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joyce,james 28-9, 32 Kabakov, I1ya 15, 129 Kafka, Franz 28 Kant, Immanuel 71 Kaprow, Allan 15, 102�4 Kawara, On 89, 163 Kelley, Mike 165 Kiarostami, Abbas 185, 189 Kilimnik, Karen 149 Kinmont, Ben 164 Kittehnann, Udo 151 Koons, jeff 165 Kozlov, N. 128 Kraftwerk 164 Kudo, Tetsumia 165 Kwon, Miwon 54 Larsen, Lars Bang 15, 172-83 Lavier, Bertrand 92 Le Parc, julio 113 Lee, Pamela N. 54 Leger, Fernand 191 Leibniz, Gottfried Wilhelm 63 Leiderman, Yurl 1420 Lenin, V. I. 58 Lewinsky, Monica 87 Lissitzky, El 193 Lyotard, Jean-Franc;ois 70n Mir, Aleksandra 182 Monroe, Marilyn 107 Morgan, jessica 54 Morris, William 179 Mozart, Wolfgang Amadeus 133 N55 group 175-6, 179 Nancy,jean-Luc 13, 54-70 Negri, Antonio 13 see also Hardt, Michael and Antonio Negri Nekrasov, Vsevolod 15, 128 Nesbit. Molly 184-9 see also Obrist, Hans Ulrich; Tiravanija, Rirkrit Nielsen, Palle 173-7, 178 Nietzsche, Friedrich 61, 69, 106, 154 Nixon, Richard 178 Novalis (Friedrich von Hardenberg) 27 Obrist, Hans-Ulrich 190, 193-4 see also Nesbit, Molly; Tiravanija, Rirkrit Olticica, Helio 10, 15, 105-9 see a/so Clari
Ray, Charles 88 Reagan, Ronald 135 Rosler, Martha 10, 84, 87, 187 Rouch, Jean 193 Rousseau, Jean-Jacques 59-61. 160 Ruppersberg, Allen 10 Ruskin,John 179 Sa la, Ami 187 Samore, Sam 131 Sartre, Jean-Paul 34, 54. 56, 194 Scanlan, Joe 191 Schemberg, Mario 111 Scherer. Jacques 31 Schiller. Friedrich von 122 Schindler, Rudolph 152 Schlegel, Friedrich von 60 Schopenhauer, Arthur 178 Schwarze, Dirk 15, 120-4 Schwitters, KUrt 192 Sekula, Allan 187 Smithson, Robert 165 So!zhenitsyn, Aieksandr 55 Spero, Nancy 187, 188 Spinoza, Benedict 36, 154 Spoerri. Daniel lO, 163 Stalin, Josef 58 Steiner, Rudolph 122 Steinweg. Marcus 154. 156, 157 Stockhausen, Karlheinz 20, 36 Stravinsky. Igor 21 lay\or-Wood, Sam 91 Tchaikovsky, Pyotr 42 Thek, Paul 165 Thybo, Finn 180-1, 183 Tindall, W.Y. 28 Tiravanija, Rirkrit 15. 90, 149-53, 164, 185, 190, 191-3 see also Nesbit, Molly; Obrist, Hans-Ulrich Tobier, Lincoln 164 Trotsky, Leon 58 Tzara, Tristan 51 Valery, Paul 28, 42, 50 Van Gogh, Vincent 42 Varda, Agnes 187 Veloso, Caetano 111-12, 116, 117n Verdi, Giuseppe, Aida 21 Verlaine, Paul 27 Vernant. Jean-Pierre 45 Villiers de l'lsle Adam, Auguste de 65 Viola, 8i11 91-2 Voste\l, Wo lf 87 Wagner, Richard 60, 91 Wallerstein, Immanuel 189 WangDu 87 Warhol, Andy 87 Webern, Anton 30 Weiner, Lawrence 187 Weiss, David 89 see also Fischli. Hans. and David Weiss West, Franz 164 Whitehead, Alfred North 29 Wild!:'!, Oscar 169 Wilson, Edmund 29 Wilson, Ian 10 Wodizc!
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Roland Barthesl I Joseph Beuysl/Nic
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Documents of Contemporary Art
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Documents of Contemporary Art In re
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THEORETICAL FRAMEWORKS Umberto Eco
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Claire Bishop Introduction/ /Viewer
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media in the form of reality televi
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culture by those subjugated to its
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onto solid ground: 3 For a detailed
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Umberto Bco The Poetics of the Open
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dialectics between the work of art
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Henri Pousseur cited by Umberto Eco
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the necessary and the univocal is a
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the more true of poetic works that
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same sense that a debate is 'open'.
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and sensation - in short, an empiri
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the objects which are actually perc
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fact, to use Einstein's words, pres
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to a continuous generation of inter
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'enjoyment' of a work of art repres
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e found in ordinary culture is tyra
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meaning (the 'message' of the Autho
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Peter Burger The Negation of the Au
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talents, though with the proviso th
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that would have consequences within
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false sublation of autonomous art.'
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Jean-Luc Nancy The Inoperative Comm
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the stumbling block to thinking of
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unknown to Lenin, Stalin and Trotsk
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irreparable) rupture in this commun
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us, community has never taken place
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have imagined their death reabsorbe
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peculiar gesture - the impossibilit
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This is why community cannot arise
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Georges BataHle, Oeuvres Completes,
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nomadism practised by populations t
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case its being surpassed, it tells
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is also the thought of what is rela
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Root identity - is founded in the d
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the possible 'far from the equilibr
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the planet is going through - such
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It is having to negotiate the relat
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a fantastical poetry made from the
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distance then replaces provocative
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throughout society.' Through this d
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in their own ways, the great fresco
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ARTISTS' WRITINGS Guy Debord Toward
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a city would tend to induce a singl
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diminish, while the share of those
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for fighting, on the level of the p
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fulfils neither its implications no
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Helio Oiticica Dance in My Experien
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this structure and vice-versa with
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invited to walk through the tonal d
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what's great is this diversity of p
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stimulates it, in an erotic way too
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who reaches, more and more profound
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Graciela Carnevale Project for the
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ese eaple are t e � ctors� ere
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11:20 a.m. The discussion expands:
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Joseph Beuys and Dirk Schwarze, Rep
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Joseph l3euys I Am Searching for Fi
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Collective Actions Ten Appe(m:mces/
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around the names of the events depi
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lack culture. This first part of th
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dialogues with anywhere from one to
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Group Materia! On Democracy// 1990
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people discussing their relation to
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project which took place in 1993. T
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and intellectual communities reveal
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is documented in the book Transnaci
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from providing a programme or metho
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from the outset because there seeme
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Rirkrit Tiravcmija No Ghosts in the
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and space continuum which has been
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were slowly shipped to Vienna. As t
Page 157 and 158: with works of art. I can seize thei
Page 159 and 160: computers and space for working. Ma
Page 161 and 162: CRITICAL AND CURATORIAL POSITIONS N
Page 163 and 164: Once it had been elevated to the st
Page 165 and 166: Conviviality ami encollnters A work
Page 167 and 168: stylistic, thematic or iconographic
Page 169 and 170: are quite happy to create modus viv
Page 171 and 172: correspond to a relational world fo
Page 173 and 174: 8 Georges Bataille, 'L'Apprenti sor
Page 175 and 176: subject's interaction with culture
Page 177 and 178: alternative to authoritarian societ
Page 179 and 180: according to Nielsen, socially irra
Page 181 and 182: The public bath and sauna were inst
Page 183 and 184: of activism. They worked with squat
Page 185 and 186: Troels Andersen - and together they
Page 187 and 188: picture, then I shall portray it as
Page 189 and 190: The Utopia Station in Venice, the c
Page 191 and 192: invitation to self-organize speaks
Page 193 and 194: critical' deviCes of Marcel Broodth
Page 195 and 196: international team led by Okwui Enw
Page 197 and 198: society of extras, where everyone f
Page 199 and 200: work was included in Global Concept
Page 201 and 202: d'art moderne de la Ville de Paris.
Page 203 and 204: 1990. 157-8 (oJlective Actions, Kol
Page 205 and 206: Laddaga, ReinaJdo, Estetica de fa e
Page 207: Defert, Daniel 156 Deleuze, Gilles
Page 211: 'i/ildm J)/(isj.ano '(,:kii:8 :1'::
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