antiquarian bookseller - Peter Harrington
antiquarian bookseller - Peter Harrington
antiquarian bookseller - Peter Harrington
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<strong>Peter</strong> <strong>Harrington</strong> Antiquarian Bookseller<br />
268.RAMAGE, Craufurd Tait.<br />
136<br />
The Nooks and By-Ways of Italy.<br />
Wanderings in Search of its Ancient<br />
Remains and Modern Superstitions.<br />
Liverpool, Edward Howell, 1868 [39724] £875<br />
8vo. Original royal blue cloth, gilt. Some foxing and browning,<br />
hinges tender, cloth rubbed and splitting on the joints, about<br />
very good.<br />
FIRST EDITION. Educated at Edinburgh University, after<br />
leaving College, “Ramage became tutor in the family<br />
of Sir Henry Lushington, and spent three years with his<br />
pupils in Naples (1825–8), afterwards making a tour of<br />
the kingdom of the Two Sicilies between April and June<br />
1828” (ODNB). He was also a contributor to Encyclopaedia<br />
Britannica, Penny Cyclopaedia and Notes and Queries. An<br />
abridged edition with an introduction by Harold Acton<br />
was produced in 1965. “The original contained too much<br />
classical detail to attract a wide public, but half a century<br />
ago it was ‘rediscovered’ by Norman Douglas, who perceived<br />
that its real interest lay in the second half of its sub-title:<br />
‘Wanderings in Search of Ancient Remains and Modern<br />
Superstitions…’” (from the Geographical Journal review).<br />
This copy inscribed on the front free endpaper to “The Rev.<br />
Dr. Bennet with the Author’s kind regards”, subsequently<br />
inscribed “To Norman Douglas from Charles Lacaita, July,<br />
13th 1915.” and with Lacaita’s bookplate to the front<br />
pastedown. Lacaita, Liberal MP for Dundee, was the son<br />
and biographer of Sir James Philip Lacaita, Risorgimento<br />
politician and Dante scholar. Tipped onto the front free<br />
endpaper is a MS map with notes verso, “vide Ramage<br />
p.202” of the Battle of Cannae, dated 1879 and signed<br />
by George Dempster. With a lengthy series of page<br />
references pencilled on verso of the rear free endpaper in<br />
Douglas’s hand.<br />
269.(ROME: Views) Raccolta<br />
di num. 320 vedute si antiche che<br />
moderne della cittá di Roma e di<br />
alcuni luoghi suburbani incise a<br />
bulino in n. 80 rami.<br />
Rome: Agapito Franzetti al Corso [ca. 1780?] [39745]<br />
£2500<br />
Oblong folio (210 × 277 mm). Contemporary red half<br />
morocco, spine gilt with urns, vases, etc., red paper boards.<br />
Engraved title and 320 engraved views on 80 sheets. Binding a<br />
little rubbed at extremities, putative publication date written<br />
at foot of title in neat blue ink perhaps by Norman Douglas,<br />
else a fine copy.<br />
Though without mark of ownership, this copy is from the<br />
library of the travel writer Norman Douglas.<br />
270.ROSCOE, Thomas, &<br />
David Roberts.<br />
Jennings’ Landscape Annual for<br />
1835 [ -36, -37, -38], or The Tourist<br />
In Spain. [Granada, Andalusia,<br />
Biscay and the Castiles, Spain and<br />
Morocco.]<br />
London, Robert Jennings, 1835–8 [37231] £1500<br />
4 volumes, 8vo. Original full green morocco, boards tooled in<br />
blind and gilt, titles and strapwork to spines gilt, all edges gilt.<br />
Illustrated from drawings by David Roberts. Some browning<br />
to contents as usual, light shelf-wear, but a particularly nice<br />
set in the deluxe publisher’s binding.<br />
FIRST EDITIONS. “Roberts was quick to see the potential<br />
of reproducing his sketches as prints, to reach a wider<br />
audience. He reworked sketches made on visits to Scotland<br />
for a set of etchings that he hoped to publish. Following a<br />
Rhine tour in 1830 he worked on illustrations that formed<br />
the basis of Bulwer Lytton’s Pilgrims of the Rhine [and]<br />
also made illustrations for various editions of works by Sir<br />
Walter Scott (1832–4). An extended visit to Spain in 1832–<br />
3 resulted in a quantity of drawings that were reproduced<br />
as prints in illustrated volumes of the Landscape Annual<br />
(1835–8), and Picturesque Sketches in Spain (1837). The<br />
prints (both authorized and pirated copies) brought him<br />
widespread fame and popularity, and are still sold as<br />
souvenirs to this day” (ODNB). An attractive set.<br />
Catalogue 57: Travel Section 6: Europe, including Constantinople<br />
Eternal<br />
souvenirs<br />
137