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antiquarian bookseller - Peter Harrington

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<strong>Peter</strong> <strong>Harrington</strong> Antiquarian Bookseller<br />

268.RAMAGE, Craufurd Tait.<br />

136<br />

The Nooks and By-Ways of Italy.<br />

Wanderings in Search of its Ancient<br />

Remains and Modern Superstitions.<br />

Liverpool, Edward Howell, 1868 [39724] £875<br />

8vo. Original royal blue cloth, gilt. Some foxing and browning,<br />

hinges tender, cloth rubbed and splitting on the joints, about<br />

very good.<br />

FIRST EDITION. Educated at Edinburgh University, after<br />

leaving College, “Ramage became tutor in the family<br />

of Sir Henry Lushington, and spent three years with his<br />

pupils in Naples (1825–8), afterwards making a tour of<br />

the kingdom of the Two Sicilies between April and June<br />

1828” (ODNB). He was also a contributor to Encyclopaedia<br />

Britannica, Penny Cyclopaedia and Notes and Queries. An<br />

abridged edition with an introduction by Harold Acton<br />

was produced in 1965. “The original contained too much<br />

classical detail to attract a wide public, but half a century<br />

ago it was ‘rediscovered’ by Norman Douglas, who perceived<br />

that its real interest lay in the second half of its sub-title:<br />

‘Wanderings in Search of Ancient Remains and Modern<br />

Superstitions…’” (from the Geographical Journal review).<br />

This copy inscribed on the front free endpaper to “The Rev.<br />

Dr. Bennet with the Author’s kind regards”, subsequently<br />

inscribed “To Norman Douglas from Charles Lacaita, July,<br />

13th 1915.” and with Lacaita’s bookplate to the front<br />

pastedown. Lacaita, Liberal MP for Dundee, was the son<br />

and biographer of Sir James Philip Lacaita, Risorgimento<br />

politician and Dante scholar. Tipped onto the front free<br />

endpaper is a MS map with notes verso, “vide Ramage<br />

p.202” of the Battle of Cannae, dated 1879 and signed<br />

by George Dempster. With a lengthy series of page<br />

references pencilled on verso of the rear free endpaper in<br />

Douglas’s hand.<br />

269.(ROME: Views) Raccolta<br />

di num. 320 vedute si antiche che<br />

moderne della cittá di Roma e di<br />

alcuni luoghi suburbani incise a<br />

bulino in n. 80 rami.<br />

Rome: Agapito Franzetti al Corso [ca. 1780?] [39745]<br />

£2500<br />

Oblong folio (210 × 277 mm). Contemporary red half<br />

morocco, spine gilt with urns, vases, etc., red paper boards.<br />

Engraved title and 320 engraved views on 80 sheets. Binding a<br />

little rubbed at extremities, putative publication date written<br />

at foot of title in neat blue ink perhaps by Norman Douglas,<br />

else a fine copy.<br />

Though without mark of ownership, this copy is from the<br />

library of the travel writer Norman Douglas.<br />

270.ROSCOE, Thomas, &<br />

David Roberts.<br />

Jennings’ Landscape Annual for<br />

1835 [ -36, -37, -38], or The Tourist<br />

In Spain. [Granada, Andalusia,<br />

Biscay and the Castiles, Spain and<br />

Morocco.]<br />

London, Robert Jennings, 1835–8 [37231] £1500<br />

4 volumes, 8vo. Original full green morocco, boards tooled in<br />

blind and gilt, titles and strapwork to spines gilt, all edges gilt.<br />

Illustrated from drawings by David Roberts. Some browning<br />

to contents as usual, light shelf-wear, but a particularly nice<br />

set in the deluxe publisher’s binding.<br />

FIRST EDITIONS. “Roberts was quick to see the potential<br />

of reproducing his sketches as prints, to reach a wider<br />

audience. He reworked sketches made on visits to Scotland<br />

for a set of etchings that he hoped to publish. Following a<br />

Rhine tour in 1830 he worked on illustrations that formed<br />

the basis of Bulwer Lytton’s Pilgrims of the Rhine [and]<br />

also made illustrations for various editions of works by Sir<br />

Walter Scott (1832–4). An extended visit to Spain in 1832–<br />

3 resulted in a quantity of drawings that were reproduced<br />

as prints in illustrated volumes of the Landscape Annual<br />

(1835–8), and Picturesque Sketches in Spain (1837). The<br />

prints (both authorized and pirated copies) brought him<br />

widespread fame and popularity, and are still sold as<br />

souvenirs to this day” (ODNB). An attractive set.<br />

Catalogue 57: Travel Section 6: Europe, including Constantinople<br />

Eternal<br />

souvenirs<br />

137

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