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Province d - The Service Mag

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PHOTO: Malik Shaffy<br />

FOCUS<br />

52 | <strong>The</strong> SERVICEMAG October - December 2011<br />

Raising awareness about<br />

Rwanda’s history<br />

and heritage<br />

ByDavid Kezio-Musoke<br />

Museums are meant to enable people explore collections for inspiration, uplifting, learning, provide enjoyment and build confidence<br />

for wide future prospects. <strong>The</strong>y are meant to be institutions that collect, safeguard and make accessible artefacts and specimens,<br />

which they hold in trust for society. In striving to deliver these standards and fostering international culture exchange, Rwanda<br />

museums are preserve, archive and display a historical collection of signs in their many types and forms. David Kezio-Musoke<br />

talked to Alphonse Umuliisa, the chief custodian of the Institute of National Museums of Rwanda on what is being done to serve<br />

this purpose. Below is the verbatim.<br />

A brief history of museums<br />

in Rwanda<br />

Museums came to Rwanda in August 1989.<br />

<strong>The</strong>re was one that was referred to as the<br />

National museum of Butare and was offered<br />

to Rwanda by the King of Belgium King<br />

Baudouin. In 2007 there was a plan to expand<br />

it and have more museums however this plan<br />

was implemented in 2008 and as a result we<br />

have five museums right now and we are<br />

building environmental museum in western<br />

province. We have introduced another<br />

museum which is called the ‘Mobile Museum’<br />

of Rwanda.<br />

<strong>The</strong> uniqueness of the ‘Mobile<br />

Museum’ in Rwanda<br />

This project is meant to educate the young<br />

generation on Rwandan Culture. Institute<br />

of National Museums of Rwanda goes out<br />

in different communities or schools. Mobile<br />

Museum reaches out to the community and<br />

to schools. With this kind of museum, we<br />

started what they call the ‘art of conversation’.<br />

We reach out to people who really can not<br />

physically access the museum.<br />

<strong>The</strong> art of conversation was stopped in<br />

1959 after the miscellaneous death of King<br />

Rudahigwa. Anything to do with traditions<br />

back then was perceived to be divisive and<br />

anything to do with the kingdom was not<br />

good. With the art of conversation Rwandans<br />

would gather and talk together and resolve<br />

their conflicts together.<br />

Every Rwandan would talk about cows<br />

and poetries among neighbouring families<br />

and villages, this was entertaining and<br />

very informative. Since 1959 when “the<br />

centre could not hold, things fell apart”<br />

then Rwandans wouldn’t talk about their<br />

own traditions, would not look at a culture<br />

together. Many historical sites were abolished<br />

or changed, ‘Inyambo’ traditional cows<br />

were not talked of, and they were rather<br />

perceived as of one group. Young men and<br />

women brought up with the aid of the ‘Art of<br />

Conversation,’ referred to as ‘invugo nziza’.<br />

<strong>The</strong> traditional cows ‘Inyambo’ as<br />

a uniqueness of Rwanda museums<br />

Cows are traditionally for wealth, marriage,<br />

friendship, christening, knowledge, friendship,<br />

dancing, entertaining thru poems…this is all<br />

embodied in the ‘Art of Conversation’ ‘invugo<br />

nziza’. Cows every where are important,<br />

but for Rwanda are much more than just a<br />

treasure. People were named after cows even<br />

when they did not have them. Names like<br />

Kalisa, Mulisa or Kabalisa, Murore Unkwere,<br />

‘see her and bring cows’ and many more were<br />

derived from the tradition of breeding cows.<br />

<strong>The</strong> beautiful girls of Rwanda are named after<br />

cows and milk for example Gilamata, Zaninka<br />

which literally means, ‘give me cows’, even<br />

traditional dances.<br />

All this tells a lot about the Rwandan<br />

culture in relation to cows. So basically at the<br />

moment where we are climaxing on receiving<br />

revenue from trekking Gorillas, we can look<br />

at other animals which also has a lot to do<br />

with our culture. Introducing Cows and all<br />

necessary traditional skills in museums make<br />

our museums and heritage generates revenues<br />

as such traditions create employment and<br />

add value to our nation. Its another way of<br />

communicating knowledge and ideas.<br />

In UK, Hyde Park there are snakes and<br />

in our museums we do not have them. Such<br />

animals are so entertaining but this is not<br />

limited to the West only, we should have<br />

these different animals in accessible areas<br />

for our children and families to learn? More<br />

objects and images are on the way for people<br />

and families’ entertainments and education.<br />

In museums with research teams we always<br />

look out for kind of objects that will attract<br />

individuals and there is none other than<br />

‘Inyambo’.

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