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Western News: June 29, 2023

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8<br />

Thursday <strong>June</strong> <strong>29</strong> <strong>2023</strong><br />

The public feud between two of<br />

SAINT: Nurse<br />

Sibylla Maude<br />

started what<br />

would become<br />

New Zealand’s<br />

district nurse<br />

programme.<br />

TWO OF the city’s favourite<br />

daughters once went head to<br />

head in a public scrap that was<br />

rather unbecoming of their<br />

status as ‘saints in the making’.<br />

The redoubtable nurse Sibylla<br />

Emily Maude – originator<br />

of what would become New<br />

Zealand’s district nurse<br />

programme and this country’s<br />

answer to Florence Nightingale<br />

– took on women’s suffragist<br />

and mother of the nation,<br />

Kate Sheppard, in a public<br />

disagreement which resonated<br />

in the letters to the editor pages<br />

of the Christchurch Star and the<br />

Lyttelton Times over the last few<br />

days of 1898.<br />

The interaction features in<br />

Judith Devaliant’s book Kate<br />

Sheppard: A Biography.<br />

“The issue concerned an<br />

anonymous woman who<br />

had had the misfortune of<br />

contracting what was clearly<br />

a rather nasty disease,” says<br />

Helen Osborne, property lead<br />

for Te Whare Waiutuutu Kate<br />

Sheppard House.<br />

Kate Sheppard’s Ilam home is<br />

today cared for by Heritage New<br />

Zealand Pouhere Taonga.<br />

“Suffragist Kate Sheppard<br />

and fellow women’s advocate<br />

Ada Wells wrote a letter to the<br />

editor highlighting the plight of<br />

the woman and her family and<br />

describing her condition as ‘a<br />

disease of loathsome form, the<br />

details of which are so revolting<br />

they cannot be here explained’.<br />

The zealous duo petitioned<br />

for the removal of the two sons<br />

of the woman in question so<br />

they could be lodged elsewhere<br />

in healthier surroundings as<br />

the boys were unable to isolate<br />

themselves within the rather<br />

pokey confines of their cottage.<br />

They argued the sons were in<br />

danger of becoming “a fruitful<br />

source of contamination to<br />

those with whom they come in<br />

contact”.<br />

Because the mother’s<br />

condition was a chronic one,<br />

the Charitable Aid Board had<br />

advised it had done all it could<br />

reasonably do. Both Sheppard<br />

and Wells asked people to send<br />

money to the newspaper to<br />

help out if they possibly could,<br />

adding “much could be said of<br />

the pitiful life of the children<br />

brought into hourly contact<br />

with hideous disease, but we<br />

refrain”.<br />

“From 1885 all hospitals<br />

were run by Charitable Aid<br />

Boards whose role was partly<br />

to assess patients to determine<br />

whether they could pay for their<br />

treatment. People assessed as<br />

‘paupers’ were treated for free,”<br />

says Osborne.<br />

“Boards and some members<br />

of the public were quick to<br />

expose people they believed<br />

were ripping off the system. The<br />

way patients were perceived by<br />

the Charitable Aid Boards was<br />

very important. Sensitivities<br />

about communicable diseases,<br />

including venereal disease,<br />

made public health and fair<br />

access to treatment a hot<br />

issue that left many women<br />

particularly vulnerable.”<br />

The Lyttelton Times started to<br />

receive donations as a result of<br />

the letter, and before long, it also<br />

received another contribution<br />

from a reader – a letter from<br />

Maude, who had a few things to<br />

say about the original Sheppard/<br />

Wells letter. And when Maude<br />

said something, people had a<br />

tendency to sit up and listen.<br />

Get out of the cold<br />

and into art this winter.<br />

Te Rā: The Māori Sail<br />

8 July – 23 October<br />

Experience the wonder of Te Rā, the only known customary Māori sail in existence.<br />

Held in storage for many years at the British Museum, the chance to see Te Rā is a<br />

deeply significant moment for all New Zealanders.<br />

A partnership project between Christchurch Art Gallery Te Puna o Waiwhetū and Tāmaki Paenga Hira Auckland War<br />

Memorial Museum. Image: Makers unknown Te Rā [the sail] (detail) c. 1770–1800. Harakeke, kererū, kāhu and kākā<br />

feathers, dog skin. On loan from the Trustees of the British Museum. © Whakaarahia anō te rā kaihau Te Rā Project.<br />

Photo: Cultural Heritage Imaging<br />

Robin White: Te Whanaketanga | Something Is Happening Here<br />

22 July – 5 November<br />

A major survey of one of Aotearoa New Zealand’s best-loved artists, bringing together<br />

more than fifty works to form what the artist describes as a “family reunion”.<br />

Jointly developed by the Museum of New Zealand Te Papa Tongarewa and Auckland Art Gallery Toi o Tāmaki.<br />

Image: Robin White Mere and Siulolovao, Otago Peninsula (detail) 1978. Screenprint. Collection of Auckland Art<br />

Gallery Toi o Tāmaki, purchased 2004<br />

Free entry 10am – 5pm daily, Wednesday until 9pm<br />

christchurchartgallery.org.nz<br />

Strategic<br />

partners

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