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Meet Animal Meat - Antennae The Journal of Nature in Visual Culture

Meet Animal Meat - Antennae The Journal of Nature in Visual Culture

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Simone Racheli<br />

Asciugacapelli, (Blow-drier) 2007 plastic, papier mache, wax. cm25x26x11h. Courtesy <strong>of</strong> PaoloMaria Deanesi Gallery © Simone Racheli<br />

Several artists are em<strong>in</strong>ent for the<br />

<strong>in</strong>corporation <strong>of</strong> meat <strong>in</strong> their respective<br />

practices, two <strong>of</strong> which we will discuss<br />

later on <strong>in</strong> the <strong>in</strong>terview. Of every other<br />

material that you could have chosen to<br />

imitate, why did you select meat?<br />

<strong>Meat</strong> represents the sensitive, the animal, man.<br />

<strong>The</strong> representation <strong>of</strong> meat creates a similitude as<br />

it br<strong>in</strong>gs us together with the represented object. It<br />

is only with the imitation <strong>of</strong> meat that I have been<br />

able to blur the boundaries between real and<br />

fantastic as meat embodies a sense <strong>of</strong> reassur<strong>in</strong>g<br />

quotidianity.<br />

I have chose to copy meat because my<br />

objects are anatomical models and therefore<br />

imply the concept <strong>of</strong> imitation. <strong>The</strong>se objects are<br />

generated as the resultant <strong>of</strong> the fact that objects<br />

are not the opposite <strong>of</strong> the ego, but are <strong>in</strong>stead<br />

augmentations <strong>of</strong> human qualities and abilities.<br />

<strong>The</strong> imag<strong>in</strong>ary anatomies <strong>of</strong> which my objects are<br />

made highlight therefore the abstract side <strong>of</strong> the<br />

relationship between men and objects.<br />

What does it mean for an artist to produce<br />

43<br />

objects made <strong>of</strong> meat, both real and<br />

fake?<br />

I guess that <strong>in</strong> a sense it means to cover the<br />

object with a level <strong>of</strong> humanity whilst assum<strong>in</strong>g a<br />

critical approach to society. It means<br />

caricaturiz<strong>in</strong>g the everyday and <strong>in</strong> the case <strong>of</strong> my<br />

objects this is achieved <strong>in</strong> the space exist<strong>in</strong>g<br />

between the farcical and the dramatic. <strong>The</strong>se<br />

objects function as a metaphor to our sleepy<br />

conscience, drunk by the excessive reality that<br />

br<strong>in</strong>gs us to become accustomed to the irrational<br />

and the ethically vacant.<br />

My New York, part <strong>of</strong> the 2002 Whitney<br />

Biennal, was a performance piece by<br />

multidiscipl<strong>in</strong>ary artist Zhang Huan.<br />

Wear<strong>in</strong>g a muscle suit made entirely <strong>of</strong><br />

steak, Huan transformed himself <strong>in</strong>to a<br />

piece <strong>of</strong> meat and walked the streets <strong>of</strong><br />

New York. His work spoke <strong>of</strong> many themes,<br />

rang<strong>in</strong>g from bodily restrictions, to<br />

concerns <strong>of</strong> self-identity. Despite bear<strong>in</strong>g<br />

the physical stature <strong>of</strong> a body builder,<br />

Huan has discussed the vulnerability he<br />

felt while wear<strong>in</strong>g the suit. Why do you

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