The New Art Practice in Yugoslavia, 1966-1978
The New Art Practice in Yugoslavia, 1966-1978
The New Art Practice in Yugoslavia, 1966-1978
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POSSIBILITIES FOR 1971<br />
Boris Buan: Coloured Chimneys, Sanja Ivekovi:<br />
Ra<strong>in</strong>bow (Neon thread), 1971, Katar<strong>in</strong><strong>in</strong> trg, Zagreb.<br />
Davor Tomii: Awn<strong>in</strong>gs, facade of the house<br />
Vranicanijeva 2, 1971, Zagreb.<br />
Dalibor Mart<strong>in</strong>is: Four Triangles, fluorescent tubes, 1971,<br />
Katar<strong>in</strong><strong>in</strong> trg, Zagreb.<br />
Santa Ivekovi: Passage, neon arches, 1971. Zakmardijev<br />
prolaz, Zagreb.<br />
Boris Buan: Bumtresbengc<strong>in</strong>gf<strong>in</strong>g, iron rails. 1971.<br />
Katar<strong>in</strong><strong>in</strong> trg, Zagreb.<br />
Gorki Zuvela: Plastic Tub<strong>in</strong>g, air-filled object. 1971.<br />
Tomieva ulica and Funicular, Zagreb.<br />
Goran Trbuljak: Lamp-Shades, mantees on street-lamps,<br />
1971, Markoviev trg, Zagreb.<br />
Jagoda Kaloper: Twenty-Four People, outl<strong>in</strong>es of human<br />
figures, 1971, Jezuitski trg, Zagreb.<br />
GULLIVER IN WONDERLAND<br />
Braco Dimitrijevi: Sums 1971, Koranski park skulpture.<br />
Karlovac<br />
Jagoda Kaloper: Untitled 1971 Koranski park<br />
skulpture, Karlovac.<br />
89 Sanja Ivekovi: Untitled, 1971, Koranski park<br />
skulpture, Karlovac.<br />
90 Ivan Koari: Grounded Sun, 1971, Koranski park<br />
skulpture, Karlovac.<br />
91 Dalibor Mart<strong>in</strong>is: Untitled, 1971, Koranski park<br />
skulpture, Karlovac.<br />
92 Petar Dabac: Untitled, 1971, Koranski park<br />
skulpture Karlovac.<br />
GROUP "CRVENI PERISTIL.<br />
93 Project for the chromatic redesign<strong>in</strong>g of the Peristil<br />
environment, 1968, Split.<br />
94 Project for the chromatic redesign<strong>in</strong>g of the Perist:1<br />
environment, 1968, Split.<br />
95 Pavao Du!tic: «Why do I irritate people? I am an exhibit.,<br />
1968, Split.<br />
96 Project for the chromatic redesign<strong>in</strong>g of the Peristil<br />
environment, 1968, Split.<br />
97 Toma Caleta: Intervention on Photography, 1968, Split.<br />
98 Tome Caleta: Intervention on Photography, 1968, Split.<br />
GROUP TOK<br />
99 Greet<strong>in</strong>gs from Zagreb, picture post-card. Realization of a<br />
project for the Section «Prijedlog. (Proposal) of the<br />
7. Zagrebaki salon, 1972.<br />
100 Action dur<strong>in</strong>g the Kunstmarkt, 1973, Graz.<br />
Realization of a project for the Section «Prijedlog.<br />
(Proposal) of the exhibition 7. Zagrebaki salon, 1972.<br />
Urbofest, Paz<strong>in</strong>, 1973.<br />
Realization of a project for the Section «Prijedlog.<br />
(Proposal) of the exhibition 7. Zagrebaki salon, 1972.<br />
Realization of a project for the Section «Prijedlog.<br />
(Proposal) of the exhibition 7. Zagrebaki salon, 1972.<br />
BORIS BUCAN<br />
105 Buan <strong>Art</strong>, 1973, Zagreb<br />
106 <strong>The</strong> L'e, 1973, Zagreb.<br />
107 Red Cross, 1975, Galerija suvremene umjetnosti,<br />
Zagreb.<br />
108 Fachidiot = Style, 1975, Galerija suvremene umjetnosti,<br />
Zagreb.<br />
ZELJKO BORCIC<br />
109 a, b, and C. First World Psychocybernetic Super-Self-<br />
-Portrait, 1973, Galerija Studentskog centra, Zagreb.<br />
110 a and b. This Is Your Last Chance to Become a Popular<br />
Personality, if Only for a Moment, This Very Year, 1974,<br />
Zagreb.<br />
78<br />
LADISLAV GALETA<br />
111 a and b. Scenario 28 (Wheels), 1974, Galerija Studentskog<br />
centra, Zagreb.<br />
112 TV-Outl<strong>in</strong>es, from a series, 1976. Zagreb.<br />
113 TV-P<strong>in</strong>g-pong, 1977, Zagreb.<br />
VLADIMIR GUDAC<br />
114 Crime and Punishment, poster from the series Great<br />
Novels, 1974, Zagreb.<br />
115 <strong>The</strong> Objects We Most Look at do not Fix Our Attention for<br />
<strong>The</strong>ir Own Sake, from the series In Spite of the Fact,<br />
1977, Zagreb.<br />
116 Arrival of the Croats to the Sea, from the series In<br />
spite of the Fact, 1977, Zagreb.<br />
117 Folk-proverb from the surround<strong>in</strong>gs of S<strong>in</strong>j, from the<br />
series In Spite of the Fact, 1977, Zagreb.<br />
SANJA IVEKOVIC<br />
a and b. Double Life, advertisement and private photo.<br />
1975, Zagreb.<br />
Inaugarazzione ala Tommaseo, action <strong>in</strong> the Galleria<br />
Tommaseo, 1977, Trieste.<br />
Belgrade Performance, performance <strong>in</strong> the Galerija<br />
Studentskog kulturnog centra, <strong>1978</strong>, Belgrade.<br />
Inter Nos, video-action at the Centar za multimdijalna<br />
istraivanja, <strong>1978</strong>, Zagreb.<br />
Un Jour Violente, performance at <strong>Art</strong>e Fiera, 1976,<br />
Bologna.<br />
Dalibor Mart<strong>in</strong>is Keeper at the Exhibition, action at the<br />
exhibition Konfrontacije, 1976, Galerija Benko Horvat,<br />
Zagreb.<br />
Open Reel, video-band, 1976, Motovun.<br />
Self-Portrait, exhibition and action <strong>in</strong> the Studio of the<br />
Galerija suvremene umjetnost;, Zagreb.<br />
Self-Execution, action, <strong>1978</strong>, Galerija Studentskog<br />
kulturnog centra, Belgrade.<br />
VLADIMIR DODIG - TROKUT<br />
127 Writ<strong>in</strong>g out Messages on Tra<strong>in</strong>s, 1968, Split.<br />
128 Destroyed Photo, 1968, Split.<br />
129 Air <strong>in</strong> Water, <strong>1966</strong>-1970, Split.<br />
130 Aura of <strong>Art</strong>ist's F<strong>in</strong>ger, 1975, Zagreb.<br />
131 a, b, and c. Untitled, photos, <strong>1978</strong>, Zagreb.<br />
BRACO DIMITRIJEVIC<br />
Passers-by I Happended to Meet at 1.15, 4.23, and 6.11<br />
p.m., 1971, Zagreb.<br />
A passer-by I Happened to Meet <strong>in</strong> Venice at 1.49 p.m.,<br />
1976, Venice.<br />
Action of Carry<strong>in</strong>g a Photo of a Random Passer-by, 1971,<br />
Munich.<br />
A Passer-by I Happened to Meet at 1.10 p.m., 1972,<br />
London.<br />
This Could Be a Place of Historical Interest, 1975,<br />
Zagreb.<br />
Cocktail <strong>in</strong> Honour of a Casual Passer-by, 1974, Galerija<br />
studentskog kulturnog centra, Belgrade.<br />
GORAN TRBULJAK<br />
138 PosterExhibition «<strong>The</strong> fact that someone has a chance<br />
to make an exhibition is more important than what will<br />
be exhibited at that exh'bition., 1973, Galerija suvremene<br />
umjetnosti, Zagreb.<br />
139 Referendum «An artist is a person whom others have<br />
given the chance to be that., 1972. Zagreb.<br />
140 From the series «On Galleries., questionnaire to the<br />
gallery Bama, 1972./74, Paris.