Art Ew - National Gallery of Australia
Art Ew - National Gallery of Australia
Art Ew - National Gallery of Australia
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project gallery<br />
Rengetsu’s memorial stone<br />
at Saihoji, near Jinkoin.<br />
The calligraphy was designed<br />
by Tomioka Tessai<br />
34 national gallery <strong>of</strong> australia<br />
Black robe, white mist: art <strong>of</strong> the Japanese Buddhist nun<br />
Rengetsu<br />
8 September 2007 – 27 January 2008<br />
Black robe, white mist celebrates the life and work <strong>of</strong><br />
Otagaki Rengetsu or Lotus Moon (1791–1875). Featuring<br />
delicate ceramics, calligraphy and scroll painting, it is the<br />
first exhibition outside Japan to focus solely on the work <strong>of</strong><br />
Rengetsu, who lived an exceptional life at a time <strong>of</strong> great<br />
social and political upheaval. Black robe, white mist brings<br />
together many objects never before exhibited, the majority<br />
<strong>of</strong> which are in private collections.<br />
Born the illegitimate daughter <strong>of</strong> a courtesan and a<br />
high-ranking samurai in a Kyoto pleasure district, Rengetsu<br />
died a Buddhist nun renowned as a poet, calligrapher,<br />
potter and painter. She was included in Heian jinbutsu<br />
shi, a list <strong>of</strong> prominent people in Kyoto, in 1838, 1852<br />
and 1867, and even today she is one <strong>of</strong> the characters in<br />
Kyoto’s annual Jidai Matsuri or Festival <strong>of</strong> the Ages, which<br />
includes a parade <strong>of</strong> historical figures.<br />
Despite her fame, relatively little is known with<br />
certainty about Rengetsu and much that is believed about<br />
her owes more to fantasy and romantic conceptions <strong>of</strong><br />
her character and astonishing beauty than to reality. She<br />
endured personal tragedy from early in her life and it was<br />
these experiences that led to her remarkably productive<br />
artistic career.<br />
Originally called Nobu, Rengetsu was adopted as<br />
a baby by Otagaki Hanzaemon Teruhisa, a lay priest at<br />
Chion’in, the major Pure Land Buddhist temple in Kyoto,<br />
and his wife Nawa. Teruhisa and Nawa had five sons<br />
only one <strong>of</strong> whom, Katahisa, was still alive at the time<br />
<strong>of</strong> Rengetsu’s adoption. When she was eight or nine,<br />
Rengetsu went to live at Kameoka Castle where, as a ladyin-waiting,<br />
she received training in poetry, calligraphy,<br />
dance, needlework and martial arts. During the time<br />
Rengetsu was at Kameoka, Nawa and Katahisa both died.<br />
At the age <strong>of</strong> sixteen or seventeen Rengetsu returned<br />
to Kyoto and married Oka Tenzo. In keeping with custom,<br />
he was adopted into the Otagaki family and his name<br />
changed accordingly. He became Naoichi Mochihisa.<br />
Rengetsu’s first child, a son, was born soon after the<br />
marriage but lived only twenty days. The couple also had<br />
two daughters but they too died young, one at a few<br />
months and the other as a small child. In a rare occurrence<br />
for the time, Rengetsu eventually divorced the apparently<br />
depraved Mochihisa.<br />
Her second marriage was a happy match but ended<br />
tragically when her husband Ishikawa Jujiro (who became<br />
Hisatoshi upon adoption) died from tuberculosis. The pair<br />
had at least one daughter and possibly two. The night<br />
before his death, Rengetsu marked her intention never to<br />
remarry by cutting <strong>of</strong>f her hair. Aged thirty-three, she soon<br />
became a nun, adopting Lotus Moon as her name. Teruhisa<br />
was ordained at the same time and, with Rengetsu’s<br />
remaining child, or children, they moved to a Chion’in