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Roland Barthesl I Joseph Beuysl/Nic
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Documents of Contemporary Art
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Documents of Contemporary Art In re
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THEORETICAL FRAMEWORKS Umberto Eco
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Claire Bishop Introduction/ /Viewer
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media in the form of reality televi
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culture by those subjugated to its
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onto solid ground: 3 For a detailed
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Umberto Bco The Poetics of the Open
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dialectics between the work of art
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Henri Pousseur cited by Umberto Eco
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the necessary and the univocal is a
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the more true of poetic works that
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same sense that a debate is 'open'.
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and sensation - in short, an empiri
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the objects which are actually perc
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fact, to use Einstein's words, pres
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to a continuous generation of inter
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'enjoyment' of a work of art repres
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e found in ordinary culture is tyra
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- Page 48 and 49: Peter Burger The Negation of the Au
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- Page 54 and 55: false sublation of autonomous art.'
- Page 56 and 57: Jean-Luc Nancy The Inoperative Comm
- Page 58 and 59: the stumbling block to thinking of
- Page 60 and 61: unknown to Lenin, Stalin and Trotsk
- Page 62 and 63: irreparable) rupture in this commun
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- Page 66 and 67: have imagined their death reabsorbe
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- Page 70 and 71: This is why community cannot arise
- Page 72 and 73: Georges BataHle, Oeuvres Completes,
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- Page 86 and 87: It is having to negotiate the relat
- Page 88 and 89: a fantastical poetry made from the
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- Page 92 and 93: throughout society.' Through this d
- Page 94 and 95: in their own ways, the great fresco
- Page 98 and 99: Guy Debord Towards a Situationist I
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- Page 104 and 105: Allan KaplOw Notes on the Eliminati
- Page 106 and 107: There is an exception, however, to
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- Page 112 and 113: Lygia Clark and Helio Oiticica Lett
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- Page 122 and 123: Joseph Beuys and Dirk Schwarze Repo
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- Page 128 and 129: Communication occurs in reciprocity
- Page 130 and 131: longer be seen. Each of the partici
- Page 132 and 133: Adrian Piper Notes on Funk, I-H11 1
- Page 134 and 135: Adrian Piper, Notes on Funk I, 1985
- Page 136 and 137: fear or shame, and so to gain a dee
- Page 138 and 139: accepted understandings of art and
- Page 140 and 141: Eda Cuier Transnacionalaj A Journey
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Carsten Holler The Baudouin/Boudewi
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Jeremy Deller The BatHe of Orgreave
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w@ @cuw 0[QJO@UU Gill@ 0@@wG ®u cu
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and her assistants sitting there am
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Tiravanija most often if not always
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Thomas Hirschhorn 24h Foucault; /20
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philosopher friend Marcus Steinweg
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COLlABORATION IS THE ANSWER BUT WHA
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Nicolas Bourriaud Relational Aesthe
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keep the streets clean. The same li
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the current enthusiasm for revisite
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obvious bacl
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a concern for democracy. For art do
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contemporary artists who create and
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l.ars Bang l.arsen Socia! Aesthetic
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possibilities for playing as few? W
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Palle Nielsen's projects for Festiv
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installation. Actual participation
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collectively, in the exhibition as
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emodelling of the inner city to the
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Molly Nesbit, Hans-Ulrich Obrist, R
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small rooms in which you will see i
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from experience itself, lmowledge a
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Hal Foster Chat Rooms/ /2004 The An
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globalization is advanced (it is a
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sites', while Tiravanija rejects 't
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Biographical Notes Roland Barthes (
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Felix Guattari (1930-92) was a Fren
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Bibliography Agamben, Giorgio, The
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Gonzales�Torres, Felix, interview
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Index Adorno, Theador 184 Althusser
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joyce,james 28-9, 32 Kabakov, I1ya
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ACKNOWL Editor's ackno Many thanks
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