The New Art Practice in Yugoslavia, 1966-1978

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BORIS DEMUR ZELJKO JERMAN 141 VLADO MARTEK MLADEN STILINOVI 143 SVEN STILINOVI FEDOR VUCEMILOVI 145 146 142 144
BORIS DEMUR ELJKO JERMAN 147a 147b VLADO MARTEK MLADEN STILINOVIC 148 SVEN STILINOVIC FEDOR VUCEMILOVIC .911/' 149 150 151 152
Page 3:
Documents 3-6 The New Art Practice
Page 6 and 7:
esults in an experience of a rather
Page 8 and 9:
Alongside these art trends that dev
Page 10 and 11:
action, as opposed to the repressiv
Page 12 and 13:
experienced only through the senses
Page 14 and 15:
Jannis Kounellis, Mimmo Germane, Da
Page 16 and 17:
(M. Matanovi's book), or randomly a
Page 18 and 19:
«picture"; the memory and the actu
Page 20 and 21:
The year 1970 brought them success
Page 22 and 23:
Davor Matievi The Zagreb Circle Fig
Page 24 and 25:
Braco Dimitrijevi, Sanja Ivekovi, J
Page 26 and 27:
galleries had played their part in
Page 28 and 29:
advertising and the popular press.
Page 30 and 31:
Social conimitmenr and preoccupatio
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They met Tihomir Simi in a doorway
Page 34 and 35:
history, we are offered the possibi
Page 36 and 37:
Nena Baljkovi Group of Six Artists
Page 38 and 39:
Ida Biard The Galerie des Locataire
Page 40 and 41:
Mirko Radojii Activity of the Group
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art was the symbol of an absolute o
Page 44 and 45:
In addition to the above works Koci
Page 46 and 47:
"We cannot promise to do more than
Page 48 and 49:
preoccupation. He set out his attit
Page 50 and 51:
Mirko RadojIi Individual Artistic A
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their creative role, photographs ar
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eing Matkovi, who in 1973 wrote an
Page 56 and 57:
Jea Denegri Damnjan After 1970 Belg
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Jea Denegri Tomislav Gotovac Zagreb
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independant of definitions of the n
Page 62 and 63:
This discussion was spelled out in
Page 64 and 65: While artists usually make films an
Page 66 and 67: Slavko Timotijevi Team for Actions
Page 68 and 69: this is.» Later The Black Floodlig
Page 70 and 71: Jea Denegri Goran Dordevi Belgrade
Page 72 and 73: Group 143 Group 143 Unity Belgrade
Page 74 and 75: what the subject defines as a notio
Page 76: Illustrations
Page 80 and 81: POSSIBILITIES FOR 1971 Boris Buan:
Page 82 and 83: MARINA ABRAMOVIC, SLOBODAN MILOJEVI
Page 85 and 86: GRUPA OHO -446. 7 8 9 10 11 12
Page 87 and 88: GRUPA OHO D. NFz_ TR6 /5 1.-.../vSL
Page 89 and 90: GRUPA OHO 32 33 34 :;',g;t" r1.,/lp
Page 91 and 92: I Um., Ay Tuku /o.k. .1.64cr rell T
Page 93 and 94: JULIJE KNIFER IVAN KOZARI JOSIP STO
Page 95 and 96: IVAN KOZARIC 52 53 54 55 56 57
Page 97 and 98: GRUPA .PENZIONER TIHOMIR SIMCIO(c 6
Page 99 and 100: SIMIV5inMairti 111-trir III If 11:1
Page 101 and 102: GULIVER U ZEMLJI CUDESA 87 1 88 89
Page 103 and 104: GRUPA TOK Pozdray 4 Zagrebo 99 100
Page 105 and 106: ELJKO BORIC ' 411ewmam.. Lletko . P
Page 107 and 108: VLADIMIR GUDAC 114 115 zlotin i kaz
Page 109 and 110: DALIBOR MARTINIS 125 1 123 124 126
Page 111 and 112: BRACO DIMITRIJEVIC 132 133 0.111 %V
Page 113: GORAN TRBULJAK 138 139 enica da je
Page 117 and 118: GRUPA KOD GRUPA (3 GRUPA (3 KOD PRE
Page 119 and 120: GRUPA KOD GRUPA (3 GRUPA (9 KOD I&
Page 121 and 122: GRUPA KOD GRUPA (3 177a 177b 177c 1
Page 123 and 124: GRUPA KOD 186 187 GRUPA (3 188 189
Page 125 and 126: GRUPA BOSCH + BOSCH
Page 127 and 128: (.) cn 0 cÜ C QCO 0 NNNN 0 0 0 U .
Page 129 and 130: 3RUPA BOSCH + BOSCH 211 212a 212b 2
Page 131 and 132: RADOMIR DAMNJANOVI-DAMNJAN 215a 215
Page 133 and 134: VLADAN RADOVANOVI 223 224 225 RAD N
Page 135 and 136: MARINA ABRAMOVIC SLOBODAN MILIVOJEV
Page 137 and 138: MARINA ABRAMOVI 243 244 246 245 248
Page 139 and 140: ZORAN POPOVIC Ik()AJ HL ANA B1 MO L
Page 141 and 142: GERGELJ URKOM r-- Propozicija 2: Sl
Page 143 and 144: GORAN DORDEVIC VERBUMPROGRAM . an p
Page 145 and 146: Contents Marijan Susovski Foreword
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The New Art Practice in Yugoslavia, 1966-1978

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