The New Art Practice in Yugoslavia, 1966-1978

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BORIS BUCAN 105 106 107 108 p4ii IDIOT= ST1
ELJKO BORIC ' 411ewmam.. Lletko . Potc kao S<strong>in</strong>atra 109a 109b 109c 110a 110b Informadia GALERIJA STUDENTSKOG CENTRA, ZAGREB, SAVSKA 25 PRVI SVJETSKI PSIHOKIBERNETICKI SUPERAUTOPORliff OD 28AliDO
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Documents 3-6 The New Art Practice
Page 6 and 7:
esults in an experience of a rather
Page 8 and 9:
Alongside these art trends that dev
Page 10 and 11:
action, as opposed to the repressiv
Page 12 and 13:
experienced only through the senses
Page 14 and 15:
Jannis Kounellis, Mimmo Germane, Da
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(M. Matanovi's book), or randomly a
Page 18 and 19:
«picture"; the memory and the actu
Page 20 and 21:
The year 1970 brought them success
Page 22 and 23:
Davor Matievi The Zagreb Circle Fig
Page 24 and 25:
Braco Dimitrijevi, Sanja Ivekovi, J
Page 26 and 27:
galleries had played their part in
Page 28 and 29:
advertising and the popular press.
Page 30 and 31:
Social conimitmenr and preoccupatio
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They met Tihomir Simi in a doorway
Page 34 and 35:
history, we are offered the possibi
Page 36 and 37:
Nena Baljkovi Group of Six Artists
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Ida Biard The Galerie des Locataire
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Mirko Radojii Activity of the Group
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art was the symbol of an absolute o
Page 44 and 45:
In addition to the above works Koci
Page 46 and 47:
"We cannot promise to do more than
Page 48 and 49:
preoccupation. He set out his attit
Page 50 and 51:
Mirko RadojIi Individual Artistic A
Page 52 and 53:
their creative role, photographs ar
Page 54 and 55: eing Matkovi, who in 1973 wrote an
Page 56 and 57: Jea Denegri Damnjan After 1970 Belg
Page 58 and 59: Jea Denegri Tomislav Gotovac Zagreb
Page 60 and 61: independant of definitions of the n
Page 62 and 63: This discussion was spelled out in
Page 64 and 65: While artists usually make films an
Page 66 and 67: Slavko Timotijevi Team for Actions
Page 68 and 69: this is.» Later The Black Floodlig
Page 70 and 71: Jea Denegri Goran Dordevi Belgrade
Page 72 and 73: Group 143 Group 143 Unity Belgrade
Page 74 and 75: what the subject defines as a notio
Page 76: Illustrations
Page 80 and 81: POSSIBILITIES FOR 1971 Boris Buan:
Page 82 and 83: MARINA ABRAMOVIC, SLOBODAN MILOJEVI
Page 85 and 86: GRUPA OHO -446. 7 8 9 10 11 12
Page 87 and 88: GRUPA OHO D. NFz_ TR6 /5 1.-.../vSL
Page 89 and 90: GRUPA OHO 32 33 34 :;',g;t" r1.,/lp
Page 91 and 92: I Um., Ay Tuku /o.k. .1.64cr rell T
Page 93 and 94: JULIJE KNIFER IVAN KOZARI JOSIP STO
Page 95 and 96: IVAN KOZARIC 52 53 54 55 56 57
Page 97 and 98: GRUPA .PENZIONER TIHOMIR SIMCIO(c 6
Page 99 and 100: SIMIV5inMairti 111-trir III If 11:1
Page 101 and 102: GULIVER U ZEMLJI CUDESA 87 1 88 89
Page 103: GRUPA TOK Pozdray 4 Zagrebo 99 100
Page 107 and 108: VLADIMIR GUDAC 114 115 zlotin i kaz
Page 109 and 110: DALIBOR MARTINIS 125 1 123 124 126
Page 111 and 112: BRACO DIMITRIJEVIC 132 133 0.111 %V
Page 113 and 114: GORAN TRBULJAK 138 139 enica da je
Page 115 and 116: BORIS DEMUR ELJKO JERMAN 147a 147b
Page 117 and 118: GRUPA KOD GRUPA (3 GRUPA (3 KOD PRE
Page 119 and 120: GRUPA KOD GRUPA (3 GRUPA (9 KOD I&
Page 121 and 122: GRUPA KOD GRUPA (3 177a 177b 177c 1
Page 123 and 124: GRUPA KOD 186 187 GRUPA (3 188 189
Page 125 and 126: GRUPA BOSCH + BOSCH
Page 127 and 128: (.) cn 0 cÜ C QCO 0 NNNN 0 0 0 U .
Page 129 and 130: 3RUPA BOSCH + BOSCH 211 212a 212b 2
Page 131 and 132: RADOMIR DAMNJANOVI-DAMNJAN 215a 215
Page 133 and 134: VLADAN RADOVANOVI 223 224 225 RAD N
Page 135 and 136: MARINA ABRAMOVIC SLOBODAN MILIVOJEV
Page 137 and 138: MARINA ABRAMOVI 243 244 246 245 248
Page 139 and 140: ZORAN POPOVIC Ik()AJ HL ANA B1 MO L
Page 141 and 142: GERGELJ URKOM r-- Propozicija 2: Sl
Page 143 and 144: GORAN DORDEVIC VERBUMPROGRAM . an p
Page 145 and 146: Contents Marijan Susovski Foreword
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The New Art Practice in Yugoslavia, 1966-1978

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