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Art Ew - National Gallery of Australia

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new acquisition <strong>Australia</strong>n Prints and Drawings<br />

Roy Kennedy<br />

Wiradjuri people<br />

I’m never alone 2005<br />

etching, printed in black ink<br />

from one plate<br />

platemark 25.0 x 33.0 cm<br />

<strong>National</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Australia</strong>,<br />

Canberra<br />

62 national gallery <strong>of</strong> australia<br />

Roy Kennedy I’m never alone<br />

Wiradjuri artist Roy Kennedy was born in the early 1930s<br />

in Griffith in central New South Wales. Kennedy spent<br />

his childhood on a government-run mission located on<br />

the banks <strong>of</strong> the Murrumbidgee River, downstream from<br />

Narrandera and Hay. As a young man he worked on farms in<br />

the district and later moved to Sydney. In 1995 he enrolled<br />

at the Eora Centre for Aboriginal Studies at the Sydney<br />

Institute <strong>of</strong> Technology where he pursued his interest in<br />

printmaking. He was student and artist <strong>of</strong> the year at Eora in<br />

1999, and won a NAIDOC Week award that same year.<br />

Kennedy’s etchings provide a graphic documentation<br />

<strong>of</strong> his memories <strong>of</strong> the Aboriginal mission environment.<br />

Through his sure placement <strong>of</strong> key elements – the church,<br />

the police station, his own mission hut and recreation<br />

areas – a vivid and very personal picture emerges <strong>of</strong> how<br />

people lived on the mission during the Depression. Of<br />

I’m never alone he writes ‘all my lovely memories <strong>of</strong> my<br />

mission are always there. Some are sad times and some are<br />

good memories’. His family had been moved from nearby<br />

stations to the mission many years before and the concept<br />

<strong>of</strong> relocation is a constant theme in his art. Of Mission boy<br />

dreams Kennedy recalls ‘from far back as I can remember<br />

I’ve always wondered when we would have our own home<br />

and years on I’m still wondering’.<br />

The mission on which Kennedy spent his youth was<br />

closed in 1941. His graphic etchings provide us with a<br />

historically acute and sensitive picture <strong>of</strong> mission life<br />

during this period.<br />

Mary-Lou Nugent<br />

Curatorial Assistant, <strong>Australia</strong> Prints and Drawings

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