MARINA ABRAMOVIC, SLOBODAN MILOJEVIC ERA, 254. <strong>The</strong> Worker Miodrag Popovi, Typomechanic. About Life, NESA PARIPOVIC, ZORAN POPOVIC, RASA Work, Leisure, 1977, Belgrade. TODOSIJEVIC, GERGELJ URKOM 1971-1973. 255. Battle <strong>in</strong> <strong>New</strong> York, film, 1976, <strong>New</strong> York. Gergelj Urkom: <strong>New</strong>spaper-Catalogue, 1971, exhibition October 71, Galerija Studentskog kulturnog centra. Belgrade. Gergelj Urkom: Story About a Shoelace, xerox copy, 1971, exhibition October 71, Galerija Studentskog kulturnog centra, Belgrade. Gergelj Urkom: Paper Casket With Written Text and Opaque Glass, 1972, exhibition October 72, Galerija Studentskog kulturnog centra, Belgrade. Zoran Popovi: Tacked Paper, 1971, exhibition October 71 Galerija Studentskog kulturnog centra, Belgrade. Zoran Popovi: Ax:oms, 1972, exhibition October 72, Galerija Studentskog kulturnog centra, Belgrade. Zoran Popovi: Axiom, 1972, exhibition Otcober 72, Galerija Studentskog kulturnog centra, Belgrade. Exhibition Objects and Projects, 1971, Galerija Studentskog kulturnog centra. Belgrade. Nea Paripovi: Three Letter Tapes, 1972, exhibition October 72, Galerija Studentskog kulturnog centra, Belgrade. Rasa Todosijevi: W ndow, exhibition Objects and Projects, 1971, Galerija Studentskog kulturnog centra, Belgrade. Nea Paripovi: Modifications I. 1971, exhibition October 71, Galerija Studentskog kulturnog centra, Belgrade. Rasa Todosijevi: Coils, 1971, exhibition October 71, Galerija Studentskog kulturnog centra, Belgrade. Slobodan Milivojevi: Stick<strong>in</strong>g Sellotape on Mirrors All Over SKC, 1971, exhibition October 71, Galerija Studentskog kulturnog centra, Belgrade. Slobodan Milivojevi: Decompos<strong>in</strong>g a Cube, exhibition Mladi umetnici i rnladi kritiari, 1971, Muzej suvremene umetnosti, Belgrade. Slobodan Milivojevi: Dark Chamber, environment, 1972, exhibition October 72, Galerija Studentskog kulturnog centra, Belgrade. 240, Slobodan Milivojevi: Action of Stick<strong>in</strong>g Sellotape All Over Mar<strong>in</strong>a Abramovi, 1971, exhibition October 71, Galerija Studentskog kulturnog centra, Belgrade. (On the p'cture, from left to right: Jasna Tijardovi, Jadranka V<strong>in</strong>terhalter, Bojana Peji, Biljana Tomi, Toma Bosanac, Jea Denegri. bottom left: Mar<strong>in</strong>a Koelj, Rasa Todosijevi, Nikola Vizner, Gergelj Urkom, Zoran Popovi Nea Paripovi, Era Milivojevi: ly<strong>in</strong>g down: Mar<strong>in</strong>a Abramovi). Mar<strong>in</strong>a Abramov:: Liberation of the Horizon, 1971, exhibition Objects and Projects, Galerija Studentskog kulturnog centra, Belgrade. Mar<strong>in</strong>a Abramovi: Sound Environment White, 1972, exhibition October 72, Galerija Studentskog kulturnog centra, Belgrade. MARINA ABRAMOVIC 243 Rhythm 2, performance, 1974, Galerija suvremene ...mjetnosti, Zagreb. 244 Rhythm 10, 1973, Richard Demarco Gallery, Ed<strong>in</strong>burgh. 245 30 November-30 November together with Ulay, 1976, Venice Biennale. 246 Rhythm 5, 1974, Studentsk kulturni centar, Belgrade. 247 Relations <strong>in</strong> Space, with Ulay, 1977, 10 Biennale, Paris. 248 Expansion <strong>in</strong> Space, performance, with Ulay, 1977, Documenta Kassel. 249 Relation <strong>in</strong> Time, performance, with Ulay, 1977, Studio G7. Bologna. NESA PARIPOVIC Body Performance, series of photographs, <strong>1978</strong>. a-f. Without Title, series of photographs. ZORAN POPOVIC 80 Untitled, film (camera Slobodan ijan), 1976, Belgrade. Belgrade. Untitled, film (camera Slobodan ijan), 1976, Belgrade. RASA TODOSIJEVIC Action: Water Dr<strong>in</strong>k<strong>in</strong>g, 1974, Studentski kulturni centar, Belgrade. Was ist Kunst, Patricia Henn<strong>in</strong>gs? Video-action, 1976, Brda. Decision as <strong>Art</strong>, action, 1973. Ed<strong>in</strong>burgh. Who Makes a Profit on <strong>Art</strong> and Who Makes an Honest Liv<strong>in</strong>g, video, 1975. 1 L<strong>in</strong>e <strong>in</strong> an Abandoned House, 1976, Follonica, Italy. 200 000 L<strong>in</strong>es, 1977, 10 Bienalle, Paris. GERGELJ URKOM Six M<strong>in</strong>utes' Work of the Clock, xerox copy, 1971. Doubly Proposed Work, 1974. SLOBODAN MILIVOJEVIC 264 2IM, performance. 1972, Belgrade. 265 Swan Lake. performance, 1973, Belgrade. TEAM A' 266 Black Flood Light, 1972, Studentski kulturni centar, Belgrade. 267 Bus, act on, 1973, Belgrade. 268 Plough<strong>in</strong>g, action, 1973, Berl<strong>in</strong>. 269 Plough<strong>in</strong>g, action, 1973, Zagreb. GORAN DORDEVIC Some elements from an analysis of the «Space Co-Space,. system, 1974, Belgrade. VERBUMPROGRAM Oil on Canvas, series 1-6, 1976, Belgrade. GROUP 143 Jovan Ceki Elements of Visual Speculations, N 2, 1977, Belgrade. Maja Savi: B<strong>in</strong>ary Relations <strong>in</strong> Set of Black and White, 1976, Belgrade. Paja Stankovi: Number <strong>The</strong>ory <strong>in</strong> the Field of Audiovisual Manifestations, 1976, Belgrade. Miko uvatkovi: From the Book Works III. 1977. Belgrade. Nea Paripovi: Photo-Dossier 1976, Belgrade.
GRUPA OHO OBITELJ U EMPASU NUA I SRECO DRAGAN
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Documents 3-6 The New Art Practice
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esults in an experience of a rather
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Alongside these art trends that dev
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action, as opposed to the repressiv
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experienced only through the senses
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Jannis Kounellis, Mimmo Germane, Da
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(M. Matanovi's book), or randomly a
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«picture"; the memory and the actu
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The year 1970 brought them success
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Davor Matievi The Zagreb Circle Fig
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Braco Dimitrijevi, Sanja Ivekovi, J
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galleries had played their part in
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advertising and the popular press.
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Social conimitmenr and preoccupatio
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VLADAN RADOVANOVI 223 224 225 RAD N
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MARINA ABRAMOVIC SLOBODAN MILIVOJEV
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MARINA ABRAMOVI 243 244 246 245 248
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ZORAN POPOVIC Ik()AJ HL ANA B1 MO L
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GERGELJ URKOM r-- Propozicija 2: Sl
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GORAN DORDEVIC VERBUMPROGRAM . an p
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Contents Marijan Susovski Foreword