@dam_zine w/ @arttech_nft How did your journey in digital fine art begin? “I remember attending an Adobe graphic design short course back in 2000 and got introduced to Macs, Photoshop, and Illustrator. However, it wasn’t until 2003, during my college years studying Interactive Multimedia, that I began posting my work on design forums and Myspace. This marks the start of my journey as an ‘artist/designer.’ Initially, I used the computer primarily for design-based artworks, while my ‘arts’ remained hand-drawn with pencil and pen on paper. It wasn’t until I purchased a scanner around the same year that I started combining traditional and digital elements. I continued this method until 2021 when my scanner broke down, leading me to switch to a drawing tablet. With the shift to NFTs, most of my works are now 100% digital, aligning with the digital-native space. Over the years, my art style and purpose matured. But struggling to fit the traditional gallery definition of fine art, which often requires physical creations, so I coined the term “Digital Fine Art” to describe my work.” As a filmmaker, how does your approach differ when working on digital projects compared to traditional film? “I think video/film production is more rigid in terms of workflow and creative freedom. I am restricted by various factors, mainly time and budget. While there is freedom in conceptualizing and conveying messages, it’s limited in terms of production quality and flexibility to changes. Unlike drawing, where I can always refine or add more details, video production binds me to what we managed to shoot within the limited time and budget for post-production. Therefore, in video/film, I tend to be more organized and make decisions earlier in the pre-production stage. On the other hand, producing art allows me total freedom to create whenever and whatever. The commonality between both lies in the initial creative process, requiring a mind map and a defined purpose to begin.” scene Exchange Art Being a musician as well, how do you find that synergy between your music and visual art? Does one influence the other? “This is one of the things I’ve been struggling with. In a perfect reality, I would be in a band that sounds like the soundtrack to my art pieces. But so far, I haven’t found any musicians, that I know of, that have the same vision and soul as my visual arts. So for now, I would say that they are a separate thing, and they don’t influence each other. I’d like to think that I am playing a few alter-egos. One as an anonymous visual artist, one as a film director/designer, one as a drummer in a post-hardcore band, and one as a father. The good thing is, I enjoy having many options to express my creative flow. I enjoy doing intricate visual art pieces. And I enjoy playing drums and doing the whole branding and design work for the band.” 8 <strong>SHILL</strong> <strong>Issue</strong> #<strong>145</strong>
Exchange Art You’ve mentioned influence by artist @MarkRyden, who I’m hoping most are familiar with, who else has been a big influence on your work, and in what ways do you incorporate their influence into you? “I believe that originality only means a good remix of influences. For me, I don’t really have a specific artist to be cited as my main influence (I actively avoid having any, and I am bad with remembering names anyway). I would put it like this; I have a vast visual library in my mind, and Mark Ryden is only one of the few that I can remember vividly. But as you can see, my art looks nothing like his stuff. If I were to make a list, I would say aesthetically, it’s a visual remix of master painters (Bosch, Michelangelo, Fra Angelico, Dali, etc.), pop-surrealist artists (Mark Ryden, Alex Gross, Interesnikazki brothers, etc.), religious arts/traditional cultures (Christian Iconography, old Islamic arts, Hinduism, Chinese, Japanese, Malay,