SWOT Analysis - Central Europe
SWOT Analysis - Central Europe
SWOT Analysis - Central Europe
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Southern<br />
Transdanubian Cultural<br />
Industrial Cluster<br />
Southern Folklore<br />
Association<br />
Tourist Cluster of<br />
Szigetvár<br />
Equestrian Cluster of<br />
Siklós<br />
Regional media subbranch<br />
and the<br />
adjoining Film Fund<br />
ECC expert’s materials<br />
and advising activities<br />
Dombóvár Cultural<br />
Strategy<br />
Conferences and<br />
Events<br />
Communications<br />
platform<br />
Pécs Lexicon Film Fund<br />
CULTourist Pécs Registered projects<br />
Zsolnay Cafe Cluster organization<br />
methods<br />
Organizing<br />
Conferences, software<br />
development<br />
University courses<br />
Accredited special<br />
curriculums<br />
Sub-sectors surveys,<br />
Databases<br />
From the creative point of you the national situation isn’t too promising. At the<br />
present even the <strong>Central</strong> Statistic Office doesn’t collect data, which is<br />
appropriate for a creative industrial survey, the latest data is from 2002. The<br />
latest data are supplied by the GFKI (according to the CSO data) and by the<br />
Cultural Innovation Competence Centre (based on TEÁOR) – locally.<br />
According to the CSO data the summarized added value of the creative<br />
industries equals 987 billions of HUF in 2002, which was the 6,7% of the GDP.<br />
The 7% of total number of employment in the country comes from the<br />
creative industries. The national situation is equals to the Capital’s<br />
concentration though, the provincial creative industrial bases producing a<br />
very low figure, and contribute to the GDP and to the employment rate<br />
marginally. In the ECHO magazine at the issue of October 2005 Mr. Zsolt<br />
Szokolay an expert of the field examined the number of the people<br />
employed in the creative sector and its position. According to his survey<br />
approximately 4000 persons are engaged in the Creative sector at the time of<br />
writing. The concentration of the creative class – which is so important for the<br />
development of the creative industry – is rather low in the Southern<br />
Transdanubia, and the added value is lower than the national average.