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SWOT Analysis - Central Europe

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Southern<br />

Transdanubian Cultural<br />

Industrial Cluster<br />

Southern Folklore<br />

Association<br />

Tourist Cluster of<br />

Szigetvár<br />

Equestrian Cluster of<br />

Siklós<br />

Regional media subbranch<br />

and the<br />

adjoining Film Fund<br />

ECC expert’s materials<br />

and advising activities<br />

Dombóvár Cultural<br />

Strategy<br />

Conferences and<br />

Events<br />

Communications<br />

platform<br />

Pécs Lexicon Film Fund<br />

CULTourist Pécs Registered projects<br />

Zsolnay Cafe Cluster organization<br />

methods<br />

Organizing<br />

Conferences, software<br />

development<br />

University courses<br />

Accredited special<br />

curriculums<br />

Sub-sectors surveys,<br />

Databases<br />

From the creative point of you the national situation isn’t too promising. At the<br />

present even the <strong>Central</strong> Statistic Office doesn’t collect data, which is<br />

appropriate for a creative industrial survey, the latest data is from 2002. The<br />

latest data are supplied by the GFKI (according to the CSO data) and by the<br />

Cultural Innovation Competence Centre (based on TEÁOR) – locally.<br />

According to the CSO data the summarized added value of the creative<br />

industries equals 987 billions of HUF in 2002, which was the 6,7% of the GDP.<br />

The 7% of total number of employment in the country comes from the<br />

creative industries. The national situation is equals to the Capital’s<br />

concentration though, the provincial creative industrial bases producing a<br />

very low figure, and contribute to the GDP and to the employment rate<br />

marginally. In the ECHO magazine at the issue of October 2005 Mr. Zsolt<br />

Szokolay an expert of the field examined the number of the people<br />

employed in the creative sector and its position. According to his survey<br />

approximately 4000 persons are engaged in the Creative sector at the time of<br />

writing. The concentration of the creative class – which is so important for the<br />

development of the creative industry – is rather low in the Southern<br />

Transdanubia, and the added value is lower than the national average.

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