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The New Art Practice in Yugoslavia, 1966-1978

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POSSIBILITIES FOR 1971<br />

Boris Buan: Coloured Chimneys, Sanja Ivekovi:<br />

Ra<strong>in</strong>bow (Neon thread), 1971, Katar<strong>in</strong><strong>in</strong> trg, Zagreb.<br />

Davor Tomii: Awn<strong>in</strong>gs, facade of the house<br />

Vranicanijeva 2, 1971, Zagreb.<br />

Dalibor Mart<strong>in</strong>is: Four Triangles, fluorescent tubes, 1971,<br />

Katar<strong>in</strong><strong>in</strong> trg, Zagreb.<br />

Santa Ivekovi: Passage, neon arches, 1971. Zakmardijev<br />

prolaz, Zagreb.<br />

Boris Buan: Bumtresbengc<strong>in</strong>gf<strong>in</strong>g, iron rails. 1971.<br />

Katar<strong>in</strong><strong>in</strong> trg, Zagreb.<br />

Gorki Zuvela: Plastic Tub<strong>in</strong>g, air-filled object. 1971.<br />

Tomieva ulica and Funicular, Zagreb.<br />

Goran Trbuljak: Lamp-Shades, mantees on street-lamps,<br />

1971, Markoviev trg, Zagreb.<br />

Jagoda Kaloper: Twenty-Four People, outl<strong>in</strong>es of human<br />

figures, 1971, Jezuitski trg, Zagreb.<br />

GULLIVER IN WONDERLAND<br />

Braco Dimitrijevi: Sums 1971, Koranski park skulpture.<br />

Karlovac<br />

Jagoda Kaloper: Untitled 1971 Koranski park<br />

skulpture, Karlovac.<br />

89 Sanja Ivekovi: Untitled, 1971, Koranski park<br />

skulpture, Karlovac.<br />

90 Ivan Koari: Grounded Sun, 1971, Koranski park<br />

skulpture, Karlovac.<br />

91 Dalibor Mart<strong>in</strong>is: Untitled, 1971, Koranski park<br />

skulpture, Karlovac.<br />

92 Petar Dabac: Untitled, 1971, Koranski park<br />

skulpture Karlovac.<br />

GROUP "CRVENI PERISTIL.<br />

93 Project for the chromatic redesign<strong>in</strong>g of the Peristil<br />

environment, 1968, Split.<br />

94 Project for the chromatic redesign<strong>in</strong>g of the Perist:1<br />

environment, 1968, Split.<br />

95 Pavao Du!tic: «Why do I irritate people? I am an exhibit.,<br />

1968, Split.<br />

96 Project for the chromatic redesign<strong>in</strong>g of the Peristil<br />

environment, 1968, Split.<br />

97 Toma Caleta: Intervention on Photography, 1968, Split.<br />

98 Tome Caleta: Intervention on Photography, 1968, Split.<br />

GROUP TOK<br />

99 Greet<strong>in</strong>gs from Zagreb, picture post-card. Realization of a<br />

project for the Section «Prijedlog. (Proposal) of the<br />

7. Zagrebaki salon, 1972.<br />

100 Action dur<strong>in</strong>g the Kunstmarkt, 1973, Graz.<br />

Realization of a project for the Section «Prijedlog.<br />

(Proposal) of the exhibition 7. Zagrebaki salon, 1972.<br />

Urbofest, Paz<strong>in</strong>, 1973.<br />

Realization of a project for the Section «Prijedlog.<br />

(Proposal) of the exhibition 7. Zagrebaki salon, 1972.<br />

Realization of a project for the Section «Prijedlog.<br />

(Proposal) of the exhibition 7. Zagrebaki salon, 1972.<br />

BORIS BUCAN<br />

105 Buan <strong>Art</strong>, 1973, Zagreb<br />

106 <strong>The</strong> L'e, 1973, Zagreb.<br />

107 Red Cross, 1975, Galerija suvremene umjetnosti,<br />

Zagreb.<br />

108 Fachidiot = Style, 1975, Galerija suvremene umjetnosti,<br />

Zagreb.<br />

ZELJKO BORCIC<br />

109 a, b, and C. First World Psychocybernetic Super-Self-<br />

-Portrait, 1973, Galerija Studentskog centra, Zagreb.<br />

110 a and b. This Is Your Last Chance to Become a Popular<br />

Personality, if Only for a Moment, This Very Year, 1974,<br />

Zagreb.<br />

78<br />

LADISLAV GALETA<br />

111 a and b. Scenario 28 (Wheels), 1974, Galerija Studentskog<br />

centra, Zagreb.<br />

112 TV-Outl<strong>in</strong>es, from a series, 1976. Zagreb.<br />

113 TV-P<strong>in</strong>g-pong, 1977, Zagreb.<br />

VLADIMIR GUDAC<br />

114 Crime and Punishment, poster from the series Great<br />

Novels, 1974, Zagreb.<br />

115 <strong>The</strong> Objects We Most Look at do not Fix Our Attention for<br />

<strong>The</strong>ir Own Sake, from the series In Spite of the Fact,<br />

1977, Zagreb.<br />

116 Arrival of the Croats to the Sea, from the series In<br />

spite of the Fact, 1977, Zagreb.<br />

117 Folk-proverb from the surround<strong>in</strong>gs of S<strong>in</strong>j, from the<br />

series In Spite of the Fact, 1977, Zagreb.<br />

SANJA IVEKOVIC<br />

a and b. Double Life, advertisement and private photo.<br />

1975, Zagreb.<br />

Inaugarazzione ala Tommaseo, action <strong>in</strong> the Galleria<br />

Tommaseo, 1977, Trieste.<br />

Belgrade Performance, performance <strong>in</strong> the Galerija<br />

Studentskog kulturnog centra, <strong>1978</strong>, Belgrade.<br />

Inter Nos, video-action at the Centar za multimdijalna<br />

istraivanja, <strong>1978</strong>, Zagreb.<br />

Un Jour Violente, performance at <strong>Art</strong>e Fiera, 1976,<br />

Bologna.<br />

Dalibor Mart<strong>in</strong>is Keeper at the Exhibition, action at the<br />

exhibition Konfrontacije, 1976, Galerija Benko Horvat,<br />

Zagreb.<br />

Open Reel, video-band, 1976, Motovun.<br />

Self-Portrait, exhibition and action <strong>in</strong> the Studio of the<br />

Galerija suvremene umjetnost;, Zagreb.<br />

Self-Execution, action, <strong>1978</strong>, Galerija Studentskog<br />

kulturnog centra, Belgrade.<br />

VLADIMIR DODIG - TROKUT<br />

127 Writ<strong>in</strong>g out Messages on Tra<strong>in</strong>s, 1968, Split.<br />

128 Destroyed Photo, 1968, Split.<br />

129 Air <strong>in</strong> Water, <strong>1966</strong>-1970, Split.<br />

130 Aura of <strong>Art</strong>ist's F<strong>in</strong>ger, 1975, Zagreb.<br />

131 a, b, and c. Untitled, photos, <strong>1978</strong>, Zagreb.<br />

BRACO DIMITRIJEVIC<br />

Passers-by I Happended to Meet at 1.15, 4.23, and 6.11<br />

p.m., 1971, Zagreb.<br />

A passer-by I Happened to Meet <strong>in</strong> Venice at 1.49 p.m.,<br />

1976, Venice.<br />

Action of Carry<strong>in</strong>g a Photo of a Random Passer-by, 1971,<br />

Munich.<br />

A Passer-by I Happened to Meet at 1.10 p.m., 1972,<br />

London.<br />

This Could Be a Place of Historical Interest, 1975,<br />

Zagreb.<br />

Cocktail <strong>in</strong> Honour of a Casual Passer-by, 1974, Galerija<br />

studentskog kulturnog centra, Belgrade.<br />

GORAN TRBULJAK<br />

138 PosterExhibition «<strong>The</strong> fact that someone has a chance<br />

to make an exhibition is more important than what will<br />

be exhibited at that exh'bition., 1973, Galerija suvremene<br />

umjetnosti, Zagreb.<br />

139 Referendum «An artist is a person whom others have<br />

given the chance to be that., 1972. Zagreb.<br />

140 From the series «On Galleries., questionnaire to the<br />

gallery Bama, 1972./74, Paris.

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