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Gonzales�Torres, Felix, interview by Tim Rollins, in Felix Gonzalez-Torres, AR.T. Press, New York, 1993 Graham, Dan, Two-Way Mirror Power, ed. jeff Wall, The MIT Press, Cambridge, Massachusetts, 1999 Group Material, Democracy: A Project by Group Material, Bay Press, Seattle, 1990 Guattari, Felix, 'The Postmodern Impasse', in Gary Genosko, ed., The Guattari Reader, Blackwell, Oxford, 1996, 109-13 Guattari. Felix, Chaosmose, Editions GalHee, Paris, 1992; trans. Paul Bains and julian Pefanis, Chaosmosis: An Ethico-Aesthetic Paradigm, Indiana University Press, Indianapolis, 1995 Hagoort, Erik. Good Intentions: judging the Art of Encounter, Netherlands Foundation for Visual Arts, Design and Architecture (Fonds BI
Laddaga, ReinaJdo, Estetica de fa emerge/Kia - La formaci6n de ot'ra culwra de las artes, Adriana Hidalgo, Buenos Aires, 2006 Larsen, Lars Bang, 'Social Aesthetics: 11 examples to begin with, in the light of parallel history', Ajterall, issue 1, Central Saint Martin's School of Art, London, 1999, 76-87 Larsen, Lars Bang, and Chus Martinez, Carles Guerra, The Invisible Insurrection of a Million Minds: Twenty Proposa/s for Imagining the Future, Sala Rel
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Roland Barthesl I Joseph Beuysl/Nic
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Documents of Contemporary Art
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Documents of Contemporary Art In re
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THEORETICAL FRAMEWORKS Umberto Eco
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Claire Bishop Introduction/ /Viewer
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media in the form of reality televi
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culture by those subjugated to its
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onto solid ground: 3 For a detailed
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Umberto Bco The Poetics of the Open
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dialectics between the work of art
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Henri Pousseur cited by Umberto Eco
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the necessary and the univocal is a
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the more true of poetic works that
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same sense that a debate is 'open'.
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and sensation - in short, an empiri
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the objects which are actually perc
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fact, to use Einstein's words, pres
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to a continuous generation of inter
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'enjoyment' of a work of art repres
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e found in ordinary culture is tyra
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meaning (the 'message' of the Autho
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Peter Burger The Negation of the Au
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talents, though with the proviso th
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that would have consequences within
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false sublation of autonomous art.'
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Jean-Luc Nancy The Inoperative Comm
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the stumbling block to thinking of
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unknown to Lenin, Stalin and Trotsk
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irreparable) rupture in this commun
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us, community has never taken place
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have imagined their death reabsorbe
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peculiar gesture - the impossibilit
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This is why community cannot arise
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Georges BataHle, Oeuvres Completes,
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nomadism practised by populations t
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case its being surpassed, it tells
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is also the thought of what is rela
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Root identity - is founded in the d
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the possible 'far from the equilibr
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the planet is going through - such
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It is having to negotiate the relat
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a fantastical poetry made from the
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distance then replaces provocative
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throughout society.' Through this d
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in their own ways, the great fresco
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ARTISTS' WRITINGS Guy Debord Toward
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a city would tend to induce a singl
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diminish, while the share of those
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for fighting, on the level of the p
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fulfils neither its implications no
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Helio Oiticica Dance in My Experien
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this structure and vice-versa with
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invited to walk through the tonal d
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what's great is this diversity of p
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stimulates it, in an erotic way too
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who reaches, more and more profound
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Graciela Carnevale Project for the
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ese eaple are t e � ctors� ere
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11:20 a.m. The discussion expands:
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Joseph Beuys and Dirk Schwarze, Rep
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Joseph l3euys I Am Searching for Fi
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Collective Actions Ten Appe(m:mces/
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around the names of the events depi
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lack culture. This first part of th
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dialogues with anywhere from one to
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Group Materia! On Democracy// 1990
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people discussing their relation to
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project which took place in 1993. T
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and intellectual communities reveal
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is documented in the book Transnaci
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from providing a programme or metho
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from the outset because there seeme
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Rirkrit Tiravcmija No Ghosts in the
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Page 155 and 156: were slowly shipped to Vienna. As t
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Page 161 and 162: CRITICAL AND CURATORIAL POSITIONS N
Page 163 and 164: Once it had been elevated to the st
Page 165 and 166: Conviviality ami encollnters A work
Page 167 and 168: stylistic, thematic or iconographic
Page 169 and 170: are quite happy to create modus viv
Page 171 and 172: correspond to a relational world fo
Page 173 and 174: 8 Georges Bataille, 'L'Apprenti sor
Page 175 and 176: subject's interaction with culture
Page 177 and 178: alternative to authoritarian societ
Page 179 and 180: according to Nielsen, socially irra
Page 181 and 182: The public bath and sauna were inst
Page 183 and 184: of activism. They worked with squat
Page 185 and 186: Troels Andersen - and together they
Page 187 and 188: picture, then I shall portray it as
Page 189 and 190: The Utopia Station in Venice, the c
Page 191 and 192: invitation to self-organize speaks
Page 193 and 194: critical' deviCes of Marcel Broodth
Page 195 and 196: international team led by Okwui Enw
Page 197 and 198: society of extras, where everyone f
Page 199 and 200: work was included in Global Concept
Page 201 and 202: d'art moderne de la Ville de Paris.
Page 203: 1990. 157-8 (oJlective Actions, Kol
Page 207 and 208: Defert, Daniel 156 Deleuze, Gilles
Page 209 and 210: Ray, Charles 88 Reagan, Ronald 135
Page 211: 'i/ildm J)/(isj.ano '(,:kii:8 :1'::
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