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Wood In Architecture Issue 1, 2023

First published in 2017, Wood in Architecture (WIA) is a bi-annual trade magazine devoted to the international timber construction sector. The newest addition to the Panels & Furniture Group of wood magazines, WIA features in-depth insights to the latest industry news, incredible projects and leading trade events. WIA is an advocate for timber as a material of choice for today’s built environment, and is the perfect source of inspiration for architects, builders, engineers and interior designers across the globe.

First published in 2017, Wood in Architecture (WIA) is a bi-annual trade magazine devoted to the international timber construction sector. The newest addition to the Panels & Furniture Group of wood magazines, WIA features in-depth insights to the latest industry news, incredible projects and leading trade events. WIA is an advocate for timber as a material of choice for today’s built environment, and is the perfect source of inspiration for architects, builders, engineers and interior designers across the globe.

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NEWS<br />

AHEC PARTICIPATES IN MADRID DESIGN FESTIVAL<br />

WITH TWO WOOD DESIGN SHOWCASES<br />

1<br />

1 The mentors of SLOW Spain, as well as designers for the workpieces<br />

showcased for Natural Connections. From left: Jorge Penadés,<br />

Álvaro Catalán de Ocón, <strong>In</strong>ma Bermúdez and Moritz Krefter<br />

2 The furniture pieces showcased for SLOW Spain<br />

2<br />

The American Hardwood Export Council<br />

(AHEC) has presented two wood design<br />

projects at the Madrid Design Festival<br />

<strong>2023</strong>, held from 7 Feb-12 Mar <strong>2023</strong>.<br />

The first is ‘SLOW Spain: Slow design for<br />

fast change’, a project in collaboration<br />

with nine Spanish design schools that<br />

showcases the talent and ideas of<br />

the emerging design generation while<br />

exploring the material possibilities<br />

of four sustainable but underused<br />

American hardwoods for furniture<br />

design.<br />

The projects have been mentored by<br />

designers <strong>In</strong>ma Bermúdez and Moritz<br />

Krefter from Studio <strong>In</strong>ma Bermúdez,<br />

Álvaro Catalán de Ocón from studio<br />

ACdO, and Jorge Penadés from Oficina<br />

Penadés.<br />

Together with the students, they<br />

have worked to refine and shape the<br />

students’ ideas using red oak, maple,<br />

cherry and tulipwood.<br />

The exhibition aims to show the<br />

importance of ‘slow design’ and how<br />

this philosophy can be applied<br />

in furniture creation. As well as<br />

being an opportunity to learn<br />

more about the importance of<br />

sustainability in furniture design,<br />

the ‘slow’ approach can contribute<br />

to a positive change in the current<br />

culture of fast furniture.<br />

Each of the pieces has been<br />

handcrafted in the La Navarra<br />

carpentry in Madrid. The final<br />

designs mix aesthetics with<br />

functionality, and range from side<br />

tables to a bookcase-screen, a desk<br />

or the reinvention of a chair.<br />

“SLOW is about education and<br />

opportunity. We have attempted<br />

to fill the gap in design education<br />

which often does not provide an<br />

in-depth experience for design<br />

students to learn about and work<br />

with hardwood materials,” said<br />

David Venables, European director<br />

of AHEC.<br />

The second project is ‘Natural<br />

Connections’, which reportedly<br />

aims to connect materials and people in<br />

a playful, conscious and nature-focused<br />

way.<br />

The aforementioned mentor-designers<br />

were invited to create three pieces of<br />

furniture for public spaces, designed to<br />

help people encounter and rediscover<br />

nature, using red oak, maple or cherry.<br />

The result is a collection of pieces that<br />

promote fun and interaction.<br />

“Our collaboration with the Madrid<br />

Design Festival, Matadero Madrid and<br />

three of the most important design<br />

studios in Spain has provided an amazing<br />

opportunity to connect the public with<br />

the worlds of design, craft, and wood,”<br />

said Venables.<br />

“The design teams worked with<br />

maple, cherry, and red oak to create<br />

playful, original, and highly innovative<br />

installations that we hope will provide<br />

engagement, excitement and a<br />

connection for visitors to these wonderful<br />

natural materials.” WIA<br />

Images: AHEC<br />

10 WOOD IN ARCHITECTURE • ISSUE 1 – <strong>2023</strong>

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