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MEET AT CULTURE INCENTIVE MAGAZINE The 10th International ‹stanbul Biennial, organised by the ‹stanbul Foundation for Culture and Arts, will be open in the city from September 8 - November 4, 2007, under the curatorship of Mr. Hou Hanru, currently Director of Exhibitions and Public Programs at San Francisco Art Institute. The 10th International Istanbul Biennial, titled “Not Only Possible, But Also Necessary - Optimism in the age of global war”, will not be a thematic exhibition in the traditional manner; rather, it will emphasise artistic production based on collective intelligence and the living process of negotiating with physical sites. The biennial will focus on urban issues and architectural reality as a means of exposing different cultural contexts and artistic visions regarding the complex and diverse forms of modernity. The 10th International ‹stanbul Biennial, organised by the ‹stanbul Foundation for Culture and Arts, will be open in the city from September 8 - November 4, 2007, under the curatorship of Hou Hanru, currently Director of Exhibitions and Public Programs at San Francisco Art Institute. The 10th International ‹stanbul Biennial will not be a thematic exhibition in the traditional manner; rather, it will emphasise artistic production based on collective intelligence and the living process of negotiating with physical sites. The biennial will focus on urban issues and architectural reality as a means of exposing different cultural contexts and artistic visions regarding the complex and diverse forms of modernity. Therefore, instead of imposing any defi- THE CONCEPTUAL FRAMEWORK OF THE 10th INTERNATIONAL ‹STANBUL BIENNIAL 10th INTERNATIONAL ISTANBUL BIENNIAL (September 8 - November 4, 2007) Not Only Possible, But Also Necessary: Optimism In The Age Of Global War nite concept on the event via fixed exhibition format, we decide to open up the Biennial as a platform of imagination, dialogue and production. The issues that the Biennial is focused on will be explored and realised both materially and physically at Biennial sites, specifically selected for their historic and functional characteristics, through a continuous process of dialogues among international artists, local public and specific contexts. Hardly appeared in tourist maps of ‹stanbul, these sites are culturally and politically symbolic of the question of modernity: “situ-actions”, generating situations as a force of urban transformation. The artists to participate in the 10th International ‹stanbul Biennial will be determined by Hou Hanru, the curator of the exhibition. Hou Hanru continues to carry out research both in Turkey and abroad with this objective. The assessment of submitted portfolios and visits to exhibitions will play a significant role in the final selection process. If you wish your work to be documented in our artists' archive and present your work to Hou Hanru, the curator of the 10th International ‹stanbul Biennial, please send an introductory portfolio with samples of your work to the address below. 44 [[ APRIL’07 The ‹stanbul Foundation for Culture and Arts has been organising the International ‹stanbul Biennial since 1987. The Biennial aims to create a meeting point in ‹stanbul in the field of visual arts between artists from diverse cultures and the audience. The nine biennials ‹KSV has organised up to now have enabled the formation of an international cultural network between local and international art circles, artists, curators and art critics by bringing together new trends in contemporary art every two years. Considered as one of the most prestigious biennials alongside Venice, Sao Paolo and Sydney, the International ‹stanbul Biennial prefers an exhibition model which enables a dialogue between artists and the audience through the work of the artists instead of a national representation model. The curator, appointed by an international advisory board, develops a conceptual framework according to which a variety of artists and projects are invited to the exhibition. The most comprehensive international art exhibition organised both in Turkey and throughout the geographical sphere we are in, the ‹stanbul Biennial plays an important role in the promotion of contemporary artists not only from Turkey but from a number of different countries in the international arena. The opportunity to follow developments and discussions in the art world, and therefore a complimentary educational program is provided both for students and viewers of art through the exhibitions and simultaneously translated panel discussions, conferences and workshops organised within the scope of the exhibitions. After the first two biennials realised under the general coordination of Beral Madra in 1987 and 1989, ‹KSV decided to adapt a single curator system following the ‹stanbul Biennial directed by Vas›f Kortun in 1992. The Biennial was organised under the curatorship of René Block in 1995, Rosa Martínez in 1997, Paolo Colombo in 1999, Yuko Hasegawa in 2001, Dan Cameron in 2003 and Charles Esche and Vas›f Kortun in 2005, and will be realised by the San Francisco-based Chinese curator Hou Hanru in 2007. ‹stanbul Kültür Sanat Vakf› Uluslararas› ‹stanbul Bienali Istiklal Cad. No. 146 Beyoglu Istanbul - Turkey ist.biennial@iksv.org List of artists will be finalised by the end of summer 2007
APRIL’07 Hou Hanru, is a Paris - San Francisco based critic and curator. Director of Exhibitions and Public Programs and Chair of Exhibition Studies and Museology at San Francisco Art Institute. Born in 1963 in China and moved to Paris in 1990s, he is an Advisor (professor) at the Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands. Visiting Professor at HISK, Hoger Instituut voor Shone Kunsten, Antwerp, Beligium, Member of Advisory Committee of De Appel Foundation, Amsterdam, French correspondent of “Flash Art International”. He was also a member of Global Advisory Committee of Walker Arts Center, Minneapolis He has curated over 50 exhibitions including “Laboratoire pour un Avenir Incertain (Laboratory for an Uncertain Future)”, Grand Palais, Paris, France, 2006, “Never Go Out without My Dvcam”, ICO Foundation, Madrid, 2006, “Beyond, the 2nd Guangzhou Triennale”, Guangzhou, China, 2004-2006, “Go Inside” in The 3rd Tirana Biennale, Tirana, Albania, 2005, “Out Of Sight” De Appel Foundation, Amsterdam, 2005, “Excessive, dense, speedy, complex, empty… but Humane - contemporary creative activities (digitally) facing the post-planning urban world.”, “Argosfestival”, Bruxelles, Oct. 2004, “Nuit Blanche 2004”, Paris, 2 Oct. 2004, “A L'Ouest Du Sud De L'Est/A L'Est Du Sud De L'Ouest”, Villa Arson, Nice, Centre régional d'art contemporain Languedoc Roussillon, Sète, April - September 2004 “The Fifth System - Public Art in the Age of Post- Planning”, the fifth Shenzhen international public art exhibition, 2003, “Fabricated Paradises”, Le Parvis, Ibos, France, 2003, “ Z.O.U. - Zone Of Urgenc” (the 50th Venice Biennale, 2003). “Arte all'Arte, VIII” (San Gimignano, Siena, etc. 2003), “Small Is OK” (Friart, Fribourg, Switzerland, 2002), “Gwangju Biennale 2002”, (Gwangju, Korea), “Asianvibe” (EACC, Castellon, Spain, 2002), “Asian Party, Global Game 1, 2, Cutting Edge Asia” (ARCO, Madrid, 2001, 2002), “Paris pour Escale” (Musée d'art moderne de la ville de Paris 2000-2001), “My Home Is Yours, Your Home Is Mine” (Samsung Museum, Seoul, Korea 2000, Opera City Gallery, Tokyo, Japan, 2001), “Shanghai Spirit -- Shanghai Biennale 2000” (Shanghai Art Museum, Shanghai, China, 2000), “Leaving the Island, Pusan International Contemporary Art Festival” (Pusan Art Museum, Pusan, Korea 2000), “Fuori Uso”, Pescara, Italy, 2000, The Mind on the Edge (of the New Centres), PhotoEspana, 2000, Madrid, Project Rooms, ARCO, 2000, the French Pavilion (with Huang Yong Ping), Venice Biennale, 1999, Biennale of Photography (Centro de La Imagen, INCENTIVE MAGAZINE HOU HANRU [[ MEET AT CULTURE Mexico City, 1999), , “Unlimited NL. 2” (De Appel Foundation, Amsterdam, 1999), “Gare de l'Est” (Casino, Forum of contemporary art, Luxembourg, 1998," Cities on the Move ", (1997, Wiener Secession, Vienna, Austria, 1998, CAPC, Bordeaux, France, PS1, New York, 1999 Louisiana Museum, Denmark, The Hayward Gallery, London, Bangkok, Kiasma Museum of Contemporary Art, Helsinki …), "Hong Kong, etc." in "Johannesburg Biennale", Johannesburg, South Africa(1997), "Parisien(ne)s" (1997, Camden Arts Centre, London),"Out of the Centre - Chinese contemporary art" (1994, Pori Art Museum, Pori, Finland), “China/Avnat-Garde” (China National Art Gallery, Beijing, 1989)... Jury Member of Taishin Awards for Contemporary Art, Taipei, 2005, Berlage Institute of Architecture, Rotterdam, 2005, ASEAN Art Awards, 2004, Bangkok, La Seine, ENSBA Paris, 2003, Rencontre de la photographie, Arles, 2003, France DAAD, Berlin, 2003, Hasselblad Award, Sweden, 2002, Artissima, Torino, 2002, Art Prize of Evens Foundation, Paris, 2002, Philip Morris Art Award, Japan, 2002, Echigo-Tsumari Triennale (Japan, 2001-2003), Media Art Award 2000, ZKM, Karlsruhe, Germany, Baloise Art Prize, Basel, 2000, Chinese Contemporary Art Awards (Beijing), the Hugo Boss Prize 1998, The Solomon Guggenheim Museum, New York, selector of the Prize of Fondazione Sandretto Re Rebaudengo Per l'Arte, Torino, Italy (1998)... etc. <strong>Publication</strong>s in numerous art magazines and catalogues and lectures in many international institutions. His book “On The Mid-Ground” was published by Timezone 8 (edited by Yu Hsiao-Hwei), Beijing-Hong Kong, in 2002. 45
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