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Meet Animal Meat - Antennae The Journal of Nature in Visual Culture

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as a ceramic theme is dually applicable to<br />

livestock and human bodies. Whether work<strong>in</strong>g <strong>in</strong><br />

milky porcela<strong>in</strong> or meaty earthenware, references<br />

to flesh lurk with<strong>in</strong> claywork. Ceramic art is unique<br />

and dist<strong>in</strong>ctively relevant among other meat art<br />

because the processes and associations <strong>of</strong> flesh<br />

are experienced as embodied, constructed and<br />

understood as biological, and def<strong>in</strong>ed and<br />

redef<strong>in</strong>ed as historical.<br />

References<br />

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imag<strong>in</strong>ation. London: Routledge.<br />

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Routledge.<br />

Gatens, M. (1995). Imag<strong>in</strong>ary bodies: Ethics, power, and corporeality. New<br />

York: Routledge.<br />

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Speak. Retrieved January 1, 2008 from<br />

http://www.aber.ac.uk/ceramics/wom-qte.html#bro.<br />

Horwitz, J and S<strong>in</strong>gley, P. (Ed). (2004). Eat<strong>in</strong>g architecture. Cambridge: MIT<br />

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Levi-Strauss, C. (1996). <strong>The</strong> Jealous potter. Chicago, IL: University <strong>of</strong><br />

Chicago Press.<br />

Mathieu, P. (2008). Sex pots: Eroticism <strong>in</strong> ceramics. New Brunswick, NJ:<br />

Rutgers University Press.<br />

Peterson, S. (2004). Lucy Lewis: American Indian potter. New York: Kodasha<br />

International.<br />

Silberste<strong>in</strong>-Storfer, M. with Jones, M. (1982). Discover<strong>in</strong>g the joys <strong>of</strong><br />

appreciat<strong>in</strong>g and creat<strong>in</strong>g art. New York: Simon and Schuster Inc.<br />

S<strong>in</strong>gely and Horwitz. (2006). Eat<strong>in</strong>g architecture. Cambridge: MIT Press.<br />

Spargo, J. (1974). Early American pottery and ch<strong>in</strong>a. Rutland, VT: Charles E.<br />

Tuttle Co.<br />

Trimble, S. (2007). Talk<strong>in</strong>g with the clay: <strong>The</strong> Art <strong>of</strong> Pueblo pottery. Santa Fe,<br />

NM: School <strong>of</strong> American Research Press.<br />

V<strong>in</strong>centelli, M. (2000). Women and ceramics: Gendered vessels. New York:<br />

Manchester University Press.<br />

Weida, C. L. (2008). Ambivalences <strong>of</strong> art: Nuance, contradiction, and<br />

duality <strong>in</strong> the words and works <strong>of</strong> women <strong>in</strong> contemporary ceramics.<br />

Doctoral dissertation: Columbia University Teachers College.<br />

Weida, C. L. (2007). Re-search<strong>in</strong>g gender and ceramics. In Spaces: Arts and<br />

Humanities <strong>Journal</strong>. Vol. 1, np. New York: Columbia University.<br />

Weida, C. L. (2006). En-gender<strong>in</strong>g clay: Her stories <strong>in</strong> ceramics. Terra<br />

Cotta <strong>Journal</strong>. Vol. 1, np.<br />

Wildenha<strong>in</strong>, M. (1962). Pottery: Form and expression. New York: American<br />

Craftsmen's Council.<br />

Wood, B. (2006). <strong>in</strong> Smith, L. (Ed.) I shock myself: <strong>The</strong> Autobiography <strong>of</strong><br />

Beatrice Wood. Ojai, CA: Dill<strong>in</strong>gham Press.<br />

26<br />

Courtney Lee Weida is an Assistant Pr<strong>of</strong>essor <strong>of</strong> Art Education at<br />

Adelphi University <strong>in</strong> Garden City, New York. Her dissertation and<br />

recent publications address ceramic art, studio craft, and gender issues<br />

<strong>in</strong> art education. As a practic<strong>in</strong>g ceramic artist, she possesses a unique<br />

background <strong>in</strong> English literature and archaeology museum work that<br />

has <strong>in</strong>formed her art and research <strong>in</strong> ceramics.

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