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COLlABORATION IS THE ANSWER BUT WHAT IS THE QUESTION
CRITICAL AND CURATORIAL POSITIONS Nicolas Bourriaud Relational Aesthetics/ /160 Lars Bang Larsen Social Aesthetics/ /172 Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija What is a Station? //184 Hal Foster Chat Rooms/ /190
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Roland Barthesl I Joseph Beuysl/Nic
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Documents of Contemporary Art
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Documents of Contemporary Art In re
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THEORETICAL FRAMEWORKS Umberto Eco
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Claire Bishop Introduction/ /Viewer
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media in the form of reality televi
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culture by those subjugated to its
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onto solid ground: 3 For a detailed
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Umberto Bco The Poetics of the Open
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dialectics between the work of art
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Henri Pousseur cited by Umberto Eco
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the necessary and the univocal is a
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the more true of poetic works that
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same sense that a debate is 'open'.
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and sensation - in short, an empiri
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the objects which are actually perc
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fact, to use Einstein's words, pres
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to a continuous generation of inter
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'enjoyment' of a work of art repres
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e found in ordinary culture is tyra
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meaning (the 'message' of the Autho
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Peter Burger The Negation of the Au
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talents, though with the proviso th
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that would have consequences within
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false sublation of autonomous art.'
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Jean-Luc Nancy The Inoperative Comm
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the stumbling block to thinking of
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unknown to Lenin, Stalin and Trotsk
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irreparable) rupture in this commun
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us, community has never taken place
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have imagined their death reabsorbe
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peculiar gesture - the impossibilit
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This is why community cannot arise
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Georges BataHle, Oeuvres Completes,
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nomadism practised by populations t
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case its being surpassed, it tells
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is also the thought of what is rela
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Root identity - is founded in the d
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the possible 'far from the equilibr
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the planet is going through - such
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It is having to negotiate the relat
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a fantastical poetry made from the
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distance then replaces provocative
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throughout society.' Through this d
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in their own ways, the great fresco
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ARTISTS' WRITINGS Guy Debord Toward
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a city would tend to induce a singl
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diminish, while the share of those
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for fighting, on the level of the p
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fulfils neither its implications no
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Helio Oiticica Dance in My Experien
Page 109 and 110: this structure and vice-versa with
Page 111 and 112: invited to walk through the tonal d
Page 113 and 114: what's great is this diversity of p
Page 115 and 116: stimulates it, in an erotic way too
Page 117 and 118: who reaches, more and more profound
Page 119 and 120: Graciela Carnevale Project for the
Page 121 and 122: ese eaple are t e � ctors� ere
Page 123 and 124: 11:20 a.m. The discussion expands:
Page 125 and 126: Joseph Beuys and Dirk Schwarze, Rep
Page 127 and 128: Joseph l3euys I Am Searching for Fi
Page 129 and 130: Collective Actions Ten Appe(m:mces/
Page 131 and 132: around the names of the events depi
Page 133 and 134: lack culture. This first part of th
Page 135 and 136: dialogues with anywhere from one to
Page 137 and 138: Group Materia! On Democracy// 1990
Page 139 and 140: people discussing their relation to
Page 141 and 142: project which took place in 1993. T
Page 143 and 144: and intellectual communities reveal
Page 145 and 146: is documented in the book Transnaci
Page 147 and 148: from providing a programme or metho
Page 149 and 150: from the outset because there seeme
Page 151 and 152: Rirkrit Tiravcmija No Ghosts in the
Page 153 and 154: and space continuum which has been
Page 155 and 156: were slowly shipped to Vienna. As t
Page 157 and 158: with works of art. I can seize thei
Page 159: computers and space for working. Ma
Page 163 and 164: Once it had been elevated to the st
Page 165 and 166: Conviviality ami encollnters A work
Page 167 and 168: stylistic, thematic or iconographic
Page 169 and 170: are quite happy to create modus viv
Page 171 and 172: correspond to a relational world fo
Page 173 and 174: 8 Georges Bataille, 'L'Apprenti sor
Page 175 and 176: subject's interaction with culture
Page 177 and 178: alternative to authoritarian societ
Page 179 and 180: according to Nielsen, socially irra
Page 181 and 182: The public bath and sauna were inst
Page 183 and 184: of activism. They worked with squat
Page 185 and 186: Troels Andersen - and together they
Page 187 and 188: picture, then I shall portray it as
Page 189 and 190: The Utopia Station in Venice, the c
Page 191 and 192: invitation to self-organize speaks
Page 193 and 194: critical' deviCes of Marcel Broodth
Page 195 and 196: international team led by Okwui Enw
Page 197 and 198: society of extras, where everyone f
Page 199 and 200: work was included in Global Concept
Page 201 and 202: d'art moderne de la Ville de Paris.
Page 203 and 204: 1990. 157-8 (oJlective Actions, Kol
Page 205 and 206: Laddaga, ReinaJdo, Estetica de fa e
Page 207 and 208: Defert, Daniel 156 Deleuze, Gilles
Page 209 and 210: Ray, Charles 88 Reagan, Ronald 135
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'i/ildm J)/(isj.ano '(,:kii:8 :1'::
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