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computers and space for working. Making sculpture. doing research. having<br />

experiences that you don't usualiy have. Learning another language, for<br />

example. I repeat: the Foucault-Studio, the Foucault-Shop, the Auditorium, the<br />

book-, sound- and media-library, the Foucault Exhibition, the contributors (every<br />

other day), the Foucault-Map, the Foucault Archives. These eight elements will be<br />

put alongside each other as in the human brain: they disrupt each other, they<br />

complete each other, they compete against each other. But they never contradict<br />

each other - they demonstrate the complexity and the infinity of thought. There<br />

will be chairs, lots of chairs, armchairs, lots of armchairs for sitting down and<br />

reflecting, reading and exchanging. There will be lots of light. Foucault Art Work<br />

will be very lit. In the Foucault Art Work there will be lots of computers,<br />

photocopiers, audio-recorders, video and DVD recorders, TV screens, but all these<br />

objects wtll be integrated, mastered; tools, arms, but never aesthetic effects with<br />

which to intimidate the public, or to show them new technology. The<br />

technologies serve art, they serve philosophy. They will be tools, but not<br />

necessities. To kill them, it's not necessary to have a gun. To construct a house, it's<br />

not necessary to have a hammer. You must always work firstly with your brain.<br />

Foucault Art Work will not be a Thomas Hirschhorn exhibition. I will have<br />

contributed to this project with others, I hope lots of others. Marcus Steinweg,<br />

Manueljoseph, Christophe Fiat, Peter Gente, not to mention those to whom I've<br />

already spoken of the project. This project will be made together, multiply, with<br />

multiple singularities, active, turned towards affirmation, the other. Turned to<br />

the other with friendship, but without compromise. Neither visual, nor of<br />

meaning, nor of space, nor of content.<br />

Foucault Art Work is an ambitious project. It is itself an affirmation as much<br />

as a work of art.<br />

Thomas Hirschhorn, artist's proposal,24h FoucaultjournaJ (Paris: Palais de Tokyo, 2-3 October 2004).<br />

Translated by Claire Bishop, 2006.<br />

Hirschhornl124h Foucault; /157

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