Art Ew - National Gallery of Australia

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INDIGENOUS HERITAGE MANY STORIES, MANY FORMS The deep wealth of Indigenous art, music and dance enriches all Australians. BHP Billiton values our Indigenous heritage, traditional and contemporary. Through our offi ces and operations across Australia, many of which are located within rural and remote areas, we have long-standing relationships with Indigenous communities. We have a long history of supporting Indigenous cross-cultural programs in Australia and we continue to look for ways that we can help contribute to the communities in which we operate or have a presence, so that we can leave a lasting, positive legacy within our communities. BHP Billiton are immensely proud to be associated with the National Gallery of Australia and their landmark event, the inaugural National Indigenous Art Triennial, CULTURE WARRIORS. May the Indigenous stories in all their forms be seen and heard forever. bhpbilliton.com Richard BELL (1953) Kamilaroi/Kooma/Jiman/Gurang Gurang peoples Australian Art It’s an Aboriginal thing, 2006 (detail) synthetic polymer paint on canvas Collection: TarraWarra Museum of Art, Victoria Courtesy the artist and Bellas Milani Gallery
�� 1 September 2007 – 27 January 2008 National Gallery of Australia, Canberra nga.gov.au/Rauschenberg This exhibition is supported by the Embassy of the United States of America Robert Rauschenberg Publicon – Station I from the Publicons series enamel on wood, collaged laminated silk and cotton, gold leafed paddle, light bulb, perspex, enamel on polished aluminium National Gallery of Australia, Canberra Purchased 1979 © Robert Rauschenberg Licensed by VAGA and VISCOPY, Australia, 2007 The National Gallery of Australia is an Australian Government agency
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artonview ISSue no.51 spring 2007 S
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neglected. However, this is a very
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(Tokyo) through its Japan Foundatio
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Ernst then added a head, consisting
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has remarked, it is named after a 1
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they are all the more impressive af
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exhibitions galleries Jean Baptiste
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Page 36: project gallery Rengetsu’s memori
Page 41 and 42: With her work sought after and a re
Page 44 and 45: Thomas Baines Gouty stem tree, Adan
Page 47 and 48: with the modern art of Europe. In A
Page 49 and 50: distance and geography across Austr
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Page 56: new acquisition International Paint
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Page 67 and 68: Marion Mahony Griffin Window panel
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Page 72 and 73: James McNeill Whistler Portrait of
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Art Ew - National Gallery of Australia

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