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antiquarian bookseller - Peter Harrington

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42. FONTANE, Marius.<br />

Chromolithographic record<br />

of the opening of the Suez Canal<br />

Voyage Pittoresque a travers<br />

l’Isthme de Suez.<br />

Paris: Paul Dupont & E. Lachaud, [c. 1870] [39461] £5000<br />

Elephant folio. Contemporary quarter calf, marbled boards<br />

and endpapers. With the chromolithograph map and 25 fine<br />

chromolithograph plates of views by Eugene Ciceri after Riou.<br />

Some slight marginal dampstaining, occasional foxing to text,<br />

a few tissue guards torn or creased. A good sound copy, the<br />

plates fresh and clean.<br />

FIRST EDITION, one of only 500 copies published,<br />

issued to mark the official opening of the Suez Canal.<br />

Fontane, who was secretarary to de Lesseps, gives<br />

the lion’s share of the credit for the Canal to him. This<br />

insulted Ismail Pasha, Viceroy of Egypt, who removed<br />

the portrait frontispiece of de Lesseps, the preface<br />

and the last six gatherings (including the last 6 plates<br />

belonging to them) from the 200 copies reserved for<br />

him. Our copy does not have the portrait of de Lesseps<br />

but does have the Preface and the last six gatherings.<br />

“The formal opening of the canal was celebrated in<br />

November 1869. On the 16th there was an inaugural<br />

ceremony at Port Said, and next day 68 vessels of various<br />

nationalities, headed by the Aigle with the empress<br />

Eugenie on board, began the passage reaching Ismailia<br />

(Lake Timsa) the same day. On the 19th they continued<br />

their journey to the Bitter Lakes, and on the 20th they<br />

arrived at Suez. Immediately afterwards regular traffic<br />

began” (Encyclopaedia Britannica).<br />

Blackmer 611; Hilmy I, p. 235.<br />

43. GIANGOLINO, Carlo.<br />

Hedengrafia, overo Descrittione del<br />

Paradiso Terrestre …<br />

Messina, Jacopo Mattei, 1649 [39509] £8500<br />

Folio (300 × 205mm). Mottled calf by Roger de Coverley,<br />

French fillet gilt panel to the boards, red morocco label, spine<br />

gilt in compartments with floral and arabesque tools, gilt<br />

edges Engraved emblematic title page, portrait, and doublepage<br />

engraved map of the Middle East, ten copper-engraved<br />

illustrations of ancient scripts. Light browning, worm trail<br />

through the tail margin costing the occasional character or<br />

part character of the catch-words and last line of text, lacquer<br />

on the boards cracklured and rubbed at the extremities, but<br />

still handsome.<br />

FIRST EDITION. Born in Fano, Giangolino gained<br />

considerable fame as court geographer in Sicily, acting as<br />

tutor to the future Philip IV of Spain. For many years he<br />

held the position of “pubblico lettore” or public lecturer<br />

in cosmography at the ancient University of Messina, the<br />

present work being dedicated to the Senate of the city,<br />

and published a number of geopolitical works on the<br />

Ottoman Empire. In Hedengrafia Giangolino sets out an<br />

ancient and modern geography of the Middle East taking<br />

in Arabia, Turkey and as far as the borders of modern<br />

day Afghanistan, including details of the cities and their<br />

inhabitants, languages, costumes and customs, as well as<br />

the natural history of the region. Incorporating philology<br />

and Biblical exegesis, he attempts accurately to locate and<br />

describe the Garden of Eden, the “Earthly Paradise”. The<br />

splendid double-page map with the arms of the Senators<br />

of Messina along the top is credited to Giangolino himself,<br />

engraved by the Messinan craftsman, Placido Donia.<br />

Uncommon: COPAC has BL only for this work, OCLC has<br />

just three copies of this edition – two at the University<br />

of California and one at the Bavarian State Library<br />

– and a single copy of a later edition, 1654, at Dartmouth<br />

College. KVK locates a further copy in Germany at the<br />

Herzog-August-Bibliothek in Wolfenbüttel, one in the<br />

National Library of Spain and unsurprisingly six in Italian<br />

institutions. No copy at auction in the last twenty years.<br />

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