have<br />

shared how their shopping experience at Belle<br />

Fever was unlike any other.<br />

“There are a lot of online businesses that lack<br />

that personal touch, and customers want to<br />

still feel that personal touch even if it is not in<br />

person,” she said.<br />

“They also desire to be treated like individuals<br />

and not as numbers, so they expect to be<br />

assisted when and how they are able.”<br />

To this end, she said Belle Fever customer<br />

service representatives are always in constant<br />

communication with their customers and<br />

provide them with updates as needed.<br />

Amy said there is always a beautiful<br />

relationship between creator and customer in<br />

the handmade realm, but when it happens in<br />

a small town it becomes a magnificent union.<br />

“My customers adore being able to come in<br />

during the creative process and see how their<br />

piece is made,” she said.


Daniel Bentley<br />

“Sometimes they even<br />

come in and make it<br />

themselves!”<br />

Justin said there are four primary<br />

qualities at Silvery that wins them<br />

repeat business: their communication,<br />

speed, quality and range. Their high standard<br />

of communication ensures that once<br />

customers have placed their order, they will<br />

get around five progress SMS texts and emails.<br />

Their speedy service means that orders are<br />

crafted between one to three days, and<br />

delivered from South Africa to Australia within<br />

6-11 working days (including crafting time).<br />

Remarking on their quality, Justin said their<br />

focus is on quality over profits.<br />

“Most online stores will use plate between<br />

0.8mm – 1mm, (but) we use 1.5 – 2mm plate<br />

for name necklaces and bars.<br />

“We solder all our jump rings closed, and<br />

hand polish each piece.”<br />

Finally, he said Silvery’s range means they<br />

are able to accommodate/capture many<br />

occasions in life.<br />

…and if YOU want to get personal<br />

Amy recommends those wanting to take the<br />

leap into custom-made and personalised<br />

jewellery should maintain their unique<br />

authenticity by sticking to their style.<br />

“You can get very bogged down if (you’re) only<br />

creating custom jewellery for others,” she said.<br />

“Make sure you say "yes" to the jobs you want<br />

to and intersperse each custom job with your<br />

own creations!”<br />

Reflecting similar sentiments, Sarah<br />

recommends those new to personalised<br />

jewellery to find their niche and focus on<br />

perfecting the customer’s journey for that<br />

niche as much as possible.<br />

“Being everything to everyone will make you<br />

lose focus and<br />

cause you to<br />

be disorganised<br />

and all over the<br />

place,” she said.<br />

Being<br />

organised is<br />

the burgeoning<br />

custom-made<br />

jeweller’s state<br />

of play from<br />

Justin’s point of<br />

view, remarking<br />

that businesses<br />

who want to<br />

break into this<br />

market ought to<br />

be ready for it.<br />

“With<br />

customisation<br />

comes many<br />

inquiries from<br />

customers, so<br />

you will find that<br />

you will need to<br />

employ more<br />

customer service assistants,” he said.<br />

One Sixteenth<br />

Finally, Daniel’s advice is that businesses<br />

should listen to their clients, guide and inspire<br />

them.<br />

“…and then design something that embraces<br />

their ideas, and practice with hand drawing,”<br />

he said.<br />

Silvery<br />

Silvery<br />

Silvery<br />

<strong>April</strong> <strong>2022</strong> 23


ELLENDALE TO BE<br />

MINING THIS YEAR<br />

Burgundy Diamonds Mines is one step closer to re-opening the Ellendale diamond<br />

mines in Western Australia’s Kimberley region.<br />

Burgundy Diamond Mines has made its<br />

second payment as part of an option<br />

agreement it had signed to secure full<br />

ownership of the mine from Gibb River<br />

Diamonds in WA. A final payment is due in<br />

2023. Burgundy bought the mine in March<br />

2021 from Gibb River Diamonds for $6.7<br />

million in cash, 16 million Burgundy shares<br />

and 1.5 per cent revenue royalty.<br />

The company is readying the mine to resume<br />

operations after it had been moth-balled<br />

by its previous owners. Burgundy will be<br />

exploring the alluvial deposits at the Blina<br />

and Ellendale locations and developing the<br />

stockpiles and coarse rejects and remnant pit<br />

material with plans to be fully operational by<br />

the end of this year.<br />

Past production at the Ellendale mine<br />

produced 50 percent of the world’s fancy<br />

yellow diamonds.<br />

Burgundy believes there is significant<br />

potential for the new Ellendale leases<br />

to deliver a profitable diamond mining<br />

operation, with the intention of becoming<br />

Australia’s next diamond producer within<br />

the next 24 months. The project ticks many<br />

strategic boxes for Burgundy in terms of<br />

location, high-end product and cash-flow<br />

timeline.<br />

With the Blina Alluvials fully permitted for<br />

mining, this will be a priority target for<br />

Burgundy, with plans for additional geological<br />

assessment followed by targeted bulk<br />

sampling and trial mining.<br />

Resource<br />

assessment<br />

of the other<br />

Ellendale<br />

prospects<br />

and former<br />

mining<br />

operations<br />

is already<br />

underway,<br />

in addition<br />

to the<br />

fabrication<br />

of a stateof-the-art<br />

processing<br />

plant expected to be up and running by the<br />

year end.<br />

Burgundy is currently operating its Perth<br />

facilities at high capacity, cutting and polishing<br />

third-party rough diamonds bought in 2021<br />

and is pursuing options to make further<br />

purchases over the remainder of <strong>2022</strong>.<br />

Burgundy Managing Director Peter<br />

Ravenscroft is excited by the retail aspect of<br />

the company’s operations.<br />

“We are thrilled to be preparing the launch<br />

of our ultra-luxury diamond brand in Paris in<br />

July,” he said, “and will soon be announcing<br />

24<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


the engagement of a great creative agency to manage this process.”<br />

French jeweller Bäumer Vendôme will be collaborating with Burgundy<br />

on a branded collections using coloured diamonds from Ellendale, along<br />

with other gems from third-party retailers.<br />

“Building a new luxury brand and partnering with select jewellery<br />

retailers offers a unique concept to the market [which] customers<br />

will enjoy a true end-to-end experience while we can deliver the best<br />

returns for our partners, shareholders and the communities in which we<br />

operate,” added Ravenscroft.<br />

Argyle closure and Russian aggression leaves a gap<br />

The race to kickstart the Kimberley’s diamond industry heated up last<br />

year following the closure of Australia’s<br />

only operational diamond<br />

mine at Argyle. Now, the<br />

ongoing invasion of Ukraine<br />

by Russia presents<br />

another opportunity<br />

for Australian diamond<br />

miners as Russian<br />

gems leave an<br />

irresponsible flavour<br />

in the mouths of<br />

ethically minded<br />

consumers.<br />

Another miner in the<br />

Kimberley region, Lucapa<br />

Diamond Company, recently<br />

identified three new prospective<br />

Bäumer Vendôme<br />

targets only 50 kilometres from<br />

Ellendale. The exploratory team recovered more than a thousand<br />

diamonds from a single drill hole on the site.<br />

Coloured mined diamonds remain in high demand with the prices of<br />

high-quality yellow stones increasing as much as 30 percent in the<br />

recent years.


Proud to be the global pioneer of the<br />

Green Bullion<br />

concept<br />

Ethical sourcing has become increasingly important for both the consumer and<br />

associated industries concerned with responsible supply chain management.<br />

For this reason, Oakley Mint is proud to provide its Green Bullion® product alternative,<br />

with precious metals refined exclusively from recycled materials including distressed<br />

jewellery products, dental gold and technology such as e-waste.<br />

Our capability and product quality are quantified by our<br />

NATA accreditation and an attention to detail that ensures<br />

that our customers receive the highest quality and<br />

purity bullion guaranteed.<br />

Visit www.greenbullion.com or contact us at info@greenbullion.com to learn<br />

more about our products and our passion for environmental sustainability.<br />

“Environmentally Friendly Precious Metals”


Discernable by their unique hallmark and serial<br />

number sequencing, every Green Bullion® product<br />

is accompanied by a certificate, guaranteeing the<br />

recycled origins of its content and its purity.<br />

www.greenbullion.com<br />

A division of the CPG Group of companies


By Kirsten Ehrlich Davies<br />

PEARLS – FROM CONSISTENCY<br />

TO CONTRAST<br />

The classic string of perfectly matched pearls has always been the ultimate<br />

fashion accessory. Yet today, there is a growing demand for baroque pearls of<br />

all varieties due to their creative potential and individuality.<br />

During the 20th century, a strand of<br />

round, evenly matched pearls was the<br />

ultimate symbol of elegance, with the<br />

versatility to match any outfit and available<br />

any price point. The simple yet elegant style<br />

was popularized by iconic figures like Grace<br />

Kelly, Audrey Hepburn and Jackie Onassis.<br />

Today,the classic symmetry and consistency of<br />

a perfectly matched string of pearls still retains<br />

a place in the market, yet baroque pearls<br />

are enjoying a new renaissance in response<br />

to a more individualistic market. <strong>Jewellery</strong><br />

designers are working with baroque pearls<br />

of all kinds, inspired by the contrast in shape<br />

and colour – not just in comparison to classic<br />

round pearls, but also in the contrast with<br />

different metals and gemstones worked into a<br />

design, to highlight the unique organic beauty<br />

of each pearl.<br />

“Designing<br />

jewellery to suit<br />

baroque pearls<br />

can sometimes be<br />

challenging but<br />

also extremely<br />

Ikecho<br />

rewarding, when<br />

the two elements blend harmoniously into<br />

a statement piece of jewellery,” said Lindsay<br />

Youd of Allure South Sea Pearls.<br />

Cheryle of Stones and Silver says that while<br />

pearl jewellery has always been timeless and<br />

classic, it was time to “incorporate a modern<br />

twist” to appeal to younger generations.<br />

“The design of the piece really drives its<br />

popularity whether it be a classic style or<br />

a design that is currently on trend,” said<br />

Cheryle.<br />

The Perfection of Imperfection<br />

A baroque pearl is defined as any pearl that<br />

is not a perfect sphere. The word “baroque”<br />

comes from the Portuguese word “barocco”<br />

which means “imperfect”, and since the 17th<br />

century, this word has been used to describe<br />

any pearl that is not perfectly round. They can<br />

be dented, pear-shaped, lumpy, coin-shaped<br />

or tear drops, and can take on a wide range of<br />

colours.<br />

Devino<br />

While most<br />

contemporary baroque<br />

pearls are a happy<br />

accident of the cultured<br />

pearl trade, natural baroque<br />

pearls have been prized<br />

since the Renaissance<br />

era. From the 16th<br />

century jewels and<br />

enamel were used to<br />

complement the pearl’s<br />

natural shape,transforming<br />

it into an animal, flower and<br />

even a human figure, such as the 16th century<br />

Swan Pendant or the 19th century Canning<br />

Jewel which features a jewelled merman<br />

brandishing a sword and shield. This design<br />

strategy of using the pearl as a central feature<br />

of an object is still used today, with examples<br />

like Allure South Sea Pearl’s whimsical bumble<br />

bee pendant, featuring a gold bee with a<br />

pearl body; or Ikecho’s sterling silver pink<br />

freshwater pearl necklace, featuring a delicate<br />

diamond leaf balanced with a teardrop pearl.<br />

The most illustrious natural tear-drop pearl is<br />

the aptly named La Peregrina (The Wanderer)<br />

which was passed around the royal families<br />

of Spain, England, France and Russia for 400<br />

years before being purchased in Geneva<br />

by Elizabeth Taylor. Marie Antoinette had a<br />

Ikecho<br />

28<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Stones and Silver<br />

Stones and Silver<br />

diamond pendant featuring a tear-drop<br />

pearl and another tear-drop pearl<br />

was immortalised in Vermeer’s iconic<br />

painting The Girl with a Pearl Earring.<br />

The Hope Pearl, currently the fifth<br />

largest pearl in the world, became<br />

part of Henry Philip Hope’s legendary<br />

jewellery collection in the early<br />

1800s. It is an enormous pear-shaped<br />

blister pearl of Asian provenance,<br />

weighing 1800 grains or 90 grams, with<br />

dimensions of 5.08 cm in length, and<br />

a circumference ranging from 11.43<br />

cm to 8.26 cm. The broader end of<br />

the pearl has a greenish bronze sheen,<br />

which fades to a silvery white lustre at<br />

the narrow end.<br />

Unique compatibility<br />

Every pearl is a unique surprise – there is no<br />

way of predicting what will emerge from<br />

the oyster. Finding compatible pearls for<br />

a piece of jewellery is always challenging,<br />

although it can be more time-consuming<br />

to gather enough round and evenlyshaped<br />

perfect pearls for a strand than to<br />

find inspiration for a design featuring a<br />

series of baroque pearls. Irregularity and<br />

LUXURY pearl AND opal JEWELLERY<br />

Ikecho<br />

Tel: (02) 9266 0636 | enquiries@ikecho.com.au<br />

www.ikecho.com.au


contrast are the key<br />

points of the design, and<br />

from here, the designer<br />

can create other points of<br />

contrast – setting the pearl<br />

against precious metals or other<br />

gemstones, presenting a variation<br />

of the classic pearl necklace or earrings<br />

with pearls of irregular shape,using pearls<br />

of different colours or creating a structural<br />

contrast through an edgy modern setting.<br />

Lindsay Youd, co-founder of Allure South Sea<br />

Pearls says that clients are drawn to colour<br />

and shape variations, such as the company’s<br />

strands featuring a mixture of Tahitian, golden<br />

and with South Sea pearls that are compatible<br />

with lighter and darker coloured clothing.<br />

“Sunbeam gold baroque earrings reflecting<br />

Devino<br />

the classic setting while working in harmony<br />

with the freeform shape of the baroque pearl,<br />

giving a modern edge to a classic design.”<br />

Caroline Zingg of Devino says that while there<br />

is still a strong market for classic styles, it is<br />

still important to create bold and beautiful<br />

pieces as a fresh and fun way to wear pearls.<br />

“Devino matches pearls with complementary<br />

colours and sizes and in different lengths to<br />

appeal to different personalities and styles,”<br />

Caroline said.<br />

“The key is to maintain an excellent lustre to<br />

help the pieces stand out.”<br />

“There will always<br />

be a demand for<br />

the classic strand,<br />

although we have<br />

seen a client’s desire to<br />

be able to buy wearable<br />

pieces, items that can be<br />

worn every day,” Lindsay said.<br />

“Our Sea Grass Strand is an<br />

example of this – mixing gold with the<br />

pearls makes this a wearable modern piece<br />

of high jewellery to elevate your day look and<br />

make for a stunning evening statement piece.”<br />

The designers at Allure South Sea Pearl are<br />

committed to maintaining a classic element in<br />

their modern designs, while staying attuned to<br />

current customer demand.<br />

Cheryle from Stones and Silver says the<br />

current evolution of design means that pearl<br />

jewellery has greater versatility for the wearer.<br />

“Once upon a time, pearls were only worn for<br />

special occasions, but now pearl jewellery has<br />

evolved to a point where designs can be worn<br />

during the day and then dressed up at night,<br />

so they are such versatile pieces to have in<br />

your own collection.”<br />

Devino<br />

Versatility in Variation<br />

Lindsay Youd says that one of the advantages<br />

of expanding the range of pearl designs is that<br />

customers can now wear pearls more often at<br />

different events.<br />

Ikecho<br />

30<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Devino<br />

Keeping up with demand<br />

Erica Miller of Ikecho says that baroque<br />

and Keshi pearls are very much in demand<br />

right now. Keshi pearls are a by-product of<br />

the cultured pearl industry: the host oyster<br />

rejects the implanted nucleus, and starts<br />

secreting nacre to protect itself from the<br />

foreign object. The result is a small bubblelike<br />

indented pearl which is all nacre, with no<br />

nucleus, and can be any shape from round,<br />

oval, tear-drop or button, with a wide range<br />

of colours available. Ikecho has a range of<br />

keshi earrings available, with the variation<br />

in natural shape contrasting beautifully with<br />

the classic design. However, Keshi pearls are<br />

Stones and Silver<br />

currently quite rare so it is a challenge to keep up with demand.<br />

Fortunately, there is no question that the traditional symmetrical<br />

strand of perfectly round pearls, although the rarer baroque<br />

variations will still have their place in the market.<br />

DISCOVER THE<br />

WORLD OF PEARLS<br />

Stones and Silver<br />

A: 1202/115 PITT STREET, SYDNEY NSW 2000<br />

T: 02 9261 3555 | E: DEVINO@DEVINO.COM | W: DEVINO.COM


MIKIMOTO AND THE GREAT<br />

PEARL DISRUPTION<br />

Disruption is the word for our era. When we think of disruption in the jewellery<br />

industry, most minds would probably turn to the mined vs lab grown diamonds<br />

issue. But history shows us one of our industry’s biggest disruptions came over<br />

a hundred years ago – at the hands of an unknown, amateur pearl farmer.<br />

When Mikimoto Kokichi was born<br />

in Toba, Japan, in 1858 there was<br />

no such thing as a pearl farm. All<br />

pearls were grown ‘naturally’ and harvested<br />

by divers. Mikimoto’s town of Ise was a base<br />

for pearl divers who unloaded their treasures<br />

at the docks and fuelled his childhood<br />

imagination. When Mikimoto’s father, an udon<br />

shop owner, fell ill, young Kokichi was obliged<br />

to leave school at the age of 13 and sell<br />

vegetables to support his family.<br />

By the age of 20 and witnessing the overharvesting<br />

and degradation of the natural<br />

pearl stocks, Mikimoto embarked on his life’s<br />

greatest journey.<br />

With demand for<br />

pearls severely<br />

outweighing supply<br />

and aware of various<br />

research effort<br />

around the world,<br />

Mikimoto saw a<br />

golden opportunity.<br />

His plan to ‘develop’<br />

rather than allow nature to produce the<br />

perfect pearl, was born. Natural Ise pearls<br />

were Toba’s most famous local product, but<br />

were becoming increasingly scarce due to<br />

aggressive harvesting of the oyster beds. This<br />

gave Mikimoto the idea to culture his own.<br />

It took another ten<br />

years before Mikimoto<br />

was able to obtain a<br />

loan to start his first<br />

pearl oyster farm at Ago<br />

Bay with his wife and<br />

partner, Ume. Mikimoto<br />

experimented with<br />

inserting a mother<br />

of pearl nucleus into<br />

an oyster shell. He<br />

took a trial-and-error<br />

approach that was<br />

considered strange by others in the industry<br />

and early results were less than successful<br />

but, after 13 years, repeated damage from<br />

red algae, oyster-eating octopuses and<br />

near bankruptcy, Mikimoto was finally able<br />

to create a<br />

hemispherical<br />

cultured pearl.<br />

But was<br />

cultured real?<br />

The public were<br />

confused. Was it a<br />

‘real’ pearl or not? To<br />

encourage sales, Mikimoto<br />

opened a jewellery boutique in Ginza –<br />

equally outrageously the building was in the<br />

western style – and he employed salespeople<br />

to education the consumer on the nature<br />

of cultured pearls. From the very beginning<br />

the store’s interior was unusually modern<br />

with electric fans in summer and heaters in<br />

winter to encourage customers to linger. An<br />

anteroom on the second floor for invited<br />

guests was a precursor to today’s VIP rooms.<br />

Other scientists and entrepreneurs,<br />

particularly in Australia, were working on<br />

culturing pearls at the time but Mikimoto<br />

bought the patents from the work of other<br />

32<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


scientists. By the early 1900s he was able to<br />

culture a spherical pearl. And things really<br />

took off from there.<br />

You have to picture the era: Up until now,<br />

pearls were extremely rare. A natural pearl<br />

was a pearl spontaneously – and only –<br />

produced by nature. (Sound familiar?)<br />

Remember The Great Gatsby? F. Scott<br />

Fitzgerald wrote that Tom gave Daisy “a string<br />

of pearls worth valued at three hundred and<br />

fifty thousand dollars.” That was 1919 and<br />

those were ‘natural’ pearls. In today’s money,<br />

that was a $5 million necklace. And now<br />

Mikimoto had a farm of obedient oysters that<br />

produced the gems on demand? What was<br />

the world coming to?!<br />

Expert marketers<br />

Mikimoto and<br />

Ume were<br />

also fabulous<br />

marketers.<br />

In 1910, a<br />

traditional<br />

Japanese<br />

fan and<br />

screen with Mikimoto pearls<br />

was featured at the Anglo-Japanese Fair<br />

in London. In 1927, Mikimoto met fellow<br />

inventor, Thomas Edison, at his home in<br />

New Jersey. After admiring Mikimoto’s work,<br />

Edison remarked, “There are two things which<br />

couldn’t be made in my laboratory – diamonds<br />

and pearls.” (Should we tell him?)<br />

“This isn’t a cultured pearl, it’s a real pearl,”<br />

Edison went on. “It’s one of the wonders<br />

of the world that you were able to culture<br />

pearls. It is something which is supposed to<br />

be biologically impossible!” Their meeting was<br />

reported in the New York Times and Mikimoto<br />

and his pearls became a household name<br />

overnight.<br />

His reach stretched even farther during the<br />

1939 New York <strong>World</strong>’s Fair, which featured<br />

the Philadelphia Liberty Bell studded with<br />

12,250 pearls and 366 diamonds and was<br />

nicknamed “the Million Dollar Bell”. The bell is<br />

now on display at the Mikimoto Pearl Museum<br />

in Japan.<br />

The natural pearl<br />

market had been<br />

decimated. By<br />

1935, there<br />

were 350 pearl<br />

farms in Japan<br />

producing 10<br />

million cultured<br />

pearls annually.<br />

In a frankly appalling stunt in 1932, Mikimoto<br />

sent a message to other pearl dealers by<br />

shovelling inferior pearls into a fire in front<br />

of the Kobe Chamber of Commerce. Foreign<br />

journalists reported this message around the<br />

world. Mikimoto’s cultured pearls were more<br />

beautiful, consistently round, easier to extract<br />

and cheaper to produce. He had changed the<br />

world.<br />

Labels matter<br />

The old guard put up a decent fight. They took<br />

him to court and sued him for advertising his<br />

pearls as ‘natural pearls.’ The lawsuit led to<br />

the creation of the term ‘cultured pearl’ to<br />

help differentiate his pearls from the other<br />

dealer’s product.<br />

Ironically, now, when someone asks “Are those<br />

cultured pearls?” they are really asking, “Are<br />

they real?” Originally, the term was meant to<br />

denote Mikimoto pearls as not natural (and<br />

thus not as prestigious) but the definition has<br />

changed over time due to the overwhelming<br />

number of fraudulent pearls on the market.<br />

Mikimoto had to constantly fight allegations<br />

that his pearls were only imitations of real<br />

pearls, despite scientific reports to the<br />

contrary. After <strong>World</strong> War II, he opened<br />

stores in Paris, New York City, Chicago,<br />

Boston, Los Angeles, San Francisco, Shanghai,<br />

and Bombay, and was thus one of the first<br />

Japanese brands to attain an international<br />

presence and recognition.<br />

Despite great fame and fortune during his<br />

lifetime (Mikimoto died in September 1954),<br />

he remained humble and unaffected. His<br />

philosophy for general<br />

well-being was ‘three<br />

bowls of rice for<br />

breakfast, two for lunch<br />

and one for supper, and<br />

to sleep well, together<br />

with a sleeping stomach.’<br />

He liked fresh seafood,<br />

root vegetables and<br />

never missed listening to<br />

the news.<br />

In the Mikimoto<br />

Museum, on Pearl<br />

Island, where the first ever cultured pearl was<br />

found, is the original Mikimoto single strand<br />

pearl necklace. Known as Taisho-ren or the<br />

‘Boss’s Necklace’ it is made up of 49 large,<br />

supremely lustrous, perfectly matched pearls,<br />

the centre one being 14mm in diametre. All<br />

were hand chosen by<br />

Mikimoto himself over a<br />

period of 10 years, and<br />

it remains the template<br />

for all classic Mikimoto<br />

pearl strands.<br />

The Mikimoto company<br />

no longer farms pearls.<br />

Having changed the<br />

industry forever, they<br />

now merely buy the best from pearl farmers<br />

around the world.<br />

<strong>April</strong> <strong>2022</strong> 33


Alrosa<br />

RUSSIAN DIAMONDS<br />

Is the jewellery industry doing enough?<br />

As Russia’s devastating war on Ukraine drags on, the question of Russian diamonds<br />

becomes a legal and moral quandary for everyone in the supply chain.<br />

Almost all Russian diamonds come from<br />

Alrosa. The company produces the majority of<br />

the world’s rough diamond and 90 percent of<br />

Russia’s rough. It is responsible for 28 percent<br />

of global supply. The miner is one-third owned<br />

by the Russian Federation. Another third is<br />

controlled by regional governments such as<br />

the Russian republic of Yakutia where many of<br />

its mines are located.<br />

Alrosa’s corporate leadership has close ties<br />

to the Kremlin. The company and its chief<br />

executive, Sergei Ivanov, were personally<br />

targeted by US sanctions. Ivanov’s father,<br />

Sergei Borisovich Ivanov, is one of Russian<br />

president Vladimir Putin’s closest allies and<br />

was formerly a KGB colonel general, a Russian<br />

minister of defence and a Putin chief of<br />

staff. Alrosa is a major source of income for<br />

its state-owned shareholder. The company<br />

reported sales of $4.16 billion in 2021 with<br />

Alrosa CEO Sergei Ivanov<br />

a net profit of 91 billion rubles (AUD $1.2<br />

billion).<br />

Blood diamonds<br />

And literally overnight, the Russian gems have<br />

become conflict diamonds.<br />

Christine Villegas,<br />

director of the<br />

Mines to Markets<br />

program at Pact, a<br />

development NGO,<br />

says that Russian<br />

diamonds do not<br />

fit the narrowest<br />

industry definition<br />

Alrosa<br />

of ‘conflict diamond’ and worries that some<br />

players in governments and the industry will<br />

continue to trade based on this ‘loophole’.<br />

The Kimberley Process (KP) says the phrase<br />

refers to diamonds which are used to fund<br />

rebel groups — not, specifically, nations that<br />

invade other sovereign nations — but they<br />

clearly fit the spirit of the term, says Villegas.<br />

“They’re funding an armed conflict against<br />

a peaceful neighbour, by a state actor,” she<br />

said. “These things take time to settle on new<br />

definitions. But the silence is striking – and it’s<br />

hard not to presume it’s because much of the<br />

industry is hoping that this goes away or it’s<br />

forgotten.”<br />

Many major industry groups have not yet<br />

issued statements on whether responsible<br />

buyers should continue buying Russian<br />

diamonds.<br />

Sanctions<br />

On 11 March, US president Joe Biden issued<br />

an executive order restricting the import of<br />

Russian diamonds into the US. A day later, a<br />

clarification was issued. The ban was limited to<br />

the US importation of Russian rough diamonds<br />

and diamonds polished in Russia. The order<br />

placed no restrictions on the US importation<br />

of polished diamonds sourced from Russian<br />

rough but polished outside Russia.<br />

Key industry figures, such as Martin Rapaport,<br />

founder of RapNet, believe this will do nothing<br />

to halt the flow of Russian gems.<br />

“The sanctions – unless they deepen – are<br />

not going to affect the normal business,” he<br />

said, in a presentation to the industry. This is<br />

because the vast majority of Russian stones<br />

are exported rough. Most will then progress<br />

through the system to India, which cuts and<br />

34<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


S&S<br />

STONES& SILVER<br />

STERLING SILVER JEWELLERY<br />

Ph: +61 3 9587 1215<br />

stonesandsilver.com.au


polishes 90 percent of the world’s diamonds,<br />

meaning polished diamonds can be imported<br />

to the US as an Indian product, not a Russian<br />

one.<br />

Government officials in India have received<br />

promises from Russia that the sanctions<br />

will not affect the flow of rough. Colin Shah,<br />

chairman of the Indian government’s Gem and<br />

<strong>Jewellery</strong> Export Promotion Council, told the<br />

India’s Economic Times that “Alrosa has assured<br />

us that they are running their business as usual<br />

... They will be fulfilling all their obligations to<br />

their clients in any part of the world,” he said.<br />

As for other governments around the world,<br />

the EU and the G7 (US, UK, France, Canada,<br />

Italy, Japan and Germany) have all indicated<br />

that tougher sanctions would be imposed on<br />

Russia, including the prohibition of jewellery<br />

and diamonds.<br />

Australia has also announced sanctions which<br />

will affect Russian mining companies and the<br />

dealings of 33 Russian oligarchs and prominent<br />

businesses. The Australian ban focuses mainly<br />

on fuel and energy products and makes no<br />

mention of diamonds.<br />

But will they be enough?<br />

The various sanctions do not prevent Russia<br />

from selling its diamonds. In fact, a report on<br />

the Rapaport website confirmed that an Alrosa<br />

auction took place in mid-March and, despite<br />

the Russian banking system being excluded<br />

from the international money transfer system<br />

Swift, the diamonds were paid for via banks in<br />

the United Arab Emirates and Italy.<br />

The Russian state,<br />

independently<br />

of the company<br />

Alrosa, has<br />

an enormous<br />

stockpile of<br />

diamonds known<br />

as the Gokhran.<br />

Historically,<br />

Russia has used<br />

the Gokhran<br />

to regulate the<br />

market, buying up<br />

excess and selling during shortages.<br />

“They have, since the 1990s, been purchasing<br />

diamonds in order to manage the pricing,”<br />

says Dr Hans Merket, a conflict diamonds<br />

researcher at Belgium institute IPIS.<br />

The Russian government holds periodic<br />

diamond auctions from the state stockpile with<br />

six such auctions occurring in the first half of<br />

2021. Industry watchers have estimated that<br />

revenue from just one of those sales reached<br />

$140 million.<br />

“It’s a state secret, how much diamond is in<br />

that stock,” Merket says. “If they would start<br />

selling those diamonds, that could be an<br />

important source of revenue.”<br />

So, even sanctions targeted at Alrosa will do<br />

little to regulate the flow of Russian stones.<br />

Letting business and the market<br />

decide<br />

With governments declining to draw the legal<br />

and moral lines against Russian diamonds,<br />

the issue will be left to individual companies,<br />

industry bodies to decide. And, perhaps,<br />

pressure from the general public. But Alrosa<br />

remains a key source of diamonds for many of<br />

the world’s largest jewellers.<br />

In the week after Russia’s invasion of Ukraine,<br />

Alrosa deleted its list of customers — usually<br />

proudly and prominently displayed — from its<br />

website. Archived versions of the list show over<br />

50 companies with long-term contracts with<br />

Alrosa including US giants Signet Jewellers,<br />

Tiffany & Co. as well as Chow Tai Fook, Chow<br />

Sang Sang, KGK and many companies from<br />

India, Belgium and Israel.<br />

At time of writing, only Signet Jewellers had<br />

issued a clear indication on its position on<br />

Russian diamonds. In a memo to suppliers the<br />

company stated that it had “halted all trade in<br />

precious metals and diamonds that originate<br />

from such sanctioned Russian sources, and<br />

you are therefore requested to stop supplying<br />

the same to Signet even though the country(s)<br />

in which you operate may not have imposed<br />

sanctions on Russian precious metals and<br />

diamonds”.<br />

Luxury jeweller Tiffany & Co. faces a moral<br />

decision after it recently began disclosing the<br />

country of origin for its engagement rings,<br />

citing the importance of responsible sourcing.<br />

Its manufacturing arm currently buys stones<br />

36<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Images from Alrosa's Mirny mine, by Stephanov Slava<br />

from five countries — Russia, Canada, South Africa, Namibia and<br />

Botswana. In other words: Alrosa and De Beers. Tiffany & Co’s<br />

parent company, LVMH, has closed its retail operations in Russia.<br />

The brands are caught between a diamond and a hard place.<br />

Russian gems are an integral part of their supply. They’ve all<br />

invested heavily in customer ideals of environmental and social<br />

responsibility. As the war continues, they will inevitably face<br />

backlash if they make any attempt to white-wash Russian diamonds.<br />

If they stay silent, the modern savvy consumer will see through that<br />

too.<br />

Just as consumers are<br />

beginning to see the Russian<br />

influence on energy prices<br />

and fuel tariffs as good<br />

reasons to invest more<br />

heavily in renewables and<br />

electric vehicles, there’s a<br />

strong chance the Russian<br />

conflict diamond issue will drive consumers more strongly toward<br />

lab grown diamonds.<br />

Villegas say the big industry players’ silence on the matter of Russian<br />

diamonds could affect the industry in significant ways for years to<br />

come.<br />

“All the work that has been done over the years to try to turn the<br />

industry reputation around, and show meaningful progress towards<br />

diamonds that do<br />

good [could] be<br />

undermined,” she<br />

told The Guardian.<br />

“There’s been a<br />

deafening silence.”<br />

PASSION<br />

COLOUR<br />

EXPERIENCE<br />

Suite 5, Level 1, 428 George Street SYDNEY NSW 2000<br />

P +61 2 8065 8533 E info@sovereigngems.com<br />

@sovereigngems


KGK Group Chairman awarded<br />

Lifetime Achievement Award at<br />

<strong>Jewellery</strong> <strong>World</strong> Awards<br />

The <strong>Jewellery</strong> <strong>World</strong> Awards (JWA) awarded<br />

KGK Group chair Navrattan Kothari with the<br />

<strong>Jewellery</strong> <strong>World</strong> Awards' highest honour, the<br />

Lifetime Achievement Award, for the year<br />

2021 on 21 February in Dubai in the presence<br />

of industry stalwarts.<br />

Mr. Kothari has been working persistently in<br />

the industry since the 1960s, not only to raise<br />

the KGK Group but also to inspire excellence<br />

in the jewellery and gemstone sector. He is<br />

a pioneer in the sector, and his experience<br />

and knowledge have made a significant<br />

contribution.<br />

The KGK Group was founded in Jaipur, India,<br />

in 1905, with the aim of trading gemstones<br />

between India and Burma. With a global<br />

presence across 17 countries today, the group<br />

has evolved into one of the most preferred<br />

brands in the gems and jewellery realm. KGK<br />

has emerged as one of the few conglomerates<br />

covering the entire spectrum of mining,<br />

sourcing, manufacturing, and distributing<br />

coloured stones, diamonds, and jewellery for<br />

over a century.<br />

Mr. Kothari has been the driving force behind<br />

the expansion of his family's gemstone trading<br />

company into a worldwide conglomerate. KGK<br />

Group is also actively engaged in numerous<br />

philanthropic endeavours, assisting those in<br />

need in the community and helping uplift<br />

society. He is a firm believer in the power of<br />

morals and always stands by the same.<br />

He adapted the same as his way of life. Mr.<br />

Kothari donates and contributes to social<br />

causes as he believes that “It’s difficult to be<br />

born as a human being. If you are not able<br />

to help others, it’s a sheer wastage of life.”<br />

He also started Bhagwan Mahaveer Cancer<br />

Hospital and Research Centre in Jaipur in 1996<br />

as it was his lifelong mission to help as many<br />

people as possible.<br />

The excitement doubled when, at the<br />

same ceremony, KGK Group also received<br />

Manufacturer of the Year Award for<br />

its diamond operations. KGK’s growth<br />

strategies in the diamond sector have always<br />

emphasised inclusive growth, paving a success<br />

path for many.<br />

“We constantly evolved ourselves and our<br />

business to<br />

transform the<br />

system in which<br />

business itself<br />

is conducted,”<br />

said Mr Kothari.<br />

“Receiving<br />

recognition<br />

from JWA will<br />

surely be an<br />

actuator to<br />

move forward<br />

with greater<br />

determination<br />

and<br />

momentum, keeping the identified philosophy<br />

and goals in view. It further encourages us to<br />

remain conveners for progressive discussion<br />

and collaborators for winning partnerships,<br />

resulting in positive business as well as social<br />

and environmental impact at scale.”<br />

The award ceremony held at JGT Dubai<br />

(<strong>Jewellery</strong> Gem Technology Dubai) was<br />

followed by a gala dinner which was attended<br />

by the leaders of the industry.<br />

The KGK Group has operations and offices<br />

active in Asia, Australia, North and South<br />

America, Europe, and Africa. With years of<br />

hard work and fore vision, it has achieved the<br />

vertically integrated standing of mines-tobrands<br />

in the gems and jewellery industry.<br />

For him, giving back to society is dharma.<br />

From left – Mr. David Bondi, senior vice president, Informa Markets; Mr. Navrattan Kothari, KGK Group;<br />

Mr. Ahmed Sultan Bin Sulayem, executive chairman, DMCC<br />

38<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


According to legend and lore, the idea of a birthstone chart goes back to Biblical times and the<br />

Breastplate of Aaron, which was set with twelve gemstones. A writer in the first century postulated<br />

that these gems directly correlated with the twelve astrological signs of the Zodiac and that these<br />

stones were beneficial to the health of the wearer. While the perception of the 12-stone birthstone<br />

chart has changed over the centuries, it still implies “to each her stone.”<br />

THE ENCHANTING EMERALD<br />

The Birthstone of May<br />

For more than four thousand years, the green<br />

gem has fascinated humankind, from the emerald<br />

adorned palace of Cleopatra to the fabled mines of<br />

the Incas to the imaginary Emerald City of Oz.<br />

By Cynthia Unninayar<br />

Worn as talismans in ancient times, emerald has been<br />

associated with love and new beginnings. The green<br />

stone was also thought to confer riches and power, and<br />

to predict the future. A member of the beryl family, the first known<br />

emerald mines date back to 330 BCE in Egypt, although the gems<br />

were used much earlier in the Middle East and South America.<br />

Today, emeralds are found in many countries around the world, with<br />

most production coming from Colombia, Zambia and Brazil, with<br />

high-quality stones also found in Ethiopia, Pakistan, Afghanistan,<br />

Madagascar, and Australia.<br />

Perhaps the most famous emeralds come from Colombia and date<br />

back to the times of the Incas, who treasured the green stones. Today,<br />

the nation supplies about 20 to 25 percent of world production.<br />

Because they are so prized, Colombian emeralds demand a premium,<br />

and thus account for about 50 percent of world supply by value.<br />

The main deposits are found in two areas in central Colombia, each<br />

created during a different period in geological history. “Consequently,<br />

gems from each zone exhibit different mineralization types and<br />

slightly different colours,” explains Guillermo Galvis, President of the<br />

Colombian Exporters Association.<br />

A more recent source of fine emeralds is Zambia, which is today the<br />

world’s largest producer. Although the stones were discovered in 1928<br />

in the Kafubu area, they arrived on the world stage in a big way in<br />

2008, when industrial miner Gemfields bought 75 percent of Kagem<br />

Mining (the other 25 percent is owned by the Zambian government).<br />

While the Kagem Mine is the largest operation, there are many smallscale<br />

artisanal mines (ASM) in Zambia, which sell through a variety<br />

of channels, including Virtu Gem, a not-for-profit platform that helps<br />

artisanal miners to obtain fair prices for their gems mined not only in<br />

Zambia, but also in Malawi and Kenya.<br />

One of the more rare and<br />

unusual emerald varieties is<br />

the “Trapiche” emerald, found<br />

almost exclusively in Colombia.<br />

This 2.02-ct Trapiche is from<br />

True Blue Opals and Gems.<br />

(Photo: True Blue Opals<br />

and Gems)<br />

Above: Heart-shaped emerald from<br />

Zambia by Hamid Bros.<br />

Left: Oval cut 1.94-ct Zambian<br />

emerald, 9.3 x 7.1 mm by Hamid<br />

Bros. (Photos: Hamid Bros.)<br />

Round 1.26-ct emerald from<br />

Brazil by Sovereign Gems.<br />

(Photo: Sovereign Gems)<br />

While most facetted emeralds are destined to be used in jewellery,<br />

others are carved into intricate designs, while still others are kept in<br />

their natural mineral state, highly sought after by collectors.<br />

40<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Emerald-cut Afghan emeralds<br />

(0.16-ct and 0.17-ct) from<br />

Sovereign Gems.<br />

(Photo: Sovereign Gems)<br />

“Although fine quality emerald is in a higher price range than many<br />

other coloured gemstones,” says Grant Hamid, owner of Melbournebased<br />

Hamid Bros Pty Ltd, “it is one of the most popular. Its vibrant<br />

green colour is very attractive and suits many skin tones.” Hamid<br />

sources mostly from Zambia because he finds these stones “to be very<br />

consistent in quality, price and availability of various shapes and sizes,”<br />

noting however that the finest quality is challenging to source from<br />

anywhere.<br />

Susie Robson, director of Sydney-based Sovereign Gems, agrees that<br />

“emeralds have always been popular. I think people are attracted<br />

to emeralds because of the glowing green that the trace<br />

element of chromium provides.” She adds that while<br />

“traditionally, the most desired emeralds have come<br />

from Colombia, these days, we see good material<br />

from Zambia with gems also coming from Brazil and<br />

Afghanistan.”<br />

Emerald-cut emerald from Zambia<br />

weighing 3.05 cts by oagems.<br />

(Photo: oagems)<br />

Round emerald set with diamonds<br />

in a white gold ring by True Blue<br />

Opals and Gems.<br />

(Photo: True Blue Opals and Gems)<br />

Brendan McCreesh, of oagems, comments, “Emeralds<br />

have a tremendous beauty, mystique and cultural history that is<br />

deeply evocative.” He also notes a recent increase in demand for these<br />

green gems, “especially 1.5-ct-plus emerald cuts.” Not only is emerald<br />

May’s birthstone, he adds, but it is also the gem for the 20th and 35th<br />

wedding anniversaries, “so it will always remain a top seller.” While<br />

oagems sells mostly Zambian emeralds, the company also carries<br />

stones from Colombia and Brazil. “Colombian emeralds command a<br />

higher price—up to 30 percent—per carat than comparable quality<br />

Zambian stones,” he explains, noting that, in recent years, “buyers<br />

have learned that many Zambian stones are often indistinguishable<br />

from their South American cousins. With the increase in world prices<br />

for emeralds, there is little wonder why Zambian stones currently<br />

dominate the Australian market.”<br />

Among the many emerald decorations are<br />

carvings such as this 7.26-ct carved flower from<br />

oagems. (Photo: oagems)<br />

Emeralds in their mineral state are highly sought after by collectors. Shown<br />

here is a 756-ct mineral specimen from the Curlew Emerald Mine, Shaw<br />

River District, East Pilbara Shire, Western Australia. Mined by Scott Smith, it<br />

is offered for sale by True Blue Opals and Gems.<br />

(Photo: True Blue Opals and Gems)<br />

And, let’s not forget the beautiful emeralds from Australia.<br />

“Emeralds were discovered in Australia in 1912 near Poona,”<br />

explains Salma Patel, owner of Queensland-based True Blue Opals<br />

and Gems, who deals in spectacular mineral specimens. “While<br />

most production is from Poona, emerald deposits are also found<br />

Emmaville in NSW and in Western Australia, namely in the Pilbara<br />

region, south of Port Hedland, and at Menzies.”<br />

With its symbolism and beauty, emerald is the perfect birthstone for<br />

May, representing growth and rebirth, whether in its natural mineral<br />

state, as a faceted gem, an evocative carving, or set into myriad<br />

types of exquisite jewellery. ■<br />

<strong>April</strong> <strong>2022</strong> 41


AFFORDABLE LUXURY IGNITED<br />

Female watchmaker launches mechanical watch<br />

collection Loimu inspired by the Northern Lights<br />

Galvin Watch Company’s second collection combines high-quality<br />

Japanese Miyota movement with guilloché dials honouring the<br />

blazing Aurelia Borealis in six magnificent colours<br />

Galvin Watch Company (GWC), the first<br />

female-founded micro watch company<br />

in Australia, returned for its second<br />

round of crowdfunding to launch GWC’s next<br />

collection of meticulously crafted mechanical<br />

watches with luminous detailing powered by<br />

Japanese movement.<br />

The Kickstarter campaign began on 5 March<br />

<strong>2022</strong> to bring the Loimu Collection to watch<br />

enthusiasts at a price of AU$679 later this year<br />

– with major discounts for early bird orders.<br />

During the first day of the month-long<br />

campaign, GWC raised over $42,000 with the<br />

help of 110 backers around the world. The<br />

Loimu Collection reached its funding goal in<br />

six minutes.<br />

Galvin Watch Company is a family-owned<br />

business, managed by watchmaker Susan<br />

Galvin in Sydney, Australia, who went from<br />

a watchmaker to watch entrepreneur and<br />

a mother of two in two years – all during<br />

the pandemic and within a male dominated<br />

sector. Her Finnish<br />

heritage is intrinsic to<br />

the brand, combining<br />

Nordic minimalist<br />

design with the<br />

vividness of the<br />

landscapes in which<br />

she was raised.<br />

Loimu: Carry the<br />

blaze of the Northern Lights<br />

Every carefully designed detail of the Loimu<br />

Collection comes together to achieve a<br />

beautifully versatile mechanical watch suited<br />

for any occasion, inspired by one of nature’s<br />

greatest masterpieces, Aurelia Borealis.<br />

The Loimu Collection comes in six uniquely<br />

glistening colours named after the spectrum<br />

of colours the Northern Lights are famed for.<br />

The guilloché pattern, an artistic craft dating<br />

back to the 18th century, creates a vibrantly<br />

engraved surface to make the Loimu dial come<br />

alive.<br />

Loimu watches come with an adjustable,<br />

interchangeable stainless-steel bracelet. For<br />

GWC fans who own the original Alku watch, its<br />

leather straps are<br />

compatible with<br />

the Loimu range.<br />

The case diameter<br />

is 38mm, a subtle<br />

size for both<br />

genders. GWC<br />

watches are not<br />

gender specific,<br />

designed to suit<br />

everyone’s wrist.<br />

For advanced<br />

durability in most<br />

conditions, Loimu<br />

watches are<br />

water-resistant<br />

to a depth of 100<br />

meters (10ATM)<br />

with a screwed<br />

down crown.<br />

42<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Watchmaker’s promise:<br />

Personal quality checks<br />

with two-year warranty<br />

Galvin Watch Company<br />

offers a two-year<br />

international warranty for<br />

the Loimu Collection and<br />

each watch is regulated<br />

and quality control tested<br />

by the founder.<br />

As a professional<br />

watchmaker with ten<br />

years’ experience at<br />

the world’s most prestigious watch brands,<br />

Susan Galvin takes great pride in personally<br />

guaranteeing the quality of every GWC watch.<br />

“Having a watchmaker as the brand owner<br />

cuts out the middle person between the<br />

customer and potential repair work. I<br />

perform all watch repairs for Australia and<br />

the US myself. For the remaining countries,<br />

any repairs are completed by reputable<br />

watchmakers I have either worked or studied<br />

with,” Galvin confirms.<br />

“As I check every time piece personally before<br />

sending it to the customer, the quality is<br />

ensured from the start.”<br />

Design excellence that doesn’t miss<br />

a tick<br />

A long career at prestigious watch companies<br />

in the UK and Australia has given Susan Galvin<br />

the expertise to understand how the fine<br />

details of a mechanical watch culminate into a<br />

unique timepiece.<br />

“Years repairing and enhancing all types of<br />

watch brands taught me how to combine<br />

design with machinery to create a watch<br />

that catches the eye but is comfortable<br />

and durable enough for everyday use,” the<br />

founder notes.<br />

The combination of meticulous design with<br />

affordable quality brought GWC global success<br />

with the Alku Collection, with 261 backers<br />

around the world raising more than $120,000<br />

in total. Running a global watch company since<br />

then has offered Susan Galvin many lessons to<br />

bring into her new line.<br />

“In most aspects the Loimu watches are more<br />

complex than my first collection. I have chosen<br />

more and bolder colours alongside intricate<br />

design elements to create a unique collection<br />

I am so thrilled to bring to watch enthusiasts<br />

all over the world. Loimu feels like a true<br />

evolution.<br />

“Although I’ve introduced new features, such<br />

as the guilloché finish and date window in the<br />

dial, some aspects I’ve kept. I’m using Miyota’s<br />

premium range of movement again, as I was<br />

very pleased with how it has lasted the test of<br />

time with next to zero under warranty repairs<br />

since the launch of Alku in 2020.<br />

“The ‘Loimu’ name translates to ‘blaze’ in<br />

Finnish, paying homage to my heritage. My<br />

childhood was spent in Northern Finland,<br />

world-famous for its displays of remarkable<br />

colour in its night skies. Being away from<br />

home during the pandemic made me miss the<br />

uniquely beautiful and bare nature of Finland,<br />

something I wanted to bring into my next<br />

watch design.”<br />

<strong>April</strong> <strong>2022</strong> 43


THE PROSPEX SPEEDTIMER<br />

Showcasing the very best of Seiko’s chronograph<br />

watchmaking<br />

In recognition of Seiko’s support to <strong>World</strong> Athletics, the name Seiko Prospex will be<br />

displayed on the perimeter boards at the <strong>World</strong> Athletics Championships in July.<br />

Seiko’s tradition as a pioneer in sports timing began in the 1960’s<br />

when the company introduced to the world’s sporting stage<br />

a range of timing devices that set a new global standard of<br />

precision. This tradition has continued and, since 1985, Seiko has been<br />

the timekeeper of choice of <strong>World</strong> Athletics.<br />

In <strong>2022</strong>, for the 17th consecutive time,<br />

Seiko will deliver its state-of-the-art<br />

timing services to the <strong>World</strong> Athletics<br />

Championships which will take place in<br />

Eugene, Oregon, the spiritual home of<br />

the sport in the USA. This new Prospex<br />

Speedtimer Limited Edition Chronograph<br />

celebrates the sporting heritage of<br />

both Seiko and this hallowed venue<br />

and honours the performances of the<br />

approximately 1,800 athletes who will<br />

take part in the championships.<br />

The new Speedtimer chronograph will be available as a limited edition<br />

of 400 from June <strong>2022</strong> at the Seiko Boutiques and selected retail<br />

partners worldwide.<br />

History, heritage and high precision<br />

Just as Seiko’s 1960’s suite of sports timers brought important<br />

innovation to the global sports arena, so the creation of the Seiko<br />

Speedtimer in 1969 was a crucial landmark in the history of the<br />

chronograph. Thanks to its vertical clutch and column wheel, it made<br />

the measurement of elapsed time more precise and error-free than<br />

ever before.<br />

Hand assembled by Seiko’s skilled watchmakers, this new Speedtimer<br />

is powered by Calibre 8R46, which, like the Calibre 6139 used in the<br />

original 1969 Speedtimer, incorporates vertical clutch and column<br />

wheel mechanisms to ensure the highest possible levels of precision<br />

and durability. The escapement is light-weight and strong, thanks<br />

to the use of MEMS technology which enhances the stability of the<br />

watch’s precision. The pushers are prominent and have a wide and flat<br />

upper surface area to facilitate accurate operability. With the push of<br />

the reset button, the hands return back to zero instantly and in perfect<br />

synchronisation, ready for the next race.<br />

Designed to celebrate sport at the highest<br />

international level<br />

Every detail of the new Speedtimer reflects the high performance and<br />

reliability of Seiko’s sports timekeeping and captures the spirit of <strong>World</strong><br />

Athletics. The sand patterned dial evokes the texture of the running<br />

track and the chronograph second hand as<br />

well as the 30-minute counter at 9 o'clock<br />

are in yellow, the colour of all Seiko’s timing<br />

and measurement devices. The second hand<br />

is gently curved down towards the markers<br />

and its tip extends right to the edge of the<br />

dial so that the elapsed time can be<br />

read accurately at a glance. The hour<br />

and minute hands are generously<br />

coated with Lumibrite to enhance<br />

readability in the dark.<br />

The hands and strap stitching<br />

echo the yellow of Seiko’s timing<br />

equipment and the back of the<br />

watch features the event emblem.<br />

The watch is presented on a stainless steel bracelet that is specially<br />

designed and constructed for this series. Its thickness and weight<br />

combined with the low centre of gravity of the case ensure stability<br />

and a high level of comfort on the wrist. If the wearer chooses, the<br />

bracelet can be replaced with the black leather strap that is also<br />

included and whose stitching is designed to increase the durability of<br />

the strap.<br />

44<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


ADINA CREATES<br />

<strong>2022</strong> RIDEWEST<br />

BESPOKE WATCH<br />

Over the last 12 years, RideWest has raised<br />

over $1,400,000 for the Royal Flying Doctor<br />

Service for mental health support programs for<br />

regional Queenslanders.<br />

This year Adina Watches celebrates their<br />

inaugural involvement in the <strong>2022</strong><br />

RideWest Charity’s event by creating<br />

an extremely limited edition of 100 bespoke<br />

watches. For each watch sold, Adina Watches<br />

will donate $100 to the RFDS, to support their<br />

ongoing valuable work in the Wellbeing Out<br />

West program.<br />

Adina’s involvement runs deeper than just<br />

making a watch. Their general manager, Grant<br />

Menzies, is putting on the lycra to complete<br />

the eight day, gruelling 1311 kilometres from<br />

Brisbane to Longreach. Grant has been a keen<br />

bike rider since his late teens and has taken<br />

on many cycling challenges. Either alone or<br />

with his family (known as Cycling Menzies),<br />

Grant has cycled through over 20 countries<br />

around the world. Cycling Menzies carry<br />

everything with them as they pedal. Grant is<br />

the first to admit cycling the world with kids is<br />

a little bit crazy – but hugely rewarding.<br />

Grant says the motivation to tackle a journey<br />

across a country in this fashion comes in part<br />

from the incredible scenery and in part from<br />

always enjoying the physicality of the day’s<br />

ride. “There’s also the feeling of achievement<br />

on reaching the daily goal no matter what<br />

Mother Nature has served up. And, of course,<br />

the obvious euphoria on reaching the overall<br />

destination at the end of a trip.<br />

“For the most part however, it is the ability to<br />

immerse oneself into a country and enjoy all<br />

its subtle nuances in its people, food, language<br />

and culture that are so often missed by the<br />

regular tourist. On a bicycle you are forced to<br />

stop regularly for food, water, directions, even<br />

a rest – all opening the opportunity to further<br />

interact with a country and its people.”<br />

However, the motivation for something like<br />

RideWest is very different. It is not about the<br />

people doing it, it is about the cause. When a<br />

group of motivated individuals come together<br />

they can make a huge impact. Each of the<br />

riders, Grant included, will rely upon the<br />

generosity of many.<br />

Every donation, no matter the amount, adds<br />

up.<br />

Grant hopes his riding for charity will inspire<br />

his children to embrace what a selfless act<br />

charity is and create a legacy of kindness.<br />

Come <strong>April</strong>, 30 riders will RideWest. Please get<br />

behind them.<br />

www.adinawatches.com.au<br />

www.ridewest.com.au<br />

Sponsor Grant’s ride at ride-west.raisely.com/<br />

grant-menzies<br />

<strong>April</strong> <strong>2022</strong> 45


THE BROOCH AS<br />

DIPLOMATIC TOOL<br />

Madeleine Albright, the first female US Secretary of State, was famed for her fierce and<br />

uncompromising negotiating skill, her love of brooches and for combining the two. She<br />

passed away in late March aged 84.<br />

Albright ran the US Department of State from<br />

1996 to 2001. Just like Queen Elizabeth, who<br />

has a fondness for choosing her jewellery<br />

to make a political point, Albright wore her<br />

brooches as “diplomatic tools”.<br />

She once told a GIA symposium that she<br />

owned hundreds of them and that she<br />

preferred to call them “her pins.”<br />

It began in 1997 when, as US Ambassador<br />

to the United Nations, Albright was highly<br />

critical of Saddam Hussein. Hussein’s poetin-residence<br />

called her “an unparalleled<br />

serpent.” At her next encounter with Iraqi<br />

officials and with every meeting thereafter,<br />

Albright wore a snake brooch, even though,<br />

as she explained at the time, she did not like<br />

snakes. After Hussein fell, she wore a snake<br />

brooch with a dagger through it.<br />

Vladimir Putin confided to Bill Clinton that<br />

Russian diplomats routinely checked to see<br />

which brooch Albright was wearing. On the<br />

first day of difficult discussions involving<br />

nuclear arms, Foreign Minister Igor Ivanov<br />

looked at her arrow-like pin for the day and<br />

inquired, “Is that one of your interceptor<br />

missiles?” She replied, “Yes, and as you can<br />

see, we know how to<br />

make them very small.<br />

So you’d better be<br />

ready to negotiate.”<br />

During a meeting<br />

about the Middle East,<br />

she wore a dove pin<br />

given to her by Leah<br />

Rabin, the widow of<br />

Israeli Prime Minister<br />

Yitzhak Rabin, who was<br />

assassinated in 1995.<br />

After Cuban fighter pilots shot down two<br />

unarmed civilian aircraft, Albright wore a blue<br />

bird pin with its head pointing down, a symbol<br />

of mourning for the four Cuban-Americans<br />

who were killed.<br />

Albright chose her jewellery as a reflection of<br />

her mood, and readily admitted most of her<br />

pieces were costume jewellery.<br />

“I have<br />

bought<br />

jewellery<br />

everywhere,”<br />

she said,<br />

speaking<br />

to the<br />

Smithsonian<br />

Institution<br />

which<br />

arranged<br />

an exhibit of her pins. “On good days, I wore<br />

flowers and butterflies and balloons, and on<br />

bad days, all sorts of insects and carnivorous<br />

animals. When people said, on the [United<br />

Nations] Security Council, ‘What are we going<br />

to do today?’ I said, ‘Read my pins.’ ”<br />

As she matured and pins became part of<br />

her diplomatic persona, Albright grew to<br />

like larger and bolder, even crazier, pieces.<br />

Diplomats from around the world gifted her<br />

with brooches to celebrate their negotiations.<br />

As a longtime fan of Star Trek, Albright had<br />

space themed pins and brooches that she said<br />

signified hope. As a jazz fan, she had enough<br />

musical instrument pins to assemble a jazz<br />

ensemble on her shoulder.<br />

She became so<br />

renowned for<br />

her brooches,<br />

she wrote a<br />

book entitled<br />

Read My Pins.<br />

Albright<br />

received the<br />

Presidential<br />

Medal of<br />

Freedom, America’s highest civilian honour,<br />

from President Barack Obama on May 29,<br />

2012. She served as the US’s permanent<br />

representative to the United Nations from<br />

1993 to 1997. Prior to 1992 was a member<br />

of president Jimmy Carter’s National Security<br />

Council and White House staff. In 2021 she<br />

was appointed Chair of the Defence Policy<br />

Board, a group tasked with providing the<br />

Secretary of Defence with independent,<br />

informed advice and opinion concerning<br />

matters of defence policy.<br />

46<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Calling all Retailers<br />

Calling all Retailers<br />

Calling all Retailers


NEW PRODUCTS<br />

Ellani Collections | +61 2 9899 1525<br />

Another beautiful addition from the new Ellani Collections<br />

AW22 release.<br />

www.ellanicollections.com.au<br />

Bianc | +61 413 872 810<br />

Bianc introduces some beautiful new additions to the Sirène<br />

Collection, featuring contemporary chokers and bold baroque pearls.<br />

All pearls are freshwater. These stunning pieces range from<br />

RRP$99-$359.<br />

info@bianc.com.au | @bianc_jewellery | www.bianc.com.au<br />

<strong>Jewellery</strong> Centre | +61 7 3221 3838<br />

Sterling silver long oval freshwater cultured pearl with 4-claw 5mm<br />

natural stone earwires<br />

Available in 3 colours:<br />

Natural Amethyst<br />

White CZ<br />

Natural Blue Topaz<br />

www.jewellerycentreaustralia.com<br />

Ellendale Diamonds Australia | Desert Rose<br />

<strong>Jewellery</strong> | +61 8 6180 1562<br />

Be seduced by the charms of this delightful solitaire ring in 18K<br />

white/rose gold. Featuring a round diamond D SI1 0.50ct and<br />

6 round Argyle pink diamonds 6/7PP SIAV 0.087ct. 16 tapering<br />

round diamonds G+ SI 0.21 ct.<br />

www.ellendalediamonds.com.au<br />

48<br />

jewellery world - <strong>April</strong> <strong>2022</strong>


Stones and Silver | +61 3 9587 1215<br />

New .925 sterling silver unisex ID bracelest featuring<br />

a curb chain.<br />

Available in a 21cm bracelet with the engraving plate<br />

6mm x 38mm or the larger size of 8mm x 40mm.<br />

stonesandsilver.com.au<br />

Ellendale Diamonds Australia | Desert Rose<br />

<strong>Jewellery</strong> | +61 8 6180 1562<br />

Anscintillating grain set double halo ring in 18K white/rose<br />

gold. Featuring a round diamond D SI1 0.50ct. 24 round<br />

Argyle pink diamonds 6/7 PP SIAV 0.24ct. A secondary halo<br />

of 16 round diamonds G+ SI 0.16ct and shoulders set with 12<br />

tapering round diamonds G+ SI 0.24ct.<br />

www.ellendalediamonds.com.au<br />

Zahar | +61 413 872 810<br />

Introducing the Sienna Collection.<br />

This new collection features edgy new designs, elegantly<br />

encrusted with pavè stones, making for a truly luxurious aesthetic.<br />

The collection range between RRP$69-$89. Featuring CZ stones.<br />

Everything is available now and ready for order<br />

info@zahar.com.au<br />

@zahar.collection<br />

www.zahar.com.au<br />

Allucia | +61 (0) 408 598 909<br />

Rhodium plated 925 sterling silver set with natural lemon quartz.<br />

Also available with natural rose quartz, rainbow moonstone,<br />

amethyst and green amethyst.<br />

View our range at www.alluciajewellery.com.au<br />

info@allucia.com.au<br />

<strong>April</strong> <strong>2022</strong> 49


chain<br />

services<br />

services<br />

AUSTRALIAN<br />

JEWELLERY TOOLS<br />

WHOLESALER<br />

SPECIALISING IN QUALITY<br />

JEWELLERY TOOLS & EQUIPMENT<br />

WITH EXCEPTIONAL SERVICE<br />

Chris O’Neill<br />

Piecemaker<br />

2015 YJG Bench Challenge<br />

Hand Engraving Champion.<br />

Also specialising in quality<br />

Handmakes, Repairs and<br />

Antique restorations in the<br />

Sydney CBD.<br />

0405 689 834<br />

MILN & CO. Pty Ltd<br />

Ph: 02 4655 7707 M: 0412 702 834<br />

E:stuart.miln@milnco.com.au<br />

Lancier Watch Bands - Leather, metal, sports.<br />

Watchglasses. Seals. Batteries. Quartz Movements.<br />

Pins/tools. <strong>Jewellery</strong> findings. J C Hurst Bangles.<br />

Fischer Barometers and Tide Clocks<br />

for sale<br />

PO Box 112<br />

Toronto NSW 2283<br />

P: 02 9380 4742 ∙ F: 02 8580 6168<br />

E: sales@adelaimports.com<br />

Adela Imports offer over 180<br />

designs of sterling silver chain,<br />

with up to 20 lengths available<br />

in each from stock.<br />

Also offering a range of<br />

uniquely designed silver<br />

jewellery.<br />

Catalogue available.<br />

www.adelaimports.com<br />

(07) 3876 7481<br />

sales@labanda.com.au<br />

FAX: (07) 3368 3100<br />

ADELAIDE (08) 7221 2202<br />

MELBOURNE (03) 9038 8545<br />

PERTH (08) 6363 5517<br />

SYDNEY (02) 8004 1626<br />

www.labanda.com.au<br />

diamonds and coloured stones<br />

Glues<br />

for sale<br />

Retail <strong>Jewellery</strong> Business for Sale<br />

Established 35 years ago in<br />

busy Gold Coast street location.<br />

Includes retail fit out, fully<br />

equipped jewellery, valuation and<br />

watchmaking workshops. Would<br />

suit a manufacturing jeweller<br />

specialising in design and makes<br />

and/or watchmaker.<br />

Owners seeking to retire<br />

$75,000 plus stock at cost.<br />

Contact Norm on 0450 703 325.<br />

Fantastic Sea Change Opportunity<br />

<strong>Jewellery</strong> and Giftware Business in Nelson Bay, NSW<br />

Established 21 years ago in coastal area of Port Stephens.<br />

Only 2.5 hours drive north of Sydney. Only one other manufacturing competitor.<br />

Swim software for POS and Stock management, including price tickets. Retail has large<br />

Chubb safe and alarm systems in both locations. Great retail location in Main Street and<br />

workshop located separately 85 meters away in arcade.<br />

Low rent $42K annual for both shops. Both leases negotiable. Large marketable client list.<br />

W.I.W.O $450,000 ONO [Current stock $178K at cost ($501K retail), fittings and equipment<br />

$61K]. Workshop includes display windows, 2 x work benches, Ratner safe and office<br />

fittings only, not tools. Take without stock at $275,000.<br />

Contact Roger 0414 821 931<br />

Relaxing ...<br />

Modern dating: Buy her jewellery,<br />

ADVERTISE HERE<br />

The classifieds section is an excellent place for suppliers and<br />

manufacturers to advertise products and services in a longrunning,<br />

low cost way.<br />

All size ads are available and may include product<br />

photos. Visit our website to download our media<br />

for prices.<br />

www.jewelleryworld.net.au<br />

pack<br />

and take her someplace expensive.


Calling all Suppliers<br />

Calling all Suppliers<br />

Calling all Suppliers


SPECIALISING IN ITALIAN MADE<br />

TENNIS MOUNTS AND GOLD CHAINS

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!