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The Routledge Dictionary of Literary Terms

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98 Globalization<br />

it is removed to the category <strong>of</strong> ‘mass’<br />

or ‘formulaic’ literature. This assertion<br />

inevitably led to debates about the status<br />

<strong>of</strong> ‘literature’ itself as a genre.<br />

Another significant contribution to<br />

genre theory is that <strong>of</strong> Northrop Frye<br />

whose Anatomy <strong>of</strong> Criticism (1957) presents<br />

a comprehensive typology <strong>of</strong> myth<br />

and archetype.<br />

<strong>The</strong> second major distinction is that<br />

between genres defined in terms <strong>of</strong> ‘outer<br />

form’ and ‘inner form’. <strong>The</strong>se terms were<br />

coined by Rene Wellek and Austin<br />

Warren in their <strong>The</strong>ory <strong>of</strong> Literature<br />

(New York, [rev. ed.] 1956), to describe<br />

on the one hand specific metres and<br />

structures, and on the other, attitude, tone<br />

and purpose. <strong>The</strong>y argue that genres<br />

ought to be based on both inner and outer<br />

forms together, though the ostensible<br />

basis may be one or the other (e.g.<br />

‘pastoral’ or ‘satire’ for the inner form;<br />

‘dipodic verse’ or ‘Pindaric ode’ for the<br />

outer). <strong>The</strong>y maintain that it is only by<br />

adopting some such complex definition<br />

<strong>of</strong> genre that the confusions <strong>of</strong> neoclassical<br />

criticism can be avoided. In<br />

the seventeenth and eighteenth centuries,<br />

no attempt was made to discriminate<br />

between the quite diverse criteria<br />

involved in differentiation by subject matter,<br />

structure, language, tone or audience.<br />

So not only was it impossible to make<br />

useful comparisons between particular<br />

works, it was not even possible to say<br />

what did or did not constitute a genre.<br />

<strong>The</strong> advantage <strong>of</strong> Wellek and Warren’s<br />

definition is that it allows for an important<br />

distinction between, for example,<br />

novels <strong>of</strong> <strong>The</strong> Oxford Movement, which<br />

do not constitute a genre, and Gothic<br />

Novels, which do. See also CHICAGO<br />

CRITICS, FORMALISM, POETICS.<br />

See D. Lodge, <strong>The</strong> Modes <strong>of</strong> Modern<br />

Writing: Metaphor, Metonymy, and the<br />

Typology <strong>of</strong> Modern Literature (1977);<br />

A. Fowler, Kinds <strong>of</strong> Literature: An<br />

Introduction to the <strong>The</strong>ory <strong>of</strong> Genres and<br />

Modes (1982).<br />

BCL<br />

Globalization <strong>The</strong> process whereby<br />

individual lives and local communities<br />

are affected by economic and cultural<br />

forces that operate worldwide. In effect, it<br />

is the process <strong>of</strong> the world becoming a<br />

single place. Globalism is the perception<br />

<strong>of</strong> the world as a function or result <strong>of</strong> the<br />

processes <strong>of</strong> globalization upon local<br />

communities.<br />

Part <strong>of</strong> the complexity <strong>of</strong> globalism<br />

comes from the different ways it is<br />

perceived and understood. Some critics<br />

embrace it enthusiastically as a positive<br />

feature <strong>of</strong> a changing world in which<br />

access to technology, information,<br />

services and markets will be <strong>of</strong> benefit<br />

to local communities, where dominant<br />

forms <strong>of</strong> social organization will lead to<br />

universal prosperity, peace and freedom,<br />

and in which a perception <strong>of</strong> a global<br />

environment will lead to global ecological<br />

concern. For this group, globalism is a<br />

positive term for an engagement with<br />

global issues. Others reject it as a form <strong>of</strong><br />

domination by ‘First World’ countries<br />

over ‘Third World’ ones, in which individual<br />

distinctions <strong>of</strong> culture and society<br />

become erased by an increasingly homogeneous<br />

global culture, and local economies<br />

are more firmly incorporated into a<br />

system <strong>of</strong> global capital structured to<br />

serve the interests <strong>of</strong> the wealthiest<br />

nations. <strong>The</strong> chief argument this group<br />

raises against globalization is that it does<br />

not impact in the same way or equally beneficially<br />

upon rich and poor communities.<br />

As a field <strong>of</strong> study, globalization<br />

covers such disciplines as international<br />

relations, political geography,

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