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THEORETICAL FRAMEWORKS Umberto Eco The Poetics of the Open Work, 1962//020 Roland Barthes The Death of the Author, 1968//041 Peter Burger The Negation of the Autonomy of Art by the Avant-garde, 1974//046 Jean-Luc Nancy The Inoperative Community, 1986//054 Edouard Glissant Poetics of Relation, 1990//071 Felix Guattari Chaosmosis: An Ethico-Aesthetic Paradigm, 1992//079 Jacques Ranciere Problems and Transformations in Critical Art, 2004//083 ARTISTS' WRITINGS Guy Debord Towards a Situationist International, . 1957//096 Allan Kaprow Notes on the Elimination of the Audience, 1966//102 Helio Oiticica Dance in My Experience, 1965-66//105 Lygia Clark and Helio Oiticica Letters 1968-69//110 Graciela Carnevale Project for the Experimental' Art Series, Rosario, 1968//117 Joseph Beuys and Dirk Schwarze Report of a Day's Proceedings at the BUleau fOI Direct Democracy, 1972//120 Joseph Beuys I Am Searching For Field Character, 1973//125 Collective Actions Ten Appearances, 1986//127 Adrian Piper Notes on Funk, I-II, 1983-85//130 Group Material On Democracy, 1990//135 Eda Cufer Transnacionala/ A Journey from the East to the West, 1996//138 Carsten Holler The Baudouin/Boudewijn Experiment: A Deliberate, Non-Fatalistic, Large-Scale Group Experiment in DeviatIon, 2000//144
Jeremy Deller The Battle of Orgreave, 2002//146 Rirkrit Tiravanija No Ghosts in the Wall, 2004//149 Thomas Hirschhorn 24h Foucault, 2004//154 CRITICAL AND CURATORIAL POSITIONS Nicolas Bourriaud Relational Aesthetics, 1998//160 Lars Bang Larsen Social Aesthetics, 1999//172 Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tilavanija What is a Station?, 2003//184 Hal Foster Chat Rooms, 2004//190
Page 3 and 4: Roland Barthesl I Joseph Beuysl/Nic
Page 5 and 6: Documents of Contemporary Art
Page 7: Documents of Contemporary Art In re
Page 12 and 13: Claire Bishop Introduction/ /Viewer
Page 14 and 15: media in the form of reality televi
Page 17 and 18: culture by those subjugated to its
Page 19: onto solid ground: 3 For a detailed
Page 22 and 23: Umberto Bco The Poetics of the Open
Page 24 and 25: dialectics between the work of art
Page 26 and 27: Henri Pousseur cited by Umberto Eco
Page 28 and 29: the necessary and the univocal is a
Page 30 and 31: the more true of poetic works that
Page 32 and 33: same sense that a debate is 'open'.
Page 34 and 35: and sensation - in short, an empiri
Page 36 and 37: the objects which are actually perc
Page 38 and 39: fact, to use Einstein's words, pres
Page 40 and 41: to a continuous generation of inter
Page 42 and 43: 'enjoyment' of a work of art repres
Page 44 and 45: e found in ordinary culture is tyra
Page 46 and 47: meaning (the 'message' of the Autho
Page 48 and 49: Peter Burger The Negation of the Au
Page 50 and 51: talents, though with the proviso th
Page 52 and 53: that would have consequences within
Page 54 and 55: false sublation of autonomous art.'
Page 56 and 57: Jean-Luc Nancy The Inoperative Comm
Page 58 and 59: the stumbling block to thinking of
Page 60 and 61:
unknown to Lenin, Stalin and Trotsk
Page 62 and 63:
irreparable) rupture in this commun
Page 64 and 65:
us, community has never taken place
Page 66 and 67:
have imagined their death reabsorbe
Page 68 and 69:
peculiar gesture - the impossibilit
Page 70 and 71:
This is why community cannot arise
Page 72 and 73:
Georges BataHle, Oeuvres Completes,
Page 74 and 75:
nomadism practised by populations t
Page 76 and 77:
case its being surpassed, it tells
Page 78 and 79:
is also the thought of what is rela
Page 80 and 81:
Root identity - is founded in the d
Page 82 and 83:
the possible 'far from the equilibr
Page 84 and 85:
the planet is going through - such
Page 86 and 87:
It is having to negotiate the relat
Page 88 and 89:
a fantastical poetry made from the
Page 90 and 91:
distance then replaces provocative
Page 92 and 93:
throughout society.' Through this d
Page 94 and 95:
in their own ways, the great fresco
Page 97 and 98:
ARTISTS' WRITINGS Guy Debord Toward
Page 99 and 100:
a city would tend to induce a singl
Page 101 and 102:
diminish, while the share of those
Page 103 and 104:
for fighting, on the level of the p
Page 105 and 106:
fulfils neither its implications no
Page 107 and 108:
Helio Oiticica Dance in My Experien
Page 109 and 110:
this structure and vice-versa with
Page 111 and 112:
invited to walk through the tonal d
Page 113 and 114:
what's great is this diversity of p
Page 115 and 116:
stimulates it, in an erotic way too
Page 117 and 118:
who reaches, more and more profound
Page 119 and 120:
Graciela Carnevale Project for the
Page 121 and 122:
ese eaple are t e � ctors� ere
Page 123 and 124:
11:20 a.m. The discussion expands:
Page 125 and 126:
Joseph Beuys and Dirk Schwarze, Rep
Page 127 and 128:
Joseph l3euys I Am Searching for Fi
Page 129 and 130:
Collective Actions Ten Appe(m:mces/
Page 131 and 132:
around the names of the events depi
Page 133 and 134:
lack culture. This first part of th
Page 135 and 136:
dialogues with anywhere from one to
Page 137 and 138:
Group Materia! On Democracy// 1990
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people discussing their relation to
Page 141 and 142:
project which took place in 1993. T
Page 143 and 144:
and intellectual communities reveal
Page 145 and 146:
is documented in the book Transnaci
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from providing a programme or metho
Page 149 and 150:
from the outset because there seeme
Page 151 and 152:
Rirkrit Tiravcmija No Ghosts in the
Page 153 and 154:
and space continuum which has been
Page 155 and 156:
were slowly shipped to Vienna. As t
Page 157 and 158:
with works of art. I can seize thei
Page 159 and 160:
computers and space for working. Ma
Page 161 and 162:
CRITICAL AND CURATORIAL POSITIONS N
Page 163 and 164:
Once it had been elevated to the st
Page 165 and 166:
Conviviality ami encollnters A work
Page 167 and 168:
stylistic, thematic or iconographic
Page 169 and 170:
are quite happy to create modus viv
Page 171 and 172:
correspond to a relational world fo
Page 173 and 174:
8 Georges Bataille, 'L'Apprenti sor
Page 175 and 176:
subject's interaction with culture
Page 177 and 178:
alternative to authoritarian societ
Page 179 and 180:
according to Nielsen, socially irra
Page 181 and 182:
The public bath and sauna were inst
Page 183 and 184:
of activism. They worked with squat
Page 185 and 186:
Troels Andersen - and together they
Page 187 and 188:
picture, then I shall portray it as
Page 189 and 190:
The Utopia Station in Venice, the c
Page 191 and 192:
invitation to self-organize speaks
Page 193 and 194:
critical' deviCes of Marcel Broodth
Page 195 and 196:
international team led by Okwui Enw
Page 197 and 198:
society of extras, where everyone f
Page 199 and 200:
work was included in Global Concept
Page 201 and 202:
d'art moderne de la Ville de Paris.
Page 203 and 204:
1990. 157-8 (oJlective Actions, Kol
Page 205 and 206:
Laddaga, ReinaJdo, Estetica de fa e
Page 207 and 208:
Defert, Daniel 156 Deleuze, Gilles
Page 209 and 210:
Ray, Charles 88 Reagan, Ronald 135
Page 211:
'i/ildm J)/(isj.ano '(,:kii:8 :1'::
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