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antiquarian bookseller - Peter Harrington

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<strong>Peter</strong> <strong>Harrington</strong> Antiquarian Bookseller<br />

258.HARDING, James<br />

Duffield.<br />

Harding’s Sketches at Home and<br />

Abroad. Designed and Drawn by J.<br />

D. Harding.<br />

[London,] by Charles Tilt, at C. Hullmandel’s Lithographic Establishment<br />

[1836] [33266] £6000<br />

Folio. Publisher’s green half morocco, spine lettered gilt,<br />

purple flower-patterned cloth sides and inner hinges, yellow<br />

endpapers. Lacks the printed dedication leaf. Lithographed<br />

title and 50 tinted lithographs on card, all with fine recent<br />

hand-colouring. Extremities rubbed, cloth sides evenly sunned,<br />

title leaf a little frayed at fore-edge, an excellent copy.<br />

FIRST EDITION. “This book represents something of a<br />

landmark in the history of the lithograph in that it may<br />

be said to initiate the series of tinted lithographs, which<br />

… were to dominate the market for many years, reaching<br />

a peak of ambitious bulk in Roberts’s Holy Land, 1842–9”<br />

(Abbey). Harding’s work pleased the dedicatee, King Louis<br />

Philippe, so much that he presented him with a diamond<br />

ring. The plates are of European scenery in Italy, France,<br />

Germany and England.<br />

Abbey Travel 29.<br />

259.JACOB, William.<br />

Travels in the South of Spain, in<br />

letters written A.D. 1809 and 1810.<br />

London, for J. Johnson & Co., and W. Miller, by John Nichols and Son,<br />

1811 [16206] £975<br />

4to, pp. [iii]–xvi, 407, 36 appendix, 7 index. Contemporary<br />

half calf, neatly rebacked and recornered, marbled paper sides,<br />

blue sprinkled edges. 13 sepia engraved plates, 2 of which are<br />

folding. Without the half-title. Occasional, light foxing. A very<br />

good, attractive copy.<br />

FIRST EDITION. At the time of writing, William Jacob<br />

(1761/2–1851) was a successful businessman, one of<br />

the few Englishmen carrying on a direct trade with South<br />

America, who had been an MP for Westbury, then for Rye,<br />

a Treasury seat. In 1809 and 1810 Jacob spent six months<br />

in Spain, and this book, which was favourably reviewed<br />

in the Edinburgh Review, is based on the letters he wrote<br />

from that country. Shortly after his return to England his<br />

business crashed, but he recovered to become a widelyrespected<br />

economist, doing much to ensure the repeal of<br />

the Corn Laws.<br />

260.LAW, William John.<br />

The Alps of Hannibal.<br />

London, Macmillan and Co., 1866 [37276] £500<br />

2 volumes, 8vo. Folding map to each volume. Some foxing<br />

and browning, particularly to the prelims and maps, which are<br />

quite heavily browned, that in vol. I a little brittle and lacking<br />

a small piece from the corner, no loss of image, but overall a<br />

very good set in a contemporary full calf prize binding by J.<br />

Carss and Co. for the University of Glasgow, engraved prize<br />

bookplates, dated 1868, to both front pastedowns and gilt<br />

crest to all boards, spines gilt in compartments, red and green<br />

labels, marbled edges, a little rubbed, joints of vol. I slightly<br />

cracked at the head, but remains highly presentable. Prize to<br />

Thomas R. Wyer for excellence in Greek (the bookplates signed<br />

by Edmund Law Lushington, Professor of Greek at Glasgow, a<br />

brilliant scholar who married Tennyson’s sister Cecilia, a match<br />

celebrated in the Epilogue to the poet’s In Memoriam.)<br />

FIRST EDITION. Law was a trained as a lawyer and<br />

specialised in bankruptcy, writing several works on the<br />

subject and rising to become chief commissioner of the<br />

Court for the Relief of Insolvent Debtors. Outside of the<br />

law his twin passions were racing – he was reputed to<br />

know the Racing Calendar by heart and never missed<br />

seeing the Derby – and the classics. Between 1854–56<br />

he was involved in a sharp controversy with Robert Ellis<br />

concerning Hannibal’s route through the Alps, eventually<br />

working the topic up into the present work.<br />

PRESENTATION TO CHARLES<br />

LEVER<br />

261.LEAR, Edward.<br />

Journals of a Landscape Painter in<br />

Albania, &c.<br />

London, Richard Bentley, 1851 [29345] £3500<br />

Large 8vo. Original blind-stamped blue morocco-grain<br />

cloth, spine decorated and lettered gilt, cream endpapers<br />

with printed adverts, Remnant & Edmonds binders’ ticket at<br />

the foot of the inside rear cover. Map of Albania and region<br />

as frontispiece, 20 tinted lithographic plates printed by<br />

Hullmandel and Walton. Armorial bookplate of Richard Nevill.<br />

Rubbed, spinecaps restored, a very good copy.<br />

Catalogue 57: Travel Section 6: Europe, including Constantinople<br />

FIRST EDITION, with the author’s signed presentation<br />

inscription to the novelist Charles Lever and his wife: “Mr<br />

& Mrs Charles Lever from Edward Lear. In remembrance<br />

of pleasant days passed at Florence & La Spezzia, June,<br />

July, 1861.” Lear had been in Florence to make a painting<br />

for one of his most consistent patrons, Frances, Lady<br />

Waldegrave, later the wife of his close friend Chichester<br />

Fortescue. Lever was serving at the time as vice-consul<br />

at La Spezia on a minimal salary (“as I like the place, and<br />

there is nothing – actually nothing – to do, I have thought<br />

it best to accept it”), a post that helped support his writing.<br />

The book is based on two journeys Lear made through<br />

northern and western Greece, Albania, and Macedonia in<br />

1848 and 1849. The lithographs in this volume are tinted<br />

with three colours – blue-grey, grey and sepia – perhaps<br />

a technical experiment on Lear’s part.<br />

130 131<br />

Abbey Travel 45.

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